Interview by Erwin van DijkAn in-depth chat with Chiara, the soprano singer of the well-promising Italian Gothic Metal band Lust for Oblivion about their debut demo “Black Moon” and their musical future. Did you always want to become a singer?
I’ve always loved music and my first experience with it was at the age of nine, when I started playing the piano, but I’ve always loved singing, too, since when I was a child, so, some years ago, I started taking opera singing lessons.And to what kind of music do you listen yourself?
I listen to classical music, especially opera and piano compositions and also to metal music.And who are your favorite bands and musicians?
Bands like Dark Tranquillity, Moonspell, Within Temptation, Lacuna Coil, Tristania are my favorite, but I’ve surely forgotten some…obviously I adore Tarja Turunen!!!! My favorite classical musicians are W.A.Mozart, F.Chopin and K.Orff.
Interview by Marc “Peston” Sels
Obsidia is a five-piece metal band from Austria, with not one but two women in the group : Tajy on the keyboards and Lucrezia on vocals. They have just released a 5 track EP, “Back to Darkness”. So this was a good reason to ask Lucrezia some questions. How’s the weather in Austria (February)? Can you ski over there? And do you do that?
Here in Austria the mountains are white and the weather is quite cold. Usually we have temperatures some degrees Celsius, below zero. There is enough snow on the mountains that skiing would be possible, but I go skiing seldom due to lack of time. You know, I prefer our warm cellar where I can play music.I haven’t heard your cd “Back to Darkness” yet, so can you describe it for me? (Lyrics, musicstyle…)
As the title might say we tried to go some years back in time. We aimed to merge the great atmospheric Gothic metal played at the end of the 90′s with our own style and we think that the result is quite presentable. The lyrics are considerable mixed – from the Greek Mythology via vampires to “simple” stories about life.Is there a big Austrian Female fronted metal-scene? I only know you and Siegfried.
Oh, also very well known female fronted bands like Edenbridge and Darkwell are from Austria. Anyway, the scene in general isn’t that big as in other countries. Especially in our area the metal-scene is very Death- and Thrash-dominated.Austria has been in the worldnews lately with a few less items, Natascha Kampusch, and Hayder (extreme rightwing politician) getting killed in a car accident after leaving a gay bar. Does it has any influence on the music-scene? I can see punkbands jumping on this, but how do the metal bands react?
I have to grin ’cause for me it’s quite amusing what Austria is famous for. I don’t think that such happenings influence our scene. Punkbands often make their music as protest whereas Gothic Metal should be the kind of music which helps to get out of the daily routine – a way to relax – a way to forget all daily problems.Okay, now the lighter version. Can you live of being a musician, or do you (and the other bandmembers) have jobs, like most of us (hopefully)?
At least we are not able to live from our music. We spend our freetime for our music because this is our hobby. To earn our money all of us have a profession. Beside some of us study on university.
For as far as I know, this is your first CD. Have you got enough material to do a live performance?
Yes- as we’re already into song-writing for an upcoming full-lenght-album, we’re able to play live. We have played some headliner- and supportshows in Austria and Italy last year and will have our Germany-premiere in May this year.Do you sing under the shower? If yes, what? What is your all time favourite cd? And what do you play on a sunday morning?
Oh, I sing more often than I know myself; like last week when I recognized that I sing while doing housework. Sometimes I sing totally unconscious – I think this is for me a way to relax. The songs I sing are totally different : sometimes songs of my favourite bands, of course Obsidia songs and sometimes ideas for new songs allthough Sir Iwain (guitar and vocals) is our creative head. All time favourite cd – difficult to say… I love gothic/symphonic metal in general, so albums from Tristania, Epica, Within Temptation, After Forever, Therion, Nightwish….change in my CD-player.Best book, cd, comic, movie, concert of 2009? And what’s your favourite pet, drink, food?
I can’t say this is limited on 2009 but I can do it in general. Hopefully this is okay for you.
Best book : I love reading crime-stories like “Speak No Evil” (Rochelle Majer Krich) and I really love reading specialized books about nature, supernatural phenomenons and psychology.
Best CD : I’m really impressed by the “Live Gothic” of Therion.
Best comic : I’m not a big comic fan. Sometimes I watch The Simpsons on TV.
Best movie : Absolutely ungothic, but I love the film “Patch Adams” with Robin Williams.
Best concert : There are many concerts wich impressed me very much but I think the greatest gooseflash that I have got was the After Forever show at Wacken 2004.
Favourite pets : Cats. Because they have this mystical aura.
Favourite drink : Nonalcoholic drink : herbal tea. Alcoholic drink : white wine and gin.
Favourite food : International food from typical Austrian food to Indian cuisine. But I seldom eat fastfood like McDonalds because food has to contain a little bit of love.What are the plans for 2010? Touring? A new cd ?
As already mentioned, we are hardly working on material for a full-lenght album but we actually aren’t able to say anything about a release date. Of course we want to play live as much as possible but we don’t know whether we can manage to play a full tour.And here it is : Can you give us a short history of the band?
Obsidia was founded in the middle of the year 2006 by Sir Iwain and me. We started with writing some songs and then we searched for musicians, which is quite difficult in our area. First live concert was in May 2007, and now we released our first CD.Especially for the fans, any “Famous last words”?
Obsidia would like to inspire their audience and we hope that we can bring all of our fans “Back to Darkness”. In the meanwhile I have heard their first born, and I must say I liked it. Good heavy goth with musicians who know their instrument and a good, strong voice. I see a successful future for this young band, and I hope to be proven right.
Interview by Ed MacLaren
In the European metal scene, Liv Kristine is an icon. From her years with the seminal gothic metal band Theatre of Tragedy to her current success with Leaves’ Eyes, she is the archetype to which all female metal singers are compared and measured against. With their fourth full-length album, “Meredead”, Leaves’ Eyes have created their magnum opus – a brilliant fusion of music, melody, rhythm and language that transcends categorization and redefines the definition of metal. After finishing a spring tour with Midnattsol and Tarja, Liv took some time to talk with Femme Metal about her creative process and the creation of “Meredead”.Since our last interview for your solo album, “Skintight”, you’ve returned once again with your fourth Leaves’ Eyes album – the brilliant “Meredead”. Could you actually get any busier without having to clone yourself? (Laughs) True, we’ve been very busy the last six years! However, I was born with a hyperactive artistic mind, so being creative – composing, writing lyrics, recording and performing – is something I really enjoy doing. It’s all a part of me and experience has made me become the person and artist I am. Concerning our latest production, we needed about one and a half years for the complete production of “Meredead”, which is only possible because we do have our own studio – Mastersound Studio. The composing process went overwhelmingly fast. It was one great pleasure writing and recording the album together with Thorsten and Alex. We actually just arrived back from tour, and I’m now looking forward to further shows and tours. In April we toured with my sister Carmen‘s band Midnattsol, and then in May we joined Tarja. Wow! Both tours were full of magic moments when the ladies got together! Busy, for sure, but very happy!
“Meredead” sounds fantastic – a full, rich musical experience from beginning to end. It has everything fans love about the band but expands the Leaves’ Eyes sound in some interesting ways. With each album your music becomes more progressively intricate and layered – complex and elaborate. Was “Meredead” a deliberate direction or an organic outgrowth of the writing and recording process?
I’d say it was an organic outgrowth of the process. We just started composing with an open mind. “Meredead” is our fourth album, and in my opinion there is no need to reduce ourselves to a certain style. The artistic development is the basic energy for the survival of an artist, and art as such. The press, fans and friends say that “Meredead” is “the most diverse, emotional and best-sounding production” by Leaves’ Eyes so far, moreover, “Leaves’ Eyes have created their own genre”. Believe me, this warms my heart! We never go with the commercial flow; we only go with the creative flow of the band! I prefer not to force Leaves’ Eyes into a specific already settled musical genre. I would rather say that Leaves’ Eyes’ music combines elements of gothic metal, classical music, folk music, with history and mythology.
True, Alexander, Thorsten and I are the songwriting and production team. Most of the time, music comes first, then vocal lines and words and then we work even more on the instruments until the three of us have a good feeling about it. Thorsten is our main composer, whereas words, concept and vocal lines are my area. Alexander is our producer meaning he’s the person in the band that gets only half of the sleep compared to Thorsten and myself. There is always a strict deadline, there a tons of different instruments in our music to take care of in the mix. Everything is recorded live in our studio except for the Lingua Mortis Orchestra from Minsk. Moreover, Alex is a perfectionist. I am really happy my husband didn’t suffer from a heart-attack yet – he’s incredible! Seeing that “Skintight” was such a departure from your band material, did it take you and the guys some time to switch gears and get into a Leaves’ Eyes groove for recording the new album? No, not at all. We compose and record in two different recording rooms. However, normally there is only one production going on at the time. Anyway, the mental “switch” is no problem at all. After all these years, doing everything by ourselves, there are enough reasons to call us professionals. I know very well that I’m surrounded by first-class musicians. You’ve also added some new members since “Njord”. How are their contributions adding to the core trio? The feeling within the band and between the band members has never ever been as positive, strong and inspiring as it is now since the latest line-up changes. That’s utterly important for the existence and the creativity of the band. I am so, so proud of my guys! It’s such a pleasure composing, recording and touring with them. We already knew Sander van der Meer and Roland Navratil for a long time before they joined the band. Sander replaced Matze on guitars, who quit because of family growth, whereas Roland replaced Chris Antonopoulus, who had different plans for his future. J.B. is our session player on bass, joining in after Alla Fedynitsch decided to pay more attention to her 9 to 5 job. After joining in, Sander and Roland were immediately members of the Leaves’ Eyes family. They travel from Holland and Austria to stay and work at Mastersound Studio as often as possible. We often hang out at my house after work, as I love cooking spicy Indian food and baking my special “Norwegian” cakes, moreover, sharing some bottles of wine.
“Meredead” integrates much more folk elements and melodies than previous albums. The pipes, fiddles, flutes – the more diverse instrumentation on “Meredead” really expands your musical palette.
For the production of “Meredead” it was highly important to us that each song had its own “face”, individuality and perfect, crystal clear sound to strengthen the emotional effect. We just let the music inspire us to add new and interesting “spices” to our music, like pipes, the nyckelharpa – a Swedish folk instrument – the fiddle, cello, classical orchestra or the flute. That’s what makes the album that diverse and exciting as you discover a different story, different instrumental combinations, different ways of singing even in various languages in each song. “Meredead” or “deadly sea” is the underlying theme of the album. How does that concept of death by water thread through the songs on the album? It’s an interesting contrast as water is also looked at as a giver of life.
The title is my own word-creation: To my grammatical knowledge, “Meredead” could mean ‘dead by the sea’, ‘or the deadly sea’. Poetically, we could add some imagination and lyrical sound and say “Sea of Death”. Secondly, the word “Meredead” sums up some of the themes rooted in my lyrics on the album. I grew up by the fjords, and I sense pure luck every time I return to my birth-place. Yes, you are so right, water is the giver of life. Again you find a whole palette of contrasts in our music, which has always been a feature for both Leaves’ Eyes and Theatre of Tragedy, my ex-band, that actually founded the “beauty and the beast” concept in metal back in 1995. Your lyrics generally look to the epic history of Norse literature and mythology for inspiration but on “Meredead” you’ve gravitated towards other cultures for inspiration. What was the genesis of that expanded outlook? I just let the music itself inspire me. If I chose a theme from Nordic mythology, I would include Norwegian lyrics. It was very intimate to sing in my mother tongue Norwegian, it makes the lyrics even more emotional and personal. Singing in Old-English meant digging my nose in my Old-English grammar books once again, however, I am very interested in historical languages, which I also studied. I think that Old-English has a very special “sound” phonetically. You’ll find Froeya, three-headed trolls, vampires, ghosts, witches, Vikings travelling on sea, Viking ladies mourning and of course many images from the Norwegian harsh weather and wild nature landscapes. I guess there is some homesickness towards Norway in my lyrics actually, it’s more than obvious that I miss my home country.
You’ve also expanding your use of language on “Meredead”. You obviously spend a long time working on your lyrics and the meaning and symbolism of the songs. Given your affinity for language are you taking the opportunity to experiment with phonetics to provide a different listening experience?
Yes, phonetics is a great help for me. I studied Old-English, Gothic, Middle-High German, phonetics, phonology, language acquisition, next to Modern English and Modern German at the university in Stavanger, Norway, and then following up at the University of Stuttgart, Germany. Sometimes I use lyrics existing only in the form of a phonetic string of sounds. Such a phonetic sequence has an important meaning: it conveys an emotional state provoked by that particular sound of my singing. My acoustic aim is not the words and a certain thematic content; it is the sound and the emotional effect of it in the listening experience.
What a wonderful idea! This would be fantastic! Let’s hope the universe hears this! I would love to do it. I have seen Elfenthal‘s “The Blue Elf’s Dream” and I am stunned. What an amazing show. Maite Itoiz and John Kelly are outstanding composers, musicians and performers. You’ve had much ongoing success in music appearing in two big bands – first Theatre of Tragedy and now Leaves’ Eyes. Does success with Leaves’ Eyes feel any different than what you achieved with Theatre of Tragedy? I always wanted to become a singer. Singing is a part of my nature. When I was little, I thought everybody was able to understand music and control their vocal chords. The fact that my parents were interested in music – listening to it – plays an important role: I grew up with Black Sabbath, Deep Purple, Edvard Grieg and Tschaikowsky, and female singers like Enya, Madonna, Kate Bush, Abba, Tori Amos and Monserrat Caballe. From the very beginning, I’ve followed my musical instinct: I wanted to combine a romantic, female, angelic voice with powerful, impressive music. Then suddenly, when I was 18 years old, I found myself in the middle of writing music history with Theatre of Tragedy, being one of the founders of “gothic metal with female voices” and “the beauty and the beast concept”! I am first of all grateful to our fans and friends all over the world, who have been there for me throughout all these years! This feeling has remained the same – my gratefulness towards my fans. Being thrown out of Theatre of Tragedy was perhaps bad luck; however, sometimes bad luck leads to good luck. Today I have Leaves’ Eyes; it’s like having a family, next to my own family. For me two dreams have come true: I am a full-time singer, and I am a mother. How do you manage such a busy career as well as being a parent? Do you have any advice for women in the business that are hoping to have children one day and still pursue a music career? You need a good plan in your daily life, you need your own studio not far away from your home, moreover, a family who is there for you. My plan is strict however, and effective: when I work I am working my ass off; when my family is around and needs me, I am only there for my family, keeping our rituals. In between work and family I do a lot of sports, sauna and yoga, which is my way to recharge my battery if necessary. And then, from the business point of view, find the right people to support you, honest people. And speak out if you have an opinion. Money can be such an evil means to make you forget about your inner voice.
You’ve recently finished a tour with Midnattsol and Tarja. When do you hit the road again and where will your travels take you? We do have a few festivals this summer, then hopefully a North American and an Asian tour, including India. Your music is reaching more and more people internationally – you even toured India recently. How are you enjoying your progression towards becoming a truly global band? There is this special feeling that gives me the energy and the inspiration to travel the world – I get caught up in every moment that I am able to share with my audience. Every performance is one process of giving, and receiving, I call it “exchange of positive energy” between the band and the audience. I really have to say that we do have fantastic fans. I am looking so much forward to every gig, and to meet our fans after the show! (Famous) Last words?
Give a little bit love, and you’ll get it back. My mother taught me that. Thank you, mother.
Photos by Stefan Heilemann
Interview by Erwin van Dijk
An interview with Liv Kristine from Leaves’ Eyes. This interview is all dedicated to the forthcoming album “Njord”.
“Njord” is the third full length Leaves’ Eyes album. (the other two were “Lovelorn” and “Vinland Saga”).
I am absolutely happy and satisfied with the album. We’ve never worked this hard before with a production, but we’ve reached our goal. I would even say, we even went further than we thought was possible, technically seen. It has always been important to me that our sound and art is authentic, i.e. that you can hear from the very first tunes that this is Leaves’ Eyes! We also want that our audience really get the feeling of being on a wonderful journey. I feel that our music needs a special well-written and interesting concept which is just as important as the sound, and “Njord” gives you all this.
“Vinland Saga” introduced the Viking elements in Leaves’Eyes. But “Njord” also seems to have some Irish themes, like the songs “Emerald Island” and “Irish Rain” . With “Njord” comes the EP “My Destiny”, which contains besides the song “My Destiny” in two versons also an acoustic version of “Scarborough Fair” and two non album tracks.
“My Destiny” is a song you can easily “tune into”. It’s a good way to introduce the album (out 28.08.), although you will of course have less commercial songs on the record, too. On “My Destiny” is actually an EP, for the price of a single, with four non-album tracks, and one extra album song.
“Vinland Saga” was a concept album. Is “Njord” written with the idea to tell a story or are it twelve individual songs?
The lyrics mainly deal with characters from northern mythology (e.g. “Njord”, “Fröya’s Theme”, “Nine Wave Maidens”, “Ragnarok”), or with places and historical happenings (e.g. “Scarborough Fair”, “The Battle of Maldon”, “Emerald Island“,“Irish Rain”, “Les Champs de Lavande”). This is why I found it necessary to deal with all these different languages. “Vinland Saga” is based on Leif Eirikssons discovery of America, even the EP, “Legend Land”, which followed soon thereafter. “Njord” has a much broader concept, travelling through history, and into Nordic mythology. It has always been important to me that our sound and art is authentic, and that our audience really get the feeling of being on a wonderful journey.The lyrics are written in 8 languages (english, middle-high german, old-english, gaelic, norwegian, icelandic, french and one “self-made” linguistic fictional phonetic sequence)… I even sat down to study a bit French to be able to write one French lyric. I did study Old-English and Middle-high German, so it was really nice to be able to use this knowledge. Gaelic is completely new to me, though, but fortunately I found a wonderful person who helped me. “Njord” is an album that demands an expansion in linguistic terms.
This is your third album. What are the differences between “Njord” and “Lovelorn” and “Vinland Saga”?
Our debut “Lovelorn” was very refreshing and a wonderful start for the band, also the press and the audience were surprised. However, you shouldn’t forget that we all have a huge experience and knowledge as musicians of Atrocity and former ToT (Theatre of Tragedy) to rely on. This brings Leaves’ Eyes a wide step forward, so we were really no newcomers in our genre. Moreover, I really have to say that Atrocity + Liv Kristine is a magic formula! I took my experience from my favourite ToT releases “Velvet Darkness They Fear” and “Aegis” as a basis for Leaves’ Eyes music. Our second album “Vinland Saga” was a manifistation of the music of Leaves’ Eyes – we had “settled” in the genre gothic metal with female vocals. “Njord” is the perfection of both our 2 former albums. Since the first demo recordings for “Njord” we have been able to achieve goals that we thought back in 2007 after the “Vinland Saga” release would be quite impossible. I am so proud of my band members – “Njord” is a dream coming true, and all the hundreds of sleepless nights were worth it. We all have developed as musicians and technicians and this is experience that is unpayable. “Njord” (producer: my husband Alexander Krull) has a power to it that even is more intense than any previous production I’ve been part of. Technically, we constantly have new ideas and aims. We have our own studio and therefore we have the opurtunity to specialize in technical tasks concerning album and DVD productions. “Njord” has even a more bombastic but delicate sound that “Vinland Saga”, because techniques allows it. We recorded the classical parts in Minsk (Lingua Mortis, supervised by Victor Smolski), we had a complete local choir (Al Dente) singing the choir parts, moreover, a special artist playing solos on special instruments like the uillian pipe and the whistle. All this makes this album a multilayered and highly interesting experience for our listeners, for your ears, hearts and minds. If I should describe “Njord” in four words I would say bombastic, emotional, contrastive, and pure.
Where do you get the inspiration for the songs. Some sources are clear, like Ireland and the Norse mythology but what really inspires you to write a song?
It’s first of all my love for my homecountry, the Norwegian Nature, history, my family, the culture – everything I grew up with! I feel that our music needs a special well-written and interesting concept, and I want to travel through time and space. For me history has always been extremely interesting, and even when I left my homecountry Norway and moved to Germany 12 years ago, I had more books about the Vikings with me than clothes and shoes. I have travelled a lot and been able to see a lot of the world. History, languages, and geography has always interested me. Thorsten is the main composer of Leaves’ Eyes, he works out his ideas on his guitar. “Irish Rain”, however, was an idea I had one early morning. I hurried to the studio and worked out the tunes with him. Sometimes, ideas just appear to my mind, like a complete “song”.
And can you tell us something about the songs on “Njord” and “My Destiny”?
We recorded 18 (eighteen!) songs, and all of them are placed on the single “My Destiny” (out now) or the album “Njord” (out late August). Our listeners will get a lot for the money. That’s a way for us saying “thankyou” to our fans and friends all over the world. To mention a few examples, “Fröya’s Theme” is one of my favourites on the album, too, next to “Irish Rain”. “Fröya’s Theme” is about eight minutes long, it includes five languages, inclusive two “speaking” parts done by Alex and myself respectively. It tells the story about Fröya, the Goddess of sex with her extreme power of beauty. However, her lover Od leaves her as he has “wandering eyes” for other beautiful women. Fröya travels around and through the worlds in Northern Mythology to find him. Her tears are made of gold and they heavily strike the earth. This song is an epic masterpiece composed by Tosso, our guitarist.
Is “Scarborough Fair” a Simon and Garfunkel cover and if it is, why did you choose this song?
I was an exchange student in the English town Scarborough, and I got very interested in their culture. This song is a folk song sung in the middle ages, also by the Vikings, on a trading market, in Scarborough. I wanted to rewrite the tune into a more heavy version and I am very happy with the result!
“Les Champs de Lavande” is a French title. Lavande means Lavender and the South of France (the Provance) is famous for its wide fields (champs) of lavender.
Can you tell us something about this song and why is it a bonus track?
As we had composed the instruments for this song, I thought about France immediately! I immediately sensed the smell of my favourite flower and scent, lavender! The Provance Lavender was famous already in the Middle Ages. I sat down and tried to put together a Franch lyric, and a friend of mine in France corrected it. This song just had to be about Lavender, and it sounds more authentic and special when it is sung in French.
While recording “Njord” you were supported by The Lingua Mortis Orchestra under the aegis of Victor Smolski and a classical choir. Most people will know Victor Smolski from his work with Rage. And this band does not exactly belongs to the same genre as Leaves’Eyes.
How did you find him and what was his influence on “Njord”?
We met Victor during a Rage/Leaves’ Eyes’ show in Greece in 2007. We are so happy that he liked the idea of working with us. It adds the important depth and bombastic character in our music.
The Special Edition will have a Drakkar (viking ship). What can we expect?
This is a way for us saying thank you to our fans and friends. Remember, many of them are collectors. I used to collect Madonna and Black Sabbath/Ozzy special merchendise objects.
One of the things that would make a lot of fans happy is a duet between the Espenæs sisters. (think of Beyonce and Solange Knowless doing a duet). Have you ever considered this for “Njord”?
It’s not that easy since my sister moved back to Norway a couple of years ago, however, I am planning a duet on our fourth album, which will be a folk-oriented album, planned to be released in summer/fall 2010.
Do you already have some details about an upcoming tour?
Europe in November 2009, USA/Canada December 2009, then Europe and Russia in the beginning of 2010, and another long tour in the Autumn of 2010. Moreover, we have planned an acoustic tour between 28.08.-02.09 (please check the news!). We will play a capella in some of the Media Markets, for free for our fans, and we will have a lot of time to make photos with everybody, have a chat with our fans and friends and write some autographs. I enjoy acoustic tours. It’s a nice way to keep up our close relationship with our audience, moreover, we are able to show that we are good musicians and can play live without a huge stage with a huge technical plan behind everything.
And which songs can we expect live?
A set-list still has to be decided on.
Although I think you will be very busy with the promotion of “Njord” this year and 2010 I would like to ask when we can expect a new Atrocity album and a new Liv Kristine solo album?
It’s been 3 years since “Enter My Religion”, and it’s always good to gain a different aspect of your own art after some time has passed by. Right now, I am just about to finish the final recordings of my third solo album, and I see things in a new perspective now. “Enter My Religion” was an expensive production on a major label, however I made the decision in 2008 to release my third solo album on a another label, with a smaller budget, but having more freedom about the whole process, from the very first demo track, until the final master. I am very proud of “Enter My Religion”, however I have developed as an artist and technician and my third album will be a huge step forward. I have put my focus on sounding just like myself, recording songs in one take, so you “get” me with everything I am, my character, my emotional level, my breathing, sometimes perhaps perfect, sometimes maybe not. I just want the audience to hear ME, not some singing lady with a pretty nice voice. I want to creep up inside your hearts and senses. I wrote all the songs together with Torsten (guit. Leaves’ Eyes), all the lyrics myself, and my husband Alex is the producer of the album. Atrocity are already finishing their next Atrocity feat. Yasmin “Calling the Rain”, which will be out end of 2009/beginning of 2010.
Label : Stygian Crypt Productions
Review by Luisa Mercier
After the self-produced debut “Deceitful Fate”, Hildr Valkyrie releases for Stygian Crypt her second record “Shield Brothers of Valhalla”. The album is made up of ten folk tracks: their main features are Hildr’s female vocals and the synth which is heavily used in order to create a dreamy and at the same time epic atmosphere. The aim of the record is to discover once again our roots, traditions and celebrate Nordic mythology, as she already did with her other two bands Folkearth and Folkodia. The sound throughout the album is quite omogenous since the song are all keyboard-synth based with Hildr vocalising through them. In some songs there are not real lyrics, but this creates a quite alienating mood, for example in “All Mighty Gods”. I have to say that the metal side is not very prominent, but I guess it was a choice of Hildr. In the end you will find two cover songs, the first is Falchenbach’s “Havamal”, the second is Bathory’s “Ring of Gold”, both renditions are quite good and acoustic. I would recommend this album to folk and folk-metal lovers!
Rating – 70/100
- The Battle Valkyrie (Intro)
- All Mighty Gods
- Valkyrja’s Spoken Words
- Father and Son
- Thor, the Thunder God
- To Wallhall Shall Meet
- Shield Brothers of Valhalla
- Riding Through the Battle (Outro)
- Havamal (Falkenbach cover)
- Ring of Gold (Bathory cover)
- Hildr Valkyrie – Vocals, all instruments
- Alboin – Guitars (Guest)
- Thanos – Screams n’ Narrations to “To Walhall Shall Meet” (Special Guest)
- Aled Pashley – Guitars, Drum Programming (to 2 tracks) (Special Guest)
Style switcher only on this demo version. Theme styles can be changed from Options page.
- My Ruin – “The Sacred Mood” (2013)
- Belladonna – “Shooting Dice With God” (2013)
- Visions of Atlantis – “Ethera” (2013)
- Upon Wings – “Afterlife” EP (2013)
- Maxine Petrucci – “Back to the Garden” (2013)
- Masterforce – “Until the End of Time” DEMO (2011)
- COURAGE MY LOVE return with “Becoming” EP
- Maledia – “Your Angels Cry” EP (2012)
- Lumus – “Bacchus’ Curse” (2012)
- Lightless Moor – “The Poem – Crying My Grief to A Feeble Dawn” (2013)
- Hurtful Witch – “Spectra” (2013) [DEMO] [REISSUE]
- Ivalys – “Lumen” (2013)
- Hydrogyn – “Private Sessions” (2012)
- Heart Shaped Rock – “Brought it On” SINGLE (2012)
- Igorrr – “Hallelujah” (2012)
- North Diamond – “По Ту Сторону Бытия” ["On the Other Side of Being" - "Po Tu Storonu Biytiya"] (2012)
- Kvitrafn (Einar Selvik) – Wardruna
- THE EDGE OF PARADISE @ The Mix, Seattle, WASHINGTON, USA – 27/04/2013
- Jessie Ware – “Devotion” [The Gold Edition] (2013)
- Hugo Flores & Jessica Lehto – Factory of Dreams
- Carter Tutti Void – “Transverse” (2012)
- Jennifer Borg – Divine Ascension
- Black Sun Aeon – “Blacklight Deliverance” (2011)
- Black Heaven – “Dystopia” (2011)
- Fourever – “Solitarium” (2012)
- Embassy of Silence – “Antler Velvet” (2013)
- Shiori Vitus – Eleanor
- KARMIC LINK announces new line up addition and album updates
- Eidon – “Crystalight” (2012)
- CyLeW – “Black Lace Prophecy” (2012)