Interview by Alessandra CognettaMany of you remember her from Kamelot, but Elize Ryd‘s career is so rich I don’t think I can fit it all in an introduction. A talented artist and a really sweet person, she agreed to answer some questions for us about her latest effort with the unique band Amaranthe (their second album “The Nexus” will be in stores by the end of March, check their website to see when it’s out in your country!). You’re going to read about music, dancing, Eurovision (?!), bizarre incidents on tour and, well, I’m not gonna spoil anything, see for yourselves, you’re in for a truly interesting interview! Hello and welcome once again to Femme Metal, Elize! It’s always a pleasure to have you with us at the ‘zine. Amaranthe‘s new album is about to be released, and the band has a world live premiere planned for March 2nd in Sweden. How’s it going with the preparations for the event? What can we expect to see?
Thank you very much, it’s a pleasure for me as well! It is going great, on Monday the band are gonna meet in Gothenburg and start to rehears of the new songs. You will see Amaranthe in full and healthy shape, we all have had some time of the scene so it will be extremely fun to gather again and start this what will be an extremely intense and exiting year
Interview by Vard AmanNear Manaus in Brazil the dark clear Rio Negro joins the muddy Amazon and the water from two rivers flow beside one another without mixing, distinctly separate for a distance of about 6 km in the same river bed. It is known as the “Meeting of Water”, and such an unusual natural phenomenon has made it one of the main tourist attractions in Manaus. In Moscow, Russia, the beautiful melodic vocals of Slavic Folk joins the heavy, powerful guitars; pounding drums; and electronic elements of Industrial / Industrial Metal without mixing, distinctly separate from each other in the same band, and throughout an entire album and 3 track maxi-single. They are known as Risha, and such an unusual and unique blend has made them one of the hottest new prospects around. I spoke to two of those responsible: vocalist and bassist, Rishafox (also known as Risha, and sometimes, on the odd occasion, as Irina Lvova), and guitarist and programmer, Andrey Ostrav. Hi, welcome to FMW. Nice to be able to talk to you!
Risha & Ostrav: Zdravstvujte!So, how did the three of you meet and when did you decide to start Risha?
Risha: We met a long ago. I was 17 then and it was probably my first time on stage, exactly with the musicians who play in Risha now. After that we were scattered about different music projects but 2 years ago we met again. I and Ostrav have created the idea of Risha and Alex, the drummer, joined us thereafter.Tell us a little about your musical background, previous bands, and your session work.
Risha: Oh… During my not-that-long rock’n’roll life I played with about 20 bands, went on a European tour with Arkona, performed at big venues in Moscow, St. Petersburg and other cities, as well as in small underground clubs all over Russia. I always played in bands that differed a lot by style.
Оstrav: For about 8 years with the drummer Sasha we made part of one of the cult Russian industrial gothic bands of the 00′s – Deform. We toured over our endless country from side to side, shared stage with famous Russian and foreign bands like Korn, Papa Roach, Marilyn Manson, Eisbrecher, Deathstars, etc. This was fantastic! Continue reading »
As she enters into her 30th year as a recording artist, Doro Pesch shows no signs of slowing down. In fact, she continues to be one of the hardest working and driven musicians in all of rock, yet through it all she remains one of the nicest and down-to-earth people you will ever meet. With her new album “Raise Your Fist” being her most successful in years, Doro is gearing up for a busy 2013 and beyond. That is good enough reason to catch up with the metal queen and get low down on what lies ahead.You were recently on tour in Europe for about a month before Christmas. How were the shows?
Yeah, we were in Germany, England, France, Czech Republic, Belgium, The Netherlands. Everybody was singing along, getting so excited. I really felt the new songs sounded awesome. The tour was mostly so out. 3 or 4 gigs were 99% full and all the other gigs were sold out. As we went on with the tour, every day we had some new news about shows selling out. It was great, so I think the record did really well and that was one of the reasons why there were so many people at the concerts. The whole tour was, I think the best tour we did in, oh god, I don’t know in how many years. Playing packed places that’s always so, so great. I hope when we do the American tour people will be just as excited, I’m so looking forward to it. But Yeah, I think the album was totally embraced by the fans and sometimes I saw some comments on the internet saying ‘you guys don’t play enough of the new album’ and I didn’t expect that because usually everybody wants to hear all of the classics. We did a set list where we combined all of the best songs from each album, but then sometimes we played more of the new record. In the States it came out a little later than in Europe and it made the billboard charts at number 64. I tell you, it moved me to tears, I was so happy to hear that, because you know how much America means to me, and that was the icing on the cake. Continue reading »
Interview by Alessandra CognettaSoph Day is the lead singer and guitarist for the English doom metallers Alunah. With two albums released and an upcoming European tour in 2013 we took the chance to have a nice chat with her about the band, the music, vinyl vs digital and more. If you’re into doom, check out their work (“White Hoarhound” is already out and is getting a special vinyl edition very soon!), you definitely won’t be disappointed. Hello and welcome to Femme Metal, Soph! It’s a pleasure to have you here and feature Alunah on the ‘zine. Let’s start off with the big news: you recently signed with no other than Napalm Records / Spinning Goblin Productions! A limited edition vinyl is going to be released in mid January. So, how did you guys get to such an important deal and what was the reaction to the news?
Hello guys, thanks for having me! Yeah we’re very happy to be working with Austrian label Napalm Records and their sub company Spinning Goblin Productions. The label is very important in terms of metal, and more recently in terms of stoner and doom metal with the likes of artists such as Monster Magnet, Brant Bjork, Karma to Burn and Candlemass. It’s because of these artists that we came to be familiar with the label, and sitting amongst our musical inspirations is a dream come true. We released our debut album “Call of Avernus” on Catacomb Records which is run by myself and our guitarist Dave – so self-released really. “White Hoarhound”, our second album was released on PsycheDOOMelic Records, another well respected Austrian label which we are proud to be a part of. Napalm Records will be releasing “White Hoarhound” on limited edition green vinyl and white vinyl, we basically sent it over to them for consideration and they got in touch, we couldn’t be happier. Our PR Company Platinum PR also did an amazing job in getting us European press, which helped our profile over there greatly. The vinyl will be released on 25th January 2013, and pre-orders are available now from the label.Music has evolved greatly throughout the years, and technological innovation definitely played a big role in the process. We’ve seen devices come and go in the blink of an eye. But vinyls seem to be willing to survive the change. Why is that? What is, in your opinion, their value and what do you think about digital music and the billion formats that are currently available?
You get a completely different listening experience with vinyl than you do with any other kind of format. I’m a graphic designer so being able to see the artwork up close is important for me. I remember when I was 14 years old listening to my mom’s copy of Electric Light Orchestra‘s “Out of the Blue” for the first time. Staring into the amazing spaceship artwork and hearing this (for me) new sound blew me away, it gave me a whole new musical experience. In the 60s, especially with psychedelic bands such as The Grateful Dead and 13th Floor Elevators, the artwork was such an important part of the music, and that’s been passed onto the stoner, doom and psychedelic scenes. It’s definitely something we try to do with Alunah – make the artwork part of the music. With vinyl, the complete package is a piece of art, from the artwork and the way the sleeve folds out, to the colour of the vinyl and the warm sound and crackle of the music itself – it’s precious and means different things to different people. Also, my heart is rooted in the 60′s and the 70′s, so for me, my favourite albums of all time were meant for listening to on vinyl, and this is how they are best listened to. The first bands I heard on vinyl were Deep Purple, Electric Light Orchestra and T-Rex, I’m not sure I would feel the same about those recordings now if I had first heard them on mp3. However, if you live a life of convenience where you require music on the go as opposed to sitting down and drinking it all in, then digital music is great! I don’t actually own an mp3 player, but I have a Spotify account and racks upon racks of CDs. If I come across a great band or musician through Spotify, I’ll buy their album, and I’ve found so many bands this way. I would never choose to download the album and listen to it on an mp3 player, but I suppose if I had to take public transport or work outside etc. then I definitely would. Nowadays people have more choice as to how they listen to music, and that can only be a good thing, you can wake with music, spend all day with music and go to sleep with music… what’s better than that? Continue reading »
The heavy, do-it-yourself, Hamburg based metal band A Million Miles are proud to announce their recent signing with German label Abandon Records for their long awaited debut album “What’s Left Behind” scheduled to hit stores on April 5th, 2013 via New Music Distribution!
After 4 years of heavily touring the metal underground of Europe, A Million Miles signed a publishing deal with Enorm Music, the publishing company of Wacken/ICS in early 2012 and entered the Hammer Studios Hamburg (Gammy Ray) with Eike Freese of Dark Age to record their first full-length album.
Style switcher only on this demo version. Theme styles can be changed from Options page.
- Circus of Lamia – “Welcome Madness” EP (2011)
- Helen Money – “Arriving Angels” (2013)
- Serpent Omega – “Serpent Omega” (2013)
- Mystery Blue – “Conquer the World” (2013)
- Orianthi – “Heaven in This Hell” (2013)
- Pamela Moore – “Resurrect Me” (2013)
- Dante Fox – “Lost Man’s Ground” (2012)
- A Persuasive Reason – “A Persuasive Reason” EP (2013)
- The Reasoning – “And Another Thing…” EP (2012)
- HUNTRESS & GOLD @ 013, Tilburg, THE NETHERLANDS 08/06/2013
- Anneke Van Giersbergen
- Noora Louhimo – Battle Beast
- Leah – “Of Earth & Angels” (2013)
- Kells – “Anachromie” (2012)
- Tristania – “Darkest White” (2013)
- Infinitus Mortus – “The Conspiracy of Love” (2012)
- Illuminata – “A World So Cold” (2011)
- Hitherside – “Hitherside” EP (2012)
- Hanging Doll – “The Sacred & Profane” (2012)
- Edenbridge – “The Bonding” (2013)
- Delain – “Interlude” (2013)
- Emily Lazar – September Mourning
- Ashley Costello – New Years Day
- Androniki Skoula – Chaostar
- Arkona – “Decade of Glory” LIVE (2013)
- Оксидерика – “Step to Darkness” (2013)
- Chaostar – “Anomima” (2013)
- Helalyn Flowers – “White Me In Black Me Out” (2013)
- My Ruin – “The Sacred Mood” (2013)
- Belladonna – “Shooting Dice With God” (2013)