Interview by Si Smith
Flying the flag for Belgian metal are dedicated rockers Lovelorn, fronted by the attractively named Ladyhell (Kristell Lowagie). Melodic and passionate, they are determined to put Belgium in the centre of the map for quality metal. Links to groups such as Eve’s Apple (formed by Lisa Middlehauve) only serve to solidify their rock and metal credentials. Femme Metal cornered singer Ladyhell to probe deeper…. First thanks for talking to us, and welcome from all at Femme Metal. It seems that are a lady with many faces, as you are also active in other ventures. I believe you and Corpus Christi met for “The Road to Consciousness” project in 2009. Could you tell us a little about this?
Corpus Christi had composed all the tracks of his concept album “The Road to Consciousness” and he was in search for male and female voices. He contacted me, I listened to the songs, and I said yes, I thought the tracks were great ! Later on, we met at the studio to record the songs, and we had lots of fun. We had the same view and ideas about music, we both had no band at that time and we decided to start Lovelorn.You are also an active member in the Eve’s Apple community. For those who are not yet aware, how does Eve’s Apple work, and what role do you play in it?
Eve’s Apple is a community founded by Lisa Middelhauve. The goal is to join together professional female singers, so they can communicate, but also to help newcomers. We also write articles, express our ideas, give some hints, interact with fans. We don’t have a specific role, but we are all working in areas that we like or know better. For example, I’m better at promotion, so I’m trying to help as much as I can in that field.Your singing career has taken many turns too, from Skeptical Minds to Valkyre to guest vocals for Psy’Aviah. Have you come to a place where you know for sure what your voice is and how it should sound for Lovelorn?
I learned that I cannot sing the songs composed by others. I really need to sing my own songs. Because I wrote it, they perfectly fit to my voice. I have a voice that fits rock, gothic rock, but certainly not symphonic metal ! Yes, I think I know exactly how it should sound. In Lovelorn, I just make it sound like me, myself and I, and no one else !Put simply Lovelorn tells stories about love; what is it about love that makes it great material for such a wide variety of songs do you think?
Love rules the world ! It’s a subject that everybody can experience, you can tell 1000 different stories about love ! Love is not only about passion between a man and a woman, it can also be love for a god, for your family, for your friends, for nature…. anything is possible.A track of yours was included on the World of Glass Compilation. Do you think these compilations are important in these days of downloading? Do you feel it gained you any publicity?
Yes I think it helped us, I’m sure some people who listened to the compilation discovered Lovelorn. There are still some people curious about new bands, new projects and who are not brainwashed by commercial radios and TV stations. As a band, we also made friends with other bands on the compilation, yes that compilation was not made for nothing !I love your definition of your genre on your Facebook page – “alternative, rock, metal, electro, ambient” – well, that suitably walks over such a wide range of genres, how on earth do you decide what to record for any particular track when it comes to composing?
I can’t find a good definition for our music style, that’s why I’ve put so many !! ah ah !! If you have any opinion about which style we actually make, be my guest ! We don’t decide, it just comes naturally. I couldn’t really explain the composing process. Corpus Christi is coming with ideas, I put my voice on top then, we make adjustements. Sometimes we decide we want to put some electronic. It’s usually because I want to give a mysterious « atmosphere ».
Why is it important to you that the band members have pseudonyms – the other two being “Hindi Rose” and “Gabriel Arkangel”?
It’s not important ! It’s just for the fun !! Playing music, going on stage … it’s another part of you, another side of your everyday life, … so why not have other names ?So the EP “An Intense Feeling of Attraction” is now out. The first track is “Save Me”. There are a number of songs (even in the female-fronted genre) called “Save Me” or “Save Us”. What do you think your song has to separate it from all the others?
I can’t remember any other song called “Save Me” but I’m sure it exists, you’re right. Everything has been done and said in music, it’s kinda difficult to not repeat it, and find something new. This song “Save Me” could be different because of the voice, of the atmosphere, and the nice melody…Track two is a more laid back affair with minimal backing at certain points. What is the story behind the title “Sagarmatha”?
It sounds different, because I came with the vocal line first, and Christi had to adapt behind it. I also composed all the electronic parts, to make it sound a bit oriental like the title of the song. “Sagarmatha” is sanskrit for “mother of the Earth”. This song is about the damages we’ve done to the Earth and the end of the world.“Cold” has quite a distinctive choral line. Where do all the ideas come from for a Lovelorn song – the musical and the lyrical ones? Do the ideas come from any specific band member or does everybody contribute?
It depends, it comes from me or from Corpus. We take what’s best ! “Cold” is coming from me. I had that whole singing line since years in my head and I already tried to make it sound nice, but it was not possible, but Corpus made it possible! Thank you !!! During rehearsals, the other members become active for the live parts; they also suggest bass lines, drums, we are very open, the purpose is not our ego, but to make the best song possible.The electronic side comes out more in the drumbeat to “Something Wrong”.Was it difficult to agree on how this song should sound, or do all band members have a clear vision of where the band is going at any one time?
We are a new band; so I would lie if I’d say we have a clear vision of where we’re going. We are new so we try things, if it works, that’s great, if it doesn’t we leave it behind. We are composing a lot and we are getting more and more certain about what we want to hear and what we don’t, so that’s good. “Something Wrong” has many fans, it’s touching a broader audience and it still fits the EP, so we are more than happy with the result !By contrast your final song “Little Princess Euphoria” has a more guitar driven basis, and sounds like it would be great live. Have you had many live performances of your material yet?
Live performances is the next step. We had some and we are still working on getting more. We are lucky and we have booking agencies that are helping us in the process. “Little Princess Euphoria” is great live, we experienced it on stage and every week at rehearsals, we have loads of fun with it !Flight of the Valkyries festival is upcoming in the US for this year and I believe you have a chance to play there. How can readers vote for you if they would like to? What would it mean for Lovelorn to be a part of such a festival?
Yes, we were surprised to be on the list of the nominees, it was unexpected, so we are doing our best to get more chances to go there. People can vote for us here . It would be nice to be part of that fest, i don’t know how big it is, but we will play if we are invited to !Finally, thanks so much for talking to us. Have you any final words of wisdom for us? Anything from your heart?
No wise words, just enjoy life !
Label : Fakto Records
Review by Tony Cannella
Road to Consciousness is the new project from mastermind Bernard Daubresse (ex-Free Launch, Lovelorn). The 13-song, 60-minute CD features a vast array of musicians and contributors from around the metal globe. It is amazing to see how many great musicians have lent their massive talents to this ambitious project. Road to Consciousness is a big melodic, symphonic metal project, that I am sure will appeal to fans of the genre. With around 20 musicians featured on the album, you may think that it would be difficult to find something for all of them to do, but that is not the case, as each musician adds their own unique stamp to the proceedings.There is a common theme running through each of the songs, based on the human condition and problems, thoughts that maybe the listener themselves has experienced. The epic 4 part track “Road to Consciousness” brings the album to a grandiose conclusion as the album just builds and builds up to that point and the four part closer really pushed it over the top for me. But there are many solid moments to be heard lead up to the finale. Songs like “The Middle Path”, “Mirror Mirror”, “I Am God” and “Jennifer” all display the passion and heart that went into this project. Road to Consciousness is everything that the symphonic metal fan should love. One has to wonder if this is only a one off, I certainly hope not because it would be cool to see where Road to Consciousness go from here.
Rating – 93/100
- The Middle Path
- Mirror Mirror
- I Am God
- The Wait
- In A War With My Best Friend
- The Naked Ape
- Road To Consciousness Part I – Even a Rose
- Road To Consciousness Part II – The Limbo
- Road To Consciousness Part III – The Choice
- Road To Consciousness Part IV – Consciousness
- Kristell Lowagie (ex Skeptical Minds, Lovelorn, Joliet)
- Marja Supponen (Rhinestone Lives)
- Jamie-Lee Smit (Azylya)
- Justine Daaé (Ellyose)
- Lauryn Gaet (ex Aedden, classical solo artist)
- Laura Crowet (ex Before Silence)
- Dr Benja (Taboo for Tatoo, Captain Oats)
- Pascal ” Wan” Vanhoren (La Poupée Sanglante)
- Serge Vandepoel (Crime 7)
- Leny Andrieux (Scarin Myself)
- Krys Denhez (Jarell)
- Ville Laaksonen (singer and arranger)
- Bernard Daubresse (ex Free Launch, Lovelorn) – Songwriting, Guitar, Bass & Keyboards
- Valery Granson (15 Reasons) – Solo Guitar
- Eric Renwart (Pixelrace) – Solo Guitar
- Nico Claus (Scarin Myself) – Solo Guitar
- Olivier Van Houte aka Bronson Cuvelier (The Temple, The Moonshine Playboys) -Hammond Organ
- Yves Huts (Epica) – Orchestral arrangements
- Manu De Ros (The Temple) – Bass
- Kris De Bie (Patriarch) – Drums
Style switcher only on this demo version. Theme styles can be changed from Options page.
- Chaostar – “Anomima” (2013)
- Helalyn Flowers – “White Me In Black Me Out” (2013)
- My Ruin – “The Sacred Mood” (2013)
- Belladonna – “Shooting Dice With God” (2013)
- Visions of Atlantis – “Ethera” (2013)
- Upon Wings – “Afterlife” EP (2013)
- Maxine Petrucci – “Back to the Garden” (2013)
- Masterforce – “Until the End of Time” DEMO (2011)
- COURAGE MY LOVE return with “Becoming” EP
- Maledia – “Your Angels Cry” EP (2012)
- Lumus – “Bacchus’ Curse” (2012)
- Lightless Moor – “The Poem – Crying My Grief to A Feeble Dawn” (2013)
- Hurtful Witch – “Spectra” (2013) [DEMO] [REISSUE]
- Ivalys – “Lumen” (2013)
- Hydrogyn – “Private Sessions” (2012)
- Heart Shaped Rock – “Brought it On” SINGLE (2012)
- Igorrr – “Hallelujah” (2012)
- North Diamond – “По Ту Сторону Бытия” ["On the Other Side of Being" - "Po Tu Storonu Biytiya"] (2012)
- Kvitrafn (Einar Selvik) – Wardruna
- THE EDGE OF PARADISE @ The Mix, Seattle, WASHINGTON, USA – 27/04/2013
- Jessie Ware – “Devotion” [The Gold Edition] (2013)
- Hugo Flores & Jessica Lehto – Factory of Dreams
- Carter Tutti Void – “Transverse” (2012)
- Jennifer Borg – Divine Ascension
- Black Sun Aeon – “Blacklight Deliverance” (2011)
- Black Heaven – “Dystopia” (2011)
- Fourever – “Solitarium” (2012)
- Embassy of Silence – “Antler Velvet” (2013)
- Shiori Vitus – Eleanor
- KARMIC LINK announces new line up addition and album updates