Label : Queens of Sheba
Review by Davide Torresan
Mediæval Bæbes is a British ensemble of female musicians founded in 1996. The passion for Medieval music is what these girls have in common. You can understand it from the arrangements and the theatricality whereby they propose their music. Often their songs are nothing more than poems accompanied with the sweet melody of an harp, a violin, a flute, a lute and some low percussions.
In their texts they use several languages which are often unknown to some people (me for example) like Gaelic, Cadenet and many more. This feature makes their sound truly unique and original. Mediæval Bæbes boast an highly respectable discography. They even have placed three albums into the top of the classical charts. Their 7th studio album is called “The Huntress”, and it’s a double CD. Continue reading »
Interview by Matteo BussottiWe’re extremely proud to have here today Nanna Barslev, the singer from Huldre, a Denmark folk-metal new band. I listened to their first Album, “Intet Menneskebarn”…and I was simply stunned by the songs, the melodies, Nanna‘s voice and the general atmosphere it manages to create. Everyone of you should listen to it at least one time. This said…how could I not ask Nanna for an interview? I’d be crazy! And…here it is! Enjoy it! Hi Nanna! Welcome to Femme Metal, we are very pleased to have you here with us! How does it feel, after 6 six years, to have your first full-length released?
Thanks a lot Matteo. I am happy to be invited to your awesome zine. We are very proud to present our debut album “Intet Menneskebarn”. I feel things are making sense, when we finally share our songs and strange folklore universe with people worldwide and we are honored that so many like our debut album.Your live performances are been compared to Korpiklaani‘s ones, for the energy of your audience. From your point of view, what do you try to convey to your audience in your exhibitions? I bet you’re really happy when you see a reaction from the “other side” of the stage!
We are trying to give people a whole experience, and like the huldres from the folklore do, luring the audience into our music and world, with dance and song, making them forget everyday life.We balance between seriousness and irony. My mission is to be present and interact with the audience, bring them through many emotions, fun, sadness, tragedy, brutality, love etc. Our songs are all in different moods, so we can go from a tragic song to the next song where we invite to folk dance. And yes, that’s makes me very happy, when I see the audience respond with energy to our concerts, and of course we have fun on stage as well. Continue reading »
As she enters into her 30th year as a recording artist, Doro Pesch shows no signs of slowing down. In fact, she continues to be one of the hardest working and driven musicians in all of rock, yet through it all she remains one of the nicest and down-to-earth people you will ever meet. With her new album “Raise Your Fist” being her most successful in years, Doro is gearing up for a busy 2013 and beyond. That is good enough reason to catch up with the metal queen and get low down on what lies ahead.You were recently on tour in Europe for about a month before Christmas. How were the shows?
Yeah, we were in Germany, England, France, Czech Republic, Belgium, The Netherlands. Everybody was singing along, getting so excited. I really felt the new songs sounded awesome. The tour was mostly so out. 3 or 4 gigs were 99% full and all the other gigs were sold out. As we went on with the tour, every day we had some new news about shows selling out. It was great, so I think the record did really well and that was one of the reasons why there were so many people at the concerts. The whole tour was, I think the best tour we did in, oh god, I don’t know in how many years. Playing packed places that’s always so, so great. I hope when we do the American tour people will be just as excited, I’m so looking forward to it. But Yeah, I think the album was totally embraced by the fans and sometimes I saw some comments on the internet saying ‘you guys don’t play enough of the new album’ and I didn’t expect that because usually everybody wants to hear all of the classics. We did a set list where we combined all of the best songs from each album, but then sometimes we played more of the new record. In the States it came out a little later than in Europe and it made the billboard charts at number 64. I tell you, it moved me to tears, I was so happy to hear that, because you know how much America means to me, and that was the icing on the cake. Continue reading »
Interview by Lindz Riot
When people hear of Quebec, Canada they immediately think of Montreal, but to the east lays Quebec City where many good things are happening for Metal and Ambient experimental music alike. There you will find a gem, a diamond in the rough by the name of Manahil. Arabic for “The Sources” they are a duo that describes themselves as “Ambient music for Metal Heads” and from listening to them you can hear the concept. It is very refreshing! Fronted by the soulful and exotic voice of Hind Fazazi alongside piano wiz and musical visionist Mathieu Fiset, they are definitely adding something new to the music world. During their Ontario, Canada tour I have had the privilege to house them and sit down with them to get into their minds about what Manahil is and what they are doing that is so different.Welcome to Femme Metal guys! Thank you so much for doing this interview with us. It’s a real pleasure. So how are you two liking your Ontario tour so far?
Mathieu: Great ! So far only one show down, but we played here last October with Stream of Passion and Unexpect and that was great. I can’t wait to play Toronto tonight and Oshawa next week with Mary and the Black Lamb and Modified.
Hind: I cannot judge for the moment! But at least, people here are friendly …let’s see if the Toronto gig tonight will be as nice!How did you two meet?
Mathieu : Through a friend of ours. I asked Hind to come up to record a Steven Wilson cover song just for fun, but we ended creating music with an ambient instrumental track I had. This first song is the opening track of our first album.
Hind: I was fifteen years old at that time, and I already knew Mathieu was a great piano and keyboard player. We tried some covers together, in English first, but then we rapidly decided to experiment something new in Arabic, because we both were curious, open-minded and tired of traditional music!How did you decide on your sound? Was it a vision or something that just came out through jamming together?
Mathieu: We never planned anything really, but of course with the knowledge that she could sing in Arabic and the fact that I love exotic music, we just ended up doing lots of oriental stuff in the beginning. But later we added the pop, rock, electronic and progressive stuff.
Hind: We just ….let ourselves do whatever we wanted to. We knew that our two energies were going to give something unique. We jammed a lot in the beginning to see what we could create together, and then just continued that way until now!What are your musical backgrounds?
Mathieu: As a kid I was in love with the soundtracks of my favourite movies and then the music of Alegria from Cirque du Soleil really had an impact on me when I was 5 or 6. I took some piano lessons then stopped because the lessons were not what I imagined it would be. Later on, when I was 14, I started listening to metal so my interest in music came back. At 15 I joined my first metal band and slowly became a professional musician.
Hind: When I was a young little girl living in Morocco, I loved…Celine Dion! Then, when I moved to Quebec, I switched radically to thrash metal, Nu Metal and female fronted metal bands! Slayer, Sepultura, Korn, Within Temptation, Evanescence…afterward, I began to listen to Opeth and opened my mind to non-purely metal music, such as Nine Inch Nail, The Cure and Indian music.What artists have really influenced Manahil?
Mathieu: That would be a long list! But I can say that my favourite bands are Tool, Nine Inch Nails, Porcupine Tree, Opeth but also some other artists have had a major impact like Peter Gabriel, Rachid Taha and Hans Zimmer.
Hind: For me, singers like Amy Lee, Tori Amos, Norah Jones and Susheela Raman, a folk-indian artist, influenced my interpretation.You say you are ambient music for metal heads, what do you mean by this statement? Are you both heavily into metal?
Mathieu: Yeah, as you might guess by now, we both listen to a lot of rock and metal music, but we need something to balance it all, so we create kind of an ambient or electronic version of the metal music we want to hear.
Hind: As I have already said, we LOVE metal and listen to metal bands, but we hate to categorize ourselves as metal heads. Also, we don’t want to get bored by doing the same old style all the time and we absolutely adore oriental music and mixing styles that every open-minded metal head should appreciate.
Would you ever consider making Manahil a full band project?
Mathieu: No, because from the beginning we decided Manahil was the two of us, the creative force we are, and not a musical style.So even if we often have collaborators and live musicians, we prefer to keep the basic of Manahil as the two us.
Hind: Manahil, in Arabic, means The Sources, it’s only us two and we are the sources of the music we create!What has the respond to your music been like in the Province of Quebec?
Mathieu: I don’t really know, to be honest. It’s a positive response for sure, but since it’s a really personal music, everyone feels different to it.
Hind: It’s particular! Manahil is a very introspective music and in a show context, where people are used to scream, it’s weird. It’s as if the crowd finds it special to just listen and let the music enter in their hearts.Do you think you will be well received in Europe?
Mathieu: I guess!
Hind: I really think so. The North American audience is definitely different. The expectations are different, and I think, honestly, that the cultural aspect will be positive for us. We are a non-typical band, and maybe, I say maybe, it will be fully understood in Europe.Why do you feel the metal scene in Quebec has been progressing so rapidly as of late compared to the rest of North America? Do you agree with this statement?
Mathieu: I guess it’s mainly because there’s a lot more metal heads in Quebec so with a bigger crowd, you can have more bands, more shows…but I mostly feel there’s too much of the same thing. We certainly have some of the best extreme metal bands in the world.
Hind: I agree with Mathieu on that, particularly in Quebec City…Quebec, metal city! But yeah, there is too much of the same: too much black metal bands, classic Hardcore bands… it’s not very diversified!Tell me a bit about your new album, where did you record it? Who produced it? What can we expect to hear?
Mathieu: I produced, recorded and mixed it myself, mostly in my home studio but you’ll like to know that we recorded the vocals in Cardinal, Ontario. Musically, it’s a new experiment, more than a new direction. As much as we love the new album, we won’t do the same for the next album, just like every recording we’ve done and will do. It’s even more “Ambient music for Metal heads” than the first album. It’s a deeper, more sophisticated production which I’m really proud of and we went in musical areas that we never dared to explore yet, opening the door for more experiments in the future. We’re growing up I’d say!
Hind: Yeah, the composition of this album was a nice and refreshing experience. First, Mathieu sent me what he had done…the musical tracks sounded less melodic and more electronic to me… I didn’t know, at first, what I could sing on that! Then I experimented to write my melodies in a totally different way, and the result is amazing: a mix of very melodic vocals mixed with dark-electro-industrial-oriental music!I noticed a hint of a Jazz influence on your most recent EP, can we expect to hear something like that on your next album?
Hind: No, or maybe inconsistently in a few back vocals. We both love jazz, but we already explored what we could do with that on “From Roots to Clouds”, “Alouanou Sama” is totally something else!Last question: Outside of music, what are your lives like from day to day living?
Mathieu: Music is my day job, but I’d say I don’t play as much as I’d like to. Doing lots of planning, booking, promotion, paper work, I don’t take much time off, but I like to change my mind from time to time playing games and watching stuff on YouTube. I’m a complete nerd, so I don’t have of a much social life.
Hind: I’m going to University, studying philosophy and politics. Those subjects are my main passions with music. I am involved in my community, and I try to be active to promote a provincial political party by the name of Quebec Solidaire. I’m a part time musician, but a full time good citizen, I think. I read a lot and love to party with friends!
All the photos by Fred Laroche
Interview by Erwin van DijkAn in-depth chat with Chiara, the soprano singer of the well-promising Italian Gothic Metal band Lust for Oblivion about their debut demo “Black Moon” and their musical future. Did you always want to become a singer?
I’ve always loved music and my first experience with it was at the age of nine, when I started playing the piano, but I’ve always loved singing, too, since when I was a child, so, some years ago, I started taking opera singing lessons.And to what kind of music do you listen yourself?
I listen to classical music, especially opera and piano compositions and also to metal music.And who are your favorite bands and musicians?
Bands like Dark Tranquillity, Moonspell, Within Temptation, Lacuna Coil, Tristania are my favorite, but I’ve surely forgotten some…obviously I adore Tarja Turunen!!!! My favorite classical musicians are W.A.Mozart, F.Chopin and K.Orff.
Style switcher only on this demo version. Theme styles can be changed from Options page.
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- My Ruin – “The Sacred Mood” (2013)
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- Upon Wings – “Afterlife” EP (2013)
- Maxine Petrucci – “Back to the Garden” (2013)
- Masterforce – “Until the End of Time” DEMO (2011)
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- Igorrr – “Hallelujah” (2012)
- North Diamond – “По Ту Сторону Бытия” ["On the Other Side of Being" - "Po Tu Storonu Biytiya"] (2012)
- Kvitrafn (Einar Selvik) – Wardruna
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- Jessie Ware – “Devotion” [The Gold Edition] (2013)
- Hugo Flores & Jessica Lehto – Factory of Dreams
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- Black Heaven – “Dystopia” (2011)
- Fourever – “Solitarium” (2012)
- Embassy of Silence – “Antler Velvet” (2013)