Interview by Matteo BussottiWildeStarr second release, “A Tell Tale Heart”, came out not so long ago, so we decided to ask the band’s founder and frontwoman, London Wilde, some questions. Being an extremely experienced musician, and having worked in pretty much all the fields related to music, we had the chance to ask her about pretty much anything which came to our mind; and her answers were very satisfying, it has to be said. So, here we present you the interview with London Wilde, from WildeStarr! Enjoy! Hi London, welcome to Femme Metal! We are very pleased to have you with us here. My first question is: you pretty much did everything regarding to music, you composed the soundtrack for an independent movie, you were a sound technician, and now you sing with WildeStarr. How do these aspects of music differ from each other, and, on the other hand, are they similar in some way?
Thank you Matteo, it’s great to be speaking with you! When someone hires you for a specific task, the goal is to present their vision to the best of your ability. In WildeStarr I am presenting my own vision, which is far more satisfying for me. It is also more challenging. ALL my musical skills are required in the band because I sing, write melodies and lyrics, play keyboards, record, produce and mix. WildeStarr is the amalgamation of all my experience in music, and is much more personal.Why did you choose to dedicate “A Tell Tale Heart” to E.A. Poe? Has Poe played an important role in your personal and artistic life, maybe?
The album is about a broken heart, and the journey it takes. The Edgar Allen Poe influenced stories are used as a metaphor for that journey and tells a new story. My writing in this theme happened organically without specific intent. It could have been Tennyson, or Saki, other writers/poets I admire, but the subconscious creative mind chooses it’s own muse. Horror and macabre themes really lent themselves to what I was feeling at the time. Continue reading »
Interview by Ed MacLarenHearing a band’s debut album for the first time is like digging up a treasure chest. You have no idea what’s in it but you’re hoping that, whatever it is, it’s going to make you rich. Uncovering “Breaking the Stillness” – the powerful debut album from Finland’s Shear – is a treasure in its own right – a refreshing and engaging listen that will reward your ears again and again. The album is built on catchy melodies and progressive arrangements but what really raises the eyebrows are the balls-out voice of singer Alexa Leroux. On each track, her vocals cut loose adding some grit to the polished music underneath. Femme Metal Webzine got the inside scoop from vocalist Alexa Leroux on the new album, her powerhouse vocals and how classical training works well in the metal world. Welcome to Femme Metal Webzine, Alexa! Congratulations to you and the rest of Shear on “Breaking the Stillness”. An excellent debut album!
Thank you very much! Glad you like it!Shear brings a sonic cornucopia to the ears – crunching riffs, swirling keyboards and powerhouse vocals. This album will definitely appeal to fans of power and symphonic metal not to mention the progressive metal faction.
Well, thank you, once again. Our album is a little more melodic mixed with progressive, than symphonic, but I hope it reaches fans of different metal styles also. I believe it’s diverse enough, so even if people don’t like all the songs they might find some elements they really like.Are you excited? What are your expectations for the album? The prediction here is that even though it’s early in the year, you could be seeing “Breaking the Stillness” on some best of lists at the end of the year.
I am very excited about having an album finally come out. I can’t really predict anything and in a way I think it’s better I don’t even try to, but it would be totally awesome to see it succeed.Track for track, “Breaking the Stillness” is a powerful listen from start to finish. What’s the secret to maintaining that kind of momentum over a whole album?
We really took our time writing the songs. Every song was written with a purpose and they all come from a very personal space, so that is probably what helped the most.
Interview by Connie Bach
Translated by Disgraced
Released on Wormholedeath, Mechanical God Creation’s album “Cell XIII” is all finely-tuned fury. There is nothing but steelyaggression in MGC‘s brand of well-crafted death metal. Hello, Lucy.
HI!!!How did you come up with the dark topics “Cell XIII” discusses?
The album was born from the wish to express our inner, undeclared and huge anger. We have thought about how our society denies us the possibility to free and vent our inner rage, if not only in determinated occasions, as a matter of fact we’re all chained to this concrete armchair, as was Prometheus to the mountain. From this analysis we’ve decided that it was time to let our voice be heard and represent this huge and inner force.Would you say, that the combination of powerful lyrics and powerful instruments creates a kind of chemistry? Is it something that feeds itself, and you, on a deeper level?
We tried to make music and lyrics fit together in order that no one of them abandoned each other. It was like we have tried to weave a well-stichted and tight texture that oozed all this aggressivness: the more the music was getting violent, the more my voice and my vocal lines were becoming aggressive and violent!How did “Cell XIII” build on the foundations the band already had? How does it reflect where Mechanical God Creation wants to go?
“Cell XIII” helped us to find the perfect way to develop a composing process, a musical alchemy that sadly has been lost later on, since some members left the band. Of course the work done didn’t lose its value: it’s been the ground for a great, personal growth that will surely be useful for the nex record and that will help me going on on my musical road. Neither me nor the other MGC will stop, on the opposite we’ll get better and better with the new line-up!Specifically, what does the name “Cell XIII” refer to?
As I told you before, we started exploring the world of repressed anger where the body acts like a cage: the word “cell” comes from here and also the artwork leads to that concept, actually there’s a person chained up in a cell. “XIII” has an esoteric and symbolic meaning, according to a worldwide tradition: it’s an ambiguous number open to a myriad of interpratations and it represents the human duality, our inner and outer self.Lucy, from your personal point of view, how does Mechanical God Creation differ from earlier projects you have worked on? Is there one thing you would bring from the past experience? If so, what?
MCG is a more personal project, I feel it mine more than the others because I created them out of nothing; I founded this band to try and create something new, something that was only mine in the world of extreme music. This is my band and not a band that I simply joined! The past lives on as a legacy in terms of songwriting and live experiences, professionality and a huge care for those details both musical and non-musical that gravitate around the band. Moreover, past experiences obviously help you to deal more easily with some situations and people and so they allow you to better understand what’s going on. What nowadays is often denied is basic, without any doubt, to build an important project!
This question is for each member of MGC to offer input on. If each of you had one artist who influenced you the most, who would he/she be? Why would you choose them? Each of you probably has a different, individual answer.
Lucy: The first artist who inspired me the most was Cadaveria: I liked her vocal style a lot, very aggressive but with a feminine touch nevertheless.
Veon: There are surely three artists who had a big influence on me, which are Jaco Pastorius, Steve Di Giorgio and Jeroen Paul Thesseling. They have been in bands that I always loved. Another aspect that influenced me a lot stylistically and melodically has been the one of bringing bass-playing to a new level: not only a rythmic one but something inbetween rythmic melody and soloist parts.If you all agreed upon a dream venue (even if it is one that does not exist yet), could you describe that ideal show, line-up, concert venue, etc.? This is sort of meant for those interested to get a sense of how you all can put this image together, by working with each other, the same way you do with a song.
Well, playing Wacken is always a dream. I’ve been there as a fan and I can say it’s a very cool festival, so many people and interesting bands. But there are of course a lot of other places where we’d like to play. Our biggest love, so to say, are big open air festivals. Now I won’t list here all the bands we’d like to share the stage with… way too many!Another one for all of you to contribute to. What goes through your head the moment you finish a gig?
When the concert is over and you go downstage many emotions always linger on: in front of you there was someone who was there to listen to you, who was searching for something in you, who wanted to find a strong emotion in your music and therefore you hope you managed to communicate all that. You hope you played a great show, something unique because after all every gig is unique and unrepeatable and so wonderful! I take the chance to thank everyone who follows us and all those who support us in what we do!What kind of people seem to connect with MGC’s music the most? Why do you think it happens?
I think that MGC‘s music can appeal to several kinds of listeners: of course lovers of classic extreme metal as well as modern one and in general to whoever craves for a surge of adrenalin and wants to hear something fresh and new for some aspects. Last but not least, why not?, I think we might be appreciated also by those who want to rediscover the Italian death metal that in these last years gave us lots of nice surprises!I have one final question, for each of you to answer, or work together on; its up to you. What is the fundamental purpose of music with darker themes?
It’s surely a stylistical and harmonic research that at first is aimed to create confusion in the listener but then wants to give a sensation of rage, safety and personality to the songs, both lyrics-, musical- and vocal-wise. Nowadays being out of trends using darker themes isn’t easy but there are some unxplored points of view that grant a new personality to his kind of music. It’s impossible to say how through words, you have to communicate and feel it with music’s own language.Thanks to you, Lucy, and to everyone from Mechanical God Creation. I deeply appreciate everyone’s contribution.
Thanks to you for this chance and for the nice and challenging questions! Hope to hear you again soon!
Interview by Miriam C.
If metal impersonate as a queen the German Doro, instead in the melodic rock/AOR territory the true deal is the US Robin Beck. Known for the uber huge hit single “First Time” in 1988 born from a jingle of a Cola Cola commercial, after 6-years-break from the last album “Livin’ on a Dream”, Robin do her comeback with her 9th album “The Great Escape” on her own imprint, Her Majesty’s Music Room. Want to know more? Continue to read this extensive interview…
Hi Robin, first of all thanks so much for accepting this interview! For me is a real pleasure to host and promote you in my webzine and I thank you for finding time out of your busy schedule to reply this humble questions.
Thank you Miriam I am happy to.
On your official biography, you stated that since you’re a little child you wanted to be an artist and when you were 10 yrs old you have written your first lyric. Now, being passed so much time, did still keep it and what you think about it?
This is not a secret lyric. It’s a childhood song about love of course… “Key to My Heart” Sort of a country song. I think it was pretty good for a kid.
Despite the fact that you are world famous singer, during your break for raise your daughter Olivia, you have still recorded album as a background singer. From this experience what you have learnt? Any good memory to share with us about that period?
I don’t have anything but good memories… and still more coming. My daughter is the light of my life! You do learn from being a mother how to be a parent from your children. If they are happy… then you’ve done a good job… so I give myself a gold star. I will also say that from having Olivia that I became more conscience of how important school really is… this something I took for granted while I was growing up. I hated school but it’s the most important part of our lives to begin with.
Let me get you to the early times of your career, at that time what were your favourite musical acts and are your musical tastes changed now?
Ha… Janis Joplin, Joe Cocker, Aerosmith, Queen, the Beatles, Stevie Nicks, Carol King, Crosby, Stills, Nash, Taylor and Reeves and the Supremes. Just to mention a few.
Your debut top hit single “First Time” in 1988 was a spin off for a Coca Cola commercial, how you got involved in it? Also the video clip was different in EU and in the US, why?
I was chosen to sing “First Time” the jingle… then the song was written and it just flew high by popular demand first in the U.K. – They then did an American Version since Americans don’t speak English I guess! LOL It was perfect the way it was first created… then we simply rocked it out for the simple reason that I was noted as rock artist and that’s the way they envisioned it for the States.
How was the genesis of your last album “The Great Escape”, when you have started to nail down the first lyric?
Hummm… really don’t remember specifically. It just came when it came… and out popped the entire album. We worked for about 5 months straight on it.
Your latest studio album was 2006′s “Livin’ on a Dream” (now I’m excluding the re-release of “Trouble or Nothing”), why it passed so much time since then?
I was putting together my own label and time was just flying by. I was also managing a band at that time and devoted a lot of attention to them.
How’s born the partnership with Tommy Denander and James Christian (that’s your husband)?
I met Tommy during a “Radio Active” invite to sing a song… and from there it was a relationship of 3. Me, James and Tommy. We are all very tight. James my husband is in House of Lords. He might be the best producer I’ve ever worked with. Not just because he’s my husband, but because he really gets me and knows better what I can do than even I do sometimes… it’s great to have these 2 men by my side.
What’s your personal meaning and what do you want to express with the title album “The Great Escape”? Or it’s simply related to a lyric present in the album?
For me it’s meaning was simply to take a break from life and listen to some great music. But the song is literally about getting away or escaping the trappings of a bad relationship. The title of the album really has nothing to do with the song I’m afraid. I kept it because I just loved the image I had created in my own head. When I’m listening to music that I love… all my cares vanish. That’s what I want for my fans.
Two songs that totally hit me are “The One” and “Don’t Think He’s Ever Coming Home”. What are the subject of this lyrics?
You hit the nail on the head with these two songs Ms. Miriam. “The One” is clearly about the love of my life and how to let him in on it. “Don’t Think He’s Ever Coming Home”, is a whole other story… this is an unhappy ending for a girl who tries to keep a man that truly wants to be with his intended. Some girls are just lying to themselves and this song spells it out for them in a most unforgiving light.
On “That All Depends” you sing with Joe Lynn Turner, how do you feel to realize such a dream? How was standing literally (and singing) beside him?
Ha… that’s funny… I’ve known Joe Lynn Turner and have sung with him for years and years… you’d think I’d be immune’d by now … but he’s dreamboat. I’ve always loved his voice and his way. I can’t say enough nice things about Joe Lynn Turner. It was great that he took the time to do this with me. Hopefully we will do another song together in the future.
In February 2009 you founded your label Her Majesty’s Music Room, why? I mean you haven’t no more faith in the labels?
Yep! That’s it in a nutshell. It’s a smaller system but much more satisfying. I mean really… working with a label can make you or break you… but working with my own label makes me happy.
The re-recorded release of “Trouble or Nothing” include 4 bonus tracks. If I got it right the songs are original from that session and why at the time weren’t included into the album?
No no no…. these songs were not from that time period. They were fresh newly written for the re release of “Trouble or Nothing”.
In the 80′s MTV was the leader in broadcasting and promoting AOR bands/singer like you now after 20 years or so we find that internet, with its connections of webzine and sites dedicated to music, is taking the lead. What do you miss of the 80′s from this point of view? And also how much do feel confortable this all this new technology? Have you already notice any pros and cons for your activity?
It’s great… no matter what this is how we evolved. For me it’s wonderful. I have much more exposure… sometime not the exposure that you want but as they say… all press is good for the artist… good or bad.
Watching your long, stellar career what it is missing is a full concert DVD. Any plans to record it?
Yes… we almost did it at Firefest. But I’m looking to do something that spans my career, not just a rock concert. This takes time but I can assure you not too much longer.
Finally your EU fans have the chance to meet you during your upcoming “Here Comes Trouble Tour” made of 10 dates running thru Germany, UK, Switzerland and Austria. Any project for a full European tour?
I am trying to put that together already. It was only the beginning to start this year after so many years of being missing from the touring circuit. It will take some more time to build up the audience awareness… let’s start here. Tell everyone to keep an eye on www.robinbeckrocks.com for coming tour dates in 2013 and Facebook as well.
After this EU tour, what are your next plans and if yes, are you involved in other musical related stuff?
I am in the middle of making a new album right now. We are also discussing new tour for 2013.
Olivia, your daughter is following your artistic footprints, would you mind present her and her songs?
She’s amazing and living her dream right now as an actress… but this girl has pipes and she can do anything she wants to. I would be proud to see her live her life and use her talents to make her own dreams a reality.
I’ve a just a little curiosity to fullfil, you know I’m from Italy and time ago you have recorded a duet with Pupo (that’s a real famous songwriter/singer here). Do you mind tell me how’s born this collaboration? To me, discovering this was such strange because Pupo doesn’t really represent the attitude of a rock star.
Well there’s not that much to tell… he reached out to me to do a duet with him and I did. It was fun… and Olivia was only 10 months old at the time so she was in my arms the whole time I was with Pupo singing.
Well, Robin, we’re at the end. I really thank you for your time. Please greet your fans and our readers as you like. Really thanks, Miriam.
Please come visit me at my website www.robinbeckrocks.com and on Facebook. I would love to see you there. If I’m in your area please come out and say hello. Watch my website for any details in the coming months. All my love.
Interview by Danny Robertson
We caught up with Maledia‘s singer Loo to discuss their background, their current album “She and Her Darkness” (released in January 2009) and future plans.
What themes/ideas inspired your lyrics on these songs?
Firstly thanks for this interview. Each song for me is a new journey, when the melody is ready usually I listen to her a lot of times thinking of where it leads for me. On this album I also wrote about some things which happened in our and my life, maybe in some hidden words, using some ideas and symbols which reminded me of some particular sensations. But, I have to say that everytime I have to write new words for a new song, it’s always a new challenge and a new journey through feelings.
How would your describe your sound?
Our sound is very powerful but very, very melodic and emotional. It’s full of our influences, we are five musicians very different to each other, but in love with the same thing – Music .
Which other vocalists do you admire, past and present? Would you say any of them have inspired your own style?
I love a lot of vocalists, but I can say that any of them have inspired my own style. I think that a real artist has to give their personal and own touch to their style, this is the only way to be truly appreciated, judged and loved, not only compared to someone else. However, my favourite vocalist (in the gothic metal scene) is surely Tarja Turunen, she is the biggest voice and personality I have ever seen on a stage.
Who/what are the band’s main influences as a whole?
Many. As I said, our influences are various; in fact each Maledia member has got favourite bands and music background inspirations, very different from each other. But the main influences are Nightwish (Old Style), Cradle of Filth, and many songs coming from the horror dark projects of a lot of movies’ soundtracks.
What normally gets written first – the music or the lyrics?
Usually we write the music first. This part is often “addictive” to the band (except me). I contribute obviously to the creation of the music, but very less in this part, because my real work is the creation of the lyrics and their melody. But this is not the only way we use. I can say that the creation of each newborn song is always different from the past one.
Tell us about the production behind the current album – how long did it take to write and record? Did you experience any difficulties in its’ creation?
It was as difficult as fantastic. It took more than three months to record the complete album with voices and choirs. But unfortunately we met a lot of difficulties in the period after the creation, I mean production itself and in the coming out. It took more than one year to make “She and Her Darkness” available for all our fans. We still apologize for this to all our fans. We hope that the long wait was rewarded for each one of them, I will thank them forever.
The album features a guest appearance from Roberto Tiranti of Labyrinth – how did that come about?
We have always appreciated Roberto Tiranti and loved his voice. He’s a great artist and one of the voices in the Italian metal scene more appreciated in the world. When we got the idea of having a guest on the song “Ti Sento”, I immediately thought of him. He was extremely kind and helpful, and for me it was a great honor as well as a dream come true to sing with him. I thank him again for what he did.
Will you be inviting guests for future releases? What would be your dream collaboration?
Sure, there will be new guests in the future. My personal dream collaborations I think are not very in accordance with our musical genre (joke), but there will surely be, and obviously are a secret.
Do you have any plans or ideas for the next release?
The next release will be available in 2010, the songs are almost ready and we are very proud of them. Our style is changing but remains still as it is known – powerful, energic and melodic. Maybe someone will think it’s more modern, but I can say that is just the Maledia style.
How would you describe your local music scene? Was it easy to build an early fanbase?
Well, although there are (fortunately), many fans (Thank you!!) who supported us always, I must say that unfortunately in Italy the organization of events suited to our kind of music is undoubtedly difficult. In other countries, the scene changes completely. Unfortunately in Italy the metal scene itself is still very much closed.
Which other bands/acts do you feel you share the most common ground with?
A lot, but mainly we feel us very near to all the big bands of underground music, of Italy and Europe.
Whereabouts will you be touring in the coming months? Any international dates?
No date is confirmed at the moment, but we are planning a new tour in the winter.
What are your aims and plans for the future?
Sure the new album, we are working on a lot of it. It will be great and always more Maledia. And a lot of shows, a video and a new single.
Style switcher only on this demo version. Theme styles can be changed from Options page.
- Illnath – “Third Act in the Theatre of Madness” (2011)
- Hysterica – “The Art of Metal” (2012)
- Hand of God – “The Hand of God” (2013)
- Flames of Fury – “FoF” EP (2013)
- Effloresce – “Coma Ghosts” (2012)
- Marie Fredriksson – “Nu!” (2013)
- Anneke Van Giersbergen
- Leaves Eyes’ – “Symphonies of the Night” (2013)
- Phildel – “The Glass Ghost” EP (2013)
- Lita Ford
- Sarah Teets – MindMaze
- Susanna Vesilahti – Unshine
- Trobar de Morte – “The Silver Wheel” (2012)
- Viper Venom – “In Venom Veritas” (2012)
- Via Obscura – “Gedanken” (2012)
- The Mariana Hollow – “Velvet Black Sky” (2012)
- Storyum – “Insomnia” (2012)
- Snei Ap – “Hidden Floors” EP (2013)
- Sin7sinS – “Carnival of No Tomorrow” (2012)
- MaterDea – “Satyricon” (2011)
- Rampart – “War Behast” (2012)
- Lita Ford – “The Bitch is Back… Live” LIVE ALBUM (2013)
- Epysode – “Fantasmagoria” (2013)
- Beyond God – “Dark Light of Dawn” EP (2013)
- Ayreon – “The Theory of Everything” (2013)
- Seremonia – “Ihiminen” (2013)
- Tuomas Tuovinen & Eveelina Kojo – myGrain
- TEODASIA announces European Tour with TARJA TURUNEN
- I Left the Planet – “I Left the Planet” EP (2011)
- Grimes – “Visions” (2012)