Interview by Ary R.They rocked Europe last year with Leaves’Eyes and Tarja Turunen, and with Epica and ReVamp the former year as well. Now they’re back on the music scene with the upcoming album, “Anachromie”, that will reveal some other music features of the French rock band Kells. Just read with us what the front-woman Virginie Goncalves told to us! Hi Virginie. Welcome to Femme Metal. How are you doing? Recently, you’ve released the new Kells album, “Anachromie”. How are the feedbacks from your fans going?
I’m fine, thanks! “Anachromie” has been out for a month now, and it seems that both the press and the fans have praised this record. We are very happy about that because somehow we had chosen to take artistic risks, not to repeat ourselves and to renew our image, and people liked it!I’ve been surprised about the title you’ve chosen for the album, as I’ve been amazed by the artwork as well. Would you like to talk about them? Who has created the cover and how was the choice for the name of the album born?
In this album, everything in the lyrics is written in a disjointed way, the space-time notion is broken, the reality mixes up with the dream, as in the surrealist genre… Globally, the lyrics are anachronistic. Also, I use many adjectives of color (ochre, silver, gold, amaranth, blue, white, black, saffron, amber, sapphire, sandy…), which gives the lyrics a very pictorial aspect. It is the mixture of these 2 concepts, the chromia and the anachronism, that gave birth to “Anachromie”. The cover artwork has been made by Blackthorns Design. We appreciated what he had made for other bands, this mixture of surrealism and modernity, that’s why we decided to work with him. The frontcover and the booklet are an illustration of the lyrics… the girl with her bridal veil, with all her dreams, the tortured childhood, the nightmares and the anachronism always there, with the hours of the clock, the tracklist in disorder … as in the surrealist universe, where nothing has any reasonable landmarks or points of reference.The recording and the creation of the album have been quite challenging. How long did it take to put down all the material, to record it and to mix it properly?
We recorded this album in November 2011, more than a year ago already! We went to Mon Studio in Nancy, to work with Yann (MyPollux). We began with the recording of the drums, then the basses, the guitars, the strings, the choir, keyboards, electro music, to finally end up with the vocals, at the end of November. So it took almost one month, because we prefer taking time! Yann then attacked the mixing in December, and we eventually sent it all in New York to the Sterling Sound Studio for Ted Jensen to master it in february 2011.
Interview by Ed MacLarenItaly’s My Black Light is a band with a plan. Since its inception in 2008, the band has clawed and grabbed its way through the ranks starting as a cover band to performing original songs in music contests and to industry reps. In the final phase, the band steadily sharpened its skills and music into the razor-edged gothic prog metal tracks on their debut album “Human Maze”. Lead vocalist Monica Primo took some time to talk to Femme Metal Webzine about the debut album, its musical style and its deal with Massacre Records. Hi Monica! Thanks for joining Femme Metal for this interview!
Thanks to you!“Human Maze” is a strong debut with a positive response from fans and critics alike. Were you and the band happy with the end product?
Of course we are! We couldn’t imagine such a great enthusiasm and interest in our music and when we signed with Massacre Records it was so surprising we couldn’t believe it.When you and the band got together you started off playing cover songs. What songs did My Black Light cut its teeth on?
We were born as a Within Temptation cover band. This first step helped us play together and know each other better and grow up together. But we had so much more to say and show, so after a while we decided to write and play our own music. And you don’t come back when you start!Why did you start with cover songs instead of starting to write original material?
Well, like I said before we didn’t know each other, either as musicians or as persons, so we just wanted to see what playing together was like. Some of us were very young and I think we just wanted to test the band.
Interview by Robin Stryker
Femme Metal spoke with Leeni-Maria Hovila, frontwoman of Finnish extreme fantasy metal band, Kivimetsän Druidi, six months ago. Since that time, the band has completed a massive North American tour and released its sophomore album, “Betrayal, Justice, Revenge” (Century Media 2010). We are delighted to chat with Leeni-Maria again and get caught up on Kivimetsän Druidi’s whirlwind of activity.Hello, Leeni-Maria! We’re glad you could join us today.
First things first, please tell us about Kivimetsän Druidi’s new album, “Betrayal, Justice, Revenge”.
“Betrayal” is our second album — the first in which I have made most of the lyrics, and the first in which we have tracks composed also by our drummer Atte and lead guitarist Rinksa.
If you had to describe the new album’s sound in three words, what would they be?
Massive, symphonic, complex.
The title, “Betrayal, Justice, Revenge”, has a nice ring to it. Where does the name come from?
It is simply a summary of the things and ideas happening on this album.
From earlier interviews, it sounds as though the band was not completely satisfied with its debut album, “Shadowheart”. How much of the harder, more aggressive sound on the new album comes from a natural evolution in Kivimetsän Druidi’s music, versus lessons learned from the first album?
The compositions are all natural evolution which was not even as fast as it would seem by listening to these two albums. All the elements of the tracks on “Betrayal” were already present in the few new songs of “Shadowheart”, but most “Shadowheart” tracks were both very old and some very new material which sound quite different from one another. On the other hand, the harder, more aggressive sound in general is all about making “Betrayal” sounding how we wished “Shadowheart” would, so that was about a lesson learned.
As I understand it, you are a classically trained soprano. Did you ever consider pursuing a career in opera, instead of metal?
I don’t have a great desire for that. The opera world seems a rigid place to me, also I do not have such a big voice. If I do classic genre and I do study it at the present, I am a lied-oriented performer, that is an other-than-opera- kind of classic vocal style. I see myself in the future as a performing cross-over soprano artist, who is most probably chronically broke.
Would you introduce your bandmates, and tell us what you like best about each person?
Joni Koskinen is something of a leader amongst us, if at all it can be said that we have one. I like and sometimes even envy his confidence. He is one of the two of our main composers, who used to do all of the lyrics in the past. He is a founding member and does the growls as well as rhythm guitar. Antti Koskinen, the former’s little brother, is our keyboardist and the other main composer. Antti is also a founding member, is somewhat multi-talented, and is very much self-educated as a musician. He is very empathic. Rinksa, our lead guitarist, is also a founding member, although the original idea of Druidi was Joni’s and Antti’s. But Rinksa has been aboard from the very beginning. He is quiet and conscientious. Simo-Pekka, our bassist, is big and reliable and older than his young years would say. He is always sensible, speaks the utter unquestionable truth, and others never have to worry for him. But, if he gets hungry and there’s no food around, you’d better come up with some. Quick! Atte, our drummer, is as far as I remember the last line-up change before myself. He is very good in his area, and the only member besides myself who has at least some classic studies. He used to play the faggot – hold on, I have to check if that, in fact, is how it is written … err, no. I meant to say fagotto. Or bassoon, my dictionary seems to claim they mean the same. Atte is funny. The joker of the band. And open-minded.
“Shadowheart” was inspired by a fantasy story that Joni has been working on. What is the inspiration for “Betrayal, Justice, Revenge”?
I think it still is the same story actually, regardless of the fact that most lyrics are mine or even the fact that most stories of those lyrics I had thought about well before I joined the band. I simply decided — when Joni said I should try writing lyrics and I decided I should try using my old ideas — that fine, now all these things are going to happen in the world he made to happen and that’s it. And the truth is that in those stories, both the ones Joni wrote and the ones I’d had in my head before, some very basic things always remain the same. It is the nature of stories regarding where and when they happen. The same things, the same big truths always are the ones that people write stories about or fight wars over. Love. Honour. Justice. Betrayal. Ideals, be they false or true. Religion is the only “big thing” we haven’t touched and have no desire of doing so in the future, but I think that if you take religion down to the little pieces to find what it has eaten, what you will find are all those smaller things I already pointed out and some more of their kind. Like pride. Fear. Especially fear.
You wrote many of the lyrics for “Betrayal, Justice, Revenge”. Does singing your own lyrics feel different than singing lyrics written by someone else?
Yep. I sometimes feel pretty stupid about them, and this time I can only blame myself.
Are you a fan of fantasy? If so, what is your favourite work of fantasy?
Indeed I am. From the works of Tolkien, I prefer “The Silmarillion”. The first books I ever read from the genre were the first “Dragonlance” trilogy. Perhaps my all time favourite is Orson Scott Card’s strange little one-of-a-kind story “Hart’s Hope”.
Is “Betrayal, Justice, Revenge” mainly for fantasy fans, or does it have broader themes with universal appeal?
All the themes in our fantasy, as well as fantasy stories in general, are ultimately universal. They are always about the same things which make people move: love, ambition, ideals — betrayal, justice, revenge. Among others.
If you could select any Kivimetsän Druidi song for a soundtrack, which song would you choose and which movie would you put it in?
“Desolation: White Wolf” would be my pick — actually, we made a video for that one lately. Hasn’t been published yet. Don’t know about the movie, though … maybe it hasn’t been made yet. Maybe we should make it. A full-length Kivimetsän Druidi fantasy adventure.
Most of the songs on “Shadowheart” are in Finnish, while most of the songs on “Betrayal, Justice, Revenge” are in English. Was the language switch intentional or happenstance?
Happenstance, actually. I sort of regret that, and hope to make more Finnish ones on the Number Three, whenever that may happen.
In November 2009, Kivimetsän Druidi performed at the Heathenfest Tour in North America, playing 20 different cities and covering 15.000 kilometres in the nightliner. What stands out in your mind from the tour?
Hollywood Boulevard. Giant turkey legs. Helmuth of Belphegor making me drink whiskey. Hilly views. Ridiculously good-looking night liners. Sushi places in NYC. A university campus cafe in Cleveland. Being slightly afraid at Detroit.
When you have a hectic tour schedule far from home, do you do anything special to make sure you stay sane and healthy?
Stay in my bunk whenever I feel bored. Go for a walk outside the bus when possible. Alone! Always, always have good and reliable ear plugs which damp out as much of surrounding noise — preferably talk — as possible. I can’t always go for a longer run, sometimes I just jump or run on spot in the backstage or the hall before audience is let in. I go out, if only around the corner, to get a cup of coffee and look and listen to the local people.
Just reading about Kivimetsän Druidi’s schedule in 2009 – a Russian mini-tour, writing songs for the new album, recording, going on the North American tour, and back into the studio to finish recording – exhausts me. Were you able to relax some after all that?
We did a little too much relaxing in the summer when we were supposed to be writing songs — or at least I did a little too much “relaxing” when I was supposed to be writing lyrics — so we ended up having to hurry in the studio, again. But it was not too stressing. It’s not that all the band activity was overwhelming. It is this stupid thing called “normal life” like going to school, having to work alongside the school, paying the bills, having at least some hobbies and getting to see friends that makes things difficult.
What are the band’s plans for the remainder of 2010?
Promoting “Betrayal, Justice, Revenge”, doing as many shows as we can, perhaps getting to make a tour later in the autumn, also we have already lightly touched the idea of the Number Three Album if and whether there’s going to be one. So writing new songs.
Thank you for taking the time to chat with us, Leeni-Maria. Do you have any parting words for your fans at Femme Metal?
Beware of fragile old bearded guys in strange looking clothes. They are bound to be wizards or something of the kind. Do not piss them off. Come check us out live. Get the new album, it really rocks. Rock ‘n Troll.
Interview by Erwin van Dijk
An interview with Liv Kristine from Leaves’ Eyes. This interview is all dedicated to the forthcoming album “Njord”.
“Njord” is the third full length Leaves’ Eyes album. (the other two were “Lovelorn” and “Vinland Saga”).
I am absolutely happy and satisfied with the album. We’ve never worked this hard before with a production, but we’ve reached our goal. I would even say, we even went further than we thought was possible, technically seen. It has always been important to me that our sound and art is authentic, i.e. that you can hear from the very first tunes that this is Leaves’ Eyes! We also want that our audience really get the feeling of being on a wonderful journey. I feel that our music needs a special well-written and interesting concept which is just as important as the sound, and “Njord” gives you all this.
“Vinland Saga” introduced the Viking elements in Leaves’Eyes. But “Njord” also seems to have some Irish themes, like the songs “Emerald Island” and “Irish Rain” . With “Njord” comes the EP “My Destiny”, which contains besides the song “My Destiny” in two versons also an acoustic version of “Scarborough Fair” and two non album tracks.
“My Destiny” is a song you can easily “tune into”. It’s a good way to introduce the album (out 28.08.), although you will of course have less commercial songs on the record, too. On “My Destiny” is actually an EP, for the price of a single, with four non-album tracks, and one extra album song.
“Vinland Saga” was a concept album. Is “Njord” written with the idea to tell a story or are it twelve individual songs?
The lyrics mainly deal with characters from northern mythology (e.g. “Njord”, “Fröya’s Theme”, “Nine Wave Maidens”, “Ragnarok”), or with places and historical happenings (e.g. “Scarborough Fair”, “The Battle of Maldon”, “Emerald Island“,“Irish Rain”, “Les Champs de Lavande”). This is why I found it necessary to deal with all these different languages. “Vinland Saga” is based on Leif Eirikssons discovery of America, even the EP, “Legend Land”, which followed soon thereafter. “Njord” has a much broader concept, travelling through history, and into Nordic mythology. It has always been important to me that our sound and art is authentic, and that our audience really get the feeling of being on a wonderful journey.The lyrics are written in 8 languages (english, middle-high german, old-english, gaelic, norwegian, icelandic, french and one “self-made” linguistic fictional phonetic sequence)… I even sat down to study a bit French to be able to write one French lyric. I did study Old-English and Middle-high German, so it was really nice to be able to use this knowledge. Gaelic is completely new to me, though, but fortunately I found a wonderful person who helped me. “Njord” is an album that demands an expansion in linguistic terms.
This is your third album. What are the differences between “Njord” and “Lovelorn” and “Vinland Saga”?
Our debut “Lovelorn” was very refreshing and a wonderful start for the band, also the press and the audience were surprised. However, you shouldn’t forget that we all have a huge experience and knowledge as musicians of Atrocity and former ToT (Theatre of Tragedy) to rely on. This brings Leaves’ Eyes a wide step forward, so we were really no newcomers in our genre. Moreover, I really have to say that Atrocity + Liv Kristine is a magic formula! I took my experience from my favourite ToT releases “Velvet Darkness They Fear” and “Aegis” as a basis for Leaves’ Eyes music. Our second album “Vinland Saga” was a manifistation of the music of Leaves’ Eyes – we had “settled” in the genre gothic metal with female vocals. “Njord” is the perfection of both our 2 former albums. Since the first demo recordings for “Njord” we have been able to achieve goals that we thought back in 2007 after the “Vinland Saga” release would be quite impossible. I am so proud of my band members – “Njord” is a dream coming true, and all the hundreds of sleepless nights were worth it. We all have developed as musicians and technicians and this is experience that is unpayable. “Njord” (producer: my husband Alexander Krull) has a power to it that even is more intense than any previous production I’ve been part of. Technically, we constantly have new ideas and aims. We have our own studio and therefore we have the opurtunity to specialize in technical tasks concerning album and DVD productions. “Njord” has even a more bombastic but delicate sound that “Vinland Saga”, because techniques allows it. We recorded the classical parts in Minsk (Lingua Mortis, supervised by Victor Smolski), we had a complete local choir (Al Dente) singing the choir parts, moreover, a special artist playing solos on special instruments like the uillian pipe and the whistle. All this makes this album a multilayered and highly interesting experience for our listeners, for your ears, hearts and minds. If I should describe “Njord” in four words I would say bombastic, emotional, contrastive, and pure.
Where do you get the inspiration for the songs. Some sources are clear, like Ireland and the Norse mythology but what really inspires you to write a song?
It’s first of all my love for my homecountry, the Norwegian Nature, history, my family, the culture – everything I grew up with! I feel that our music needs a special well-written and interesting concept, and I want to travel through time and space. For me history has always been extremely interesting, and even when I left my homecountry Norway and moved to Germany 12 years ago, I had more books about the Vikings with me than clothes and shoes. I have travelled a lot and been able to see a lot of the world. History, languages, and geography has always interested me. Thorsten is the main composer of Leaves’ Eyes, he works out his ideas on his guitar. “Irish Rain”, however, was an idea I had one early morning. I hurried to the studio and worked out the tunes with him. Sometimes, ideas just appear to my mind, like a complete “song”.
And can you tell us something about the songs on “Njord” and “My Destiny”?
We recorded 18 (eighteen!) songs, and all of them are placed on the single “My Destiny” (out now) or the album “Njord” (out late August). Our listeners will get a lot for the money. That’s a way for us saying “thankyou” to our fans and friends all over the world. To mention a few examples, “Fröya’s Theme” is one of my favourites on the album, too, next to “Irish Rain”. “Fröya’s Theme” is about eight minutes long, it includes five languages, inclusive two “speaking” parts done by Alex and myself respectively. It tells the story about Fröya, the Goddess of sex with her extreme power of beauty. However, her lover Od leaves her as he has “wandering eyes” for other beautiful women. Fröya travels around and through the worlds in Northern Mythology to find him. Her tears are made of gold and they heavily strike the earth. This song is an epic masterpiece composed by Tosso, our guitarist.
Is “Scarborough Fair” a Simon and Garfunkel cover and if it is, why did you choose this song?
I was an exchange student in the English town Scarborough, and I got very interested in their culture. This song is a folk song sung in the middle ages, also by the Vikings, on a trading market, in Scarborough. I wanted to rewrite the tune into a more heavy version and I am very happy with the result!
“Les Champs de Lavande” is a French title. Lavande means Lavender and the South of France (the Provance) is famous for its wide fields (champs) of lavender.
Can you tell us something about this song and why is it a bonus track?
As we had composed the instruments for this song, I thought about France immediately! I immediately sensed the smell of my favourite flower and scent, lavender! The Provance Lavender was famous already in the Middle Ages. I sat down and tried to put together a Franch lyric, and a friend of mine in France corrected it. This song just had to be about Lavender, and it sounds more authentic and special when it is sung in French.
While recording “Njord” you were supported by The Lingua Mortis Orchestra under the aegis of Victor Smolski and a classical choir. Most people will know Victor Smolski from his work with Rage. And this band does not exactly belongs to the same genre as Leaves’Eyes.
How did you find him and what was his influence on “Njord”?
We met Victor during a Rage/Leaves’ Eyes’ show in Greece in 2007. We are so happy that he liked the idea of working with us. It adds the important depth and bombastic character in our music.
The Special Edition will have a Drakkar (viking ship). What can we expect?
This is a way for us saying thank you to our fans and friends. Remember, many of them are collectors. I used to collect Madonna and Black Sabbath/Ozzy special merchendise objects.
One of the things that would make a lot of fans happy is a duet between the Espenæs sisters. (think of Beyonce and Solange Knowless doing a duet). Have you ever considered this for “Njord”?
It’s not that easy since my sister moved back to Norway a couple of years ago, however, I am planning a duet on our fourth album, which will be a folk-oriented album, planned to be released in summer/fall 2010.
Do you already have some details about an upcoming tour?
Europe in November 2009, USA/Canada December 2009, then Europe and Russia in the beginning of 2010, and another long tour in the Autumn of 2010. Moreover, we have planned an acoustic tour between 28.08.-02.09 (please check the news!). We will play a capella in some of the Media Markets, for free for our fans, and we will have a lot of time to make photos with everybody, have a chat with our fans and friends and write some autographs. I enjoy acoustic tours. It’s a nice way to keep up our close relationship with our audience, moreover, we are able to show that we are good musicians and can play live without a huge stage with a huge technical plan behind everything.
And which songs can we expect live?
A set-list still has to be decided on.
Although I think you will be very busy with the promotion of “Njord” this year and 2010 I would like to ask when we can expect a new Atrocity album and a new Liv Kristine solo album?
It’s been 3 years since “Enter My Religion”, and it’s always good to gain a different aspect of your own art after some time has passed by. Right now, I am just about to finish the final recordings of my third solo album, and I see things in a new perspective now. “Enter My Religion” was an expensive production on a major label, however I made the decision in 2008 to release my third solo album on a another label, with a smaller budget, but having more freedom about the whole process, from the very first demo track, until the final master. I am very proud of “Enter My Religion”, however I have developed as an artist and technician and my third album will be a huge step forward. I have put my focus on sounding just like myself, recording songs in one take, so you “get” me with everything I am, my character, my emotional level, my breathing, sometimes perhaps perfect, sometimes maybe not. I just want the audience to hear ME, not some singing lady with a pretty nice voice. I want to creep up inside your hearts and senses. I wrote all the songs together with Torsten (guit. Leaves’ Eyes), all the lyrics myself, and my husband Alex is the producer of the album. Atrocity are already finishing their next Atrocity feat. Yasmin “Calling the Rain”, which will be out end of 2009/beginning of 2010.
Interview by Si Smith
Born on the streets of St Petersburg in 2007, this gothic incarnation of Russian musicality flies a unique flag amongst many of its fellow compatriates. With much Russian metal tending towards the folk and doom metal genres, it’s is refreshing to hear a gothic (?) band originating from this musically fertile area. Although as previously mentioned in a previous review, their music is slightly more up-beat than the average gothic release so we should not be hasty in pigeonholing these guys at all. Let us allow vocalist Tatiana and bassist Yaroslav to represent the band and explain for themselves….
First of all thanks so much for talking to us at Femme Metal and welcome from all at the webzine.
Yaroslav: Hi, thanks, delighted again for our conversation, already a lot of time has passed since our last interview, and a lot has changed.
So guys, your first release upon the music scene was the first EP “Breathe Again” which you put up on the internet for free download. How did you feel about the final product you had released at that time?
Yaroslav: No we did not have to release, we rerecorded in another studio and added
a different song. Now for the past times we look at it as an original stage of our development, many come to know us solely due to the EP.
I understand that you worked quite hard after this on promotion of your material, from radio airplay to interviews and ‘zine reviews. How difficult was it to promote other people’s interest in your work?
Yaroslav: We sent many copies of our EP to various journals, fanzines, Internet radio and concert agencies. But because of the quality of its implementation we did not get the result we wanted. In general, I must say that in Russia things are not predictable; because of this it is very difficult, and sometimes do not understand how to promote the group.
Tatiana: I guess it is always hard to introduce new things to the public. That`s why Yaroslav always does all things, connected with promotion.
Quite early on in your musical career you got to play alongside bands such as Amorphis and Norther. How do you prepare yourselves for playing alongside such heavyweight names?!
Yaroslav: Not to say that we are very prepared, it was a higher stage of our development. We opened their Russian tour. After that there were more performances throughout the year with Reflexion, Lovex and Throes of Dawn (also a group from Finland).
Your first EP rolled off the press in 2010, containing mainly the material from the first two EPs. Did the tracks change much over time as you prepared them for the new release? Or were they very much in their original form?
Yaroslav : All the songs from the first two EPs were rer-ecorded again in the studio, we worked on the first album with the sound produced, so the sound was different and much higher. Therefore, it received high praise from beating rated in one magazine even better at the time than the Leaves Eyes’ album. But I must say that our very first songs were sometimes naive, a kind of attempt at writing.
“Lateless” seems to have been a great success (our reviewer gave it 83/100). Did it open any specific doors for you? What was the initial reaction from fans and press?Yaroslav: As I wrote in the last response, it made a good impression. It showed that Russia can make a quality album, if you do everything right. Last time we interviewed you Nataly was singing with the band. How did the change to Tatiana take place? Yaroslav : Everything happened very smoothly, we knew that Nataly was to leave us because of her career at work, she moved to another city. Therefore, we started looking for her replacement. And with the new singer Tatiana, we recorded a single “Discover” and our last EP “Bless from the Heaven”.
Style switcher only on this demo version. Theme styles can be changed from Options page.
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