Trans-Siberian Orchestra – “Dreams of Fireflies (On a Christmas Night)” EP (2012)

Label : Lava/Universal Republic Records

Review by Tony Cannella

Just in time for holidays comes the new EP from the traveling Christmas extravaganza known as the Trans-Siberian Orchestra, entitled “Dreams of Fireflies (On a Christmas Night)”. Two female singers (Erika Jerry and Georgia Napolitano) are used as well as the male vocalist Tim Hockenberry. It is not very long but this is the classic sound of TSO that the fans have come to know and love. “Dreams of Fireflies” opens with two instrumentals. The first being the piano and guitar driven “Winter Palace”. This is a huge bombastic sound to it and it is definitely what people have come to expect from TSO. Next we have the second instrumental “Dreams of Fireflies (On a Christmas Night)”. This track features a cool interplay between the heavy guitars and orchestration. Next is “I Had a Memory” featuring the vocals of Erika Jerry and a rich sounding choir as the song morphs into an up-tempo, bouncy hard rock number. Erika Jerry has a big sounding, impressive voice with a lot of soul and passion. “Someday” is next and is a heartfelt acoustic ballad sung by raspy voiced Tim Hockenberry. This is actually a pretty sentimental and relatable song about growing older and moving on. The EP is completed with the piano ballad “Time You Should Be Sleeping”, sung by Georgia Napolitano. All three singers featured here represent a different style from each other. Georgia’s is more classical than the other two. She’s got such a hugely expressive voice as “Dreams of Fireflies (On a Christmas Night)” comes to its conclusion. At only 5-songs and a length of 15-minutes, “Dreams of Fireflies” is a pretty short listen. This really isn’t a radical departure musically; it is simply the classic TSO sound. Listening to TSO will always put you in the holiday spirit and if you haven’t done so already, be sure to check out their Christmas tour – it is quite a spectacular experience.

Rating – 80/100

Tracklist

1. Winter Palace
2. Dreams of Fireflies (On a Christmas Night)
3. I Had A Memory
4. Someday
5. Time You Should Be Sleeping

Line Up

• Erika Jerry – Vocals (on “I Had A Memory”)
• Tim Hockenberry – Vocals (on “Someday”)
• Georgia Napolitano – Vocals (on “Time You Should Be Sleeping”)
• Paul O’Neill – Guitars
• Jon Oliva – Keyboards
• Al Pitrelli – Lead, Rhythm Guitars
• Chris Caffery – Guitars
• Roddy Chong – Violin
• Angus Clark – Guitars
• Joel Hoekstra – Guitars
• Mee Eun Kim – Keyboards
• Vitalij Kuprij – Keyboards
• Jane Mangini – Keyboards
• Johnny Lee Middleton – Bass
• John O. Reilly – Drums
• Jeff Plate – Drums
• Derek Wieland – Keyboards
• David Zablidowsky – Bass

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Interview : Iris Mavraki – Dreamtone & Iris Mavraki’s Neverland

Interview by Robin Stryker

Two years after releasing their debut album “Reversing Time”, Greek/Turkish progressive symphonic melodic metal band, Dreamtone & Iris Mavraki’s Neverland, returns with its second album “Ophidia” (AFM Records 2010). Femme Metal sat down with Greek female vocalist, Iris Mavraki to get the inside story on the band and its new album.

Welcome, Iris, and thank you for joining us today! Would you start off by telling us why you joined forced with the Turkish band, Dreamtone, to form Neverland? What was it about Dreamtone’s music that caught your attention?

First of all, hello Robin; it’s a pleasure to be with you! Well…. A few years ago, my son Orpheus Spiliotopoulos, who was at that time reviewing for the Greek site MetalTemple.com, suggested I listen to a CD entitled “Unforseen Reflections” by a band called Dreamtone. I was immediately, tremendously impressed by the power of their compositions and the symphonic elements in their music. Then I found out that they are from Turkey; a nice surprise to me as I was then also singing with the Turkish Symphony Orchestra, so I suggested we get in touch. There was something in their music, something really different.

Neverland was born as a project to combine metal with a symphony orchestra for live performances. At what point did Neverland mature from a concert project into a full-fledged band?

That didn’t take long really! As I mentioned above, that’s how it started in my mind for sure, the metal band working with an orchestra and being about the live performance. It was certainly our first idea for it, but we quickly realised that there was so much more interesting material and potential that could be shared, and that it had to be right to start a new band recording our own music! We decided to unite forces and become Dreamtone & Iris Mavraki’s Neverland, and we’ve never looked back!

For someone who has never heard “Ophidia”, how would you describe the album’s sound? And, for fans of “Reversing Time”, what are the biggest differences between the two albums?

I think “Ophidia” has the more powerful sound of the two but it also combines, in some parts, an Anatolian, Mediterranean, spicy touch, Medieval parts, symphonic parts and bombastic melody too. I think it goes further than the first one! “Reversing Time” was maybe more symphonic; we had The Istanbul Philharmonic Orchestra play on it, but both albums ultimately have the identity of Dreamtone & Iris Mavraki’s Neverland because they’re written with all the musical styles present.

Which bands have influenced Neverland’s sound the most?

Hard to say as I think each and every one of us have different influences. But, if asked specifically, I would say: Blind Guardian, Jon Oliva’s Pain and many others!

What does “Ophidia” mean, and does the title play into the album’s overall theme?

Well, “Ophidia” basically tells the story of how the evil inside every one of us slowly corrupts anything and everything. Our title track is basically a semi-electronic, semi symphonic, mid tempo piece with its subtle change of pace as well as some nice guitar tricks. The song covers the theme from the perspective of “evil” as having a tongue and speaking. The song presents evil as a “snake”, slowly crawling inside our minds. “Ophidia” means worshipping the snake or following the path of the snake. Since humans almost always lie, the song suggests that we are all Ophidians… In the album, there are a lot of different meanings in the songs as well though, I don’t think we had a total concept of “Ophidia”, but just tried to represent just a few of them.

Please tell us a bit about your musical training and background. Also, who are your personal musical heroes?

Well, I studied classical piano and had singing lessons at the National Conservatoire And Hellenic Conservatoire of Greece in Rhodes. I was a member of the Municipal Choir of Rhodes for about 10 years, and a member of an amateur theatrical group there. I have been singing alone and with bands for many years and with Symphony Orchestras from Turkey and elsewhere, at numerous concerts for the “environment”, “against racism”, “antiwar concerts”, “for human rights”, etc. I had many different influences, starting with: Joan Baez, Maria Callas, Janis Joplin, Pink Floyd, Metallica, Trans Siberian Orchestra, Leonard Cohen, Blind Guardian, East West Divan Orchestra and Daniel Barenboim, plus Mikis Theodorakis who you might know? I was very lucky back in the 80’s to have had an audition with David Gilmour (Pink Floyd). I think that all these years of experimenting with many kinds of musical styles and in several different languages, have given me a wide range of repertoire and experience.

With your background participating in human rights concerts and given the historic tension between Turkey and Greece, how important are politics to Neverland?

It’s not really about this, but there is some aspect of it to think about I suppose! If you think about it, our countries have had bad relations for many years and are slowly recovering from these wounds of the past, so it is important that we help promote such a conscience, especially in the young. To build a cultural bridge through music is the best way to spread messages of hope and peace, as music is a universal language, no? “Politics” in the narrow sense of the word, is for Politicians. I think, for us, it’s a matter of keeping eyes open helping people to be more aware of things. We, as people from Greece and Turkey, have far more to share than those who try to divide us can take away! We share the same sun, and that means “light”. It’s politicians that create the problems, not us!

The new album has fantastic guest appearances by metal vocalists Jon Oliva (Savatage, Trans Siberian Orchestra, Jon Oliva’s Pain), Edu Falschi (Angra, Almah) and Urban Breed (Pyramaze, ex-Bloodbound, Tad Morose). How did these collaborations come about?

Oganalp and our band members contacted all of them and asked them if they would accept an invitation to be our guests basically, and it’s so wonderful that they all accepted. It’s really wonderful having people like this on our new album. It’s humbling!

Neverland will be touring Europe with Jon Oliva’s Pain in October. Is the tour a direct result of his guest vocals on “Ophidia”?

We were planning to go on tour anyway, but, I think Jon’s appearance on our album definitely played a role. I think the general reaction to the album from the fans is also so great that that plays its role too and is the main reason for us being accepted on the tour.

One of the most touching songs on the new album is “Places Unknown”, a farewell to Mike Baker (Shadow Gallery) who passed away in 2008. During the upcoming tour, will Neverland perform “Places Unknown” or “Reversing Time” (feat. Mike Baker) — the title track from Neverland’s debut album, which was also Mike’s last official release before his death — or are emotions still too raw to sing these songs during a live performance?

Emotions are, of course, still present and raw. It was such a shock for us, and especially for the Dreamtone guys, who were in touch with Mike for a long time. But the fact that he sang “Reversing Time” and that this was his last song recorded; you know the lyrics of the song? Well, it seemed to me, very strange. There are sometimes things you simply just can’t explain in words and that is one of them, sorry! Yes, we will be playing these two songs, definitely! May Mike rest in peace and in our memories.

Speaking of tours, how was ProgPower Europe 2009? What is your best memory from the festival?

It was a terrific experience; bands from different countries, a fantastic audience that came just for the Festival. It was amazing. I was impressed by Evergrey’s acoustic performanc. We had lots of fun and good memories. We hope to be there soon, once again. Promoters, audience and bands were all awesome and very friendly to us!

Congratulations on the video premier of “This Voice Inside” on Headbangers Ball (MTV Greece)! Why did Neverland pick this song as the album’s first music video?

Well, “This Voice Inside” is about the main character of “The Wheel of Time” series, Rand Al’Thor, one of the main characters of the book. It mainly tells of Rand’s unwilling turn into an anti-hero, whilst constantly trying to battle with the voices inside his head. It’s a powerful song. You’re right. It had its premier on Headbangers Ball (MTV Greece)! In fact, they will be presenting it again, as we have a concert in Rhodes at the Colorado Club (Rhodes) on June 10th. We picked the song because it was powerful, of course, but also because it somehow defines the album’s sound. There are more complex and alternative tracks than that one, but it shows generally, what to expect from the album!

Which is your favourite Neverland song of all time, and why do you feel a strong connection to the song?

Mine is actually “Black Water”, off “Reversing Time”. It talks about, black water; oil, or more specifically petrol and reminds us of the eternal fight humans seem to need to have to keep control over it. It is a lovely song also, from the pure musical side!

If you could design the perfect Neverland gig, what would it be like (venue, guest appearances, etc.)?

I would love to do this! First of all, I would design it with a Symphony Orchestra, of course, live with Neverland. I would have all our guests appear also, in memory of Mike Baker. I’d do two big concerts. One in Athens and one in Istanbul. And I would give this the title, “Connecting Bridges”!

How is 2010 shaping up for Neverland?

So far, it looks very exciting. In Rhodes, the concert is organized by the Road Knights, the MCC of Rhodes (The Harley Davidson Club of Rhodes) and my son Orpheus will present “Ophidia” and us. Orpheus presents Headbangers Ball (MTV Greece) now and is also writing for Rock Hard (Greece) and they will be our Media Sponsors. Then we’re preparing for our European tour with Jon Oliva. It will be great. There are many shows booked, and we will visit several countries. I believe we’ve just added two more gigs, one in the Czech Republic and one more leg in Germany? It will be a great experience,w e will have a real chance to connect with our European listeners, and I’m so looking forward to it. 2010 is probably going to be our most active year to date.

Thank you for taking the time to chat with us, Iris. Do you have any parting words for your fans at Femme Metal?

I thank you also, it was a pleasure to speak to you. Thank you for some really good questions. I send our greetings from this part of world and hope to perform somewhere close to you soon, hopefully in the UK? Keep listening and supporting Metal Music; it’s a good way of life and it rocks!

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Trans-Siberian Orchestra – “Night Castle” (2009)

Label : BMG Rights Management/Audioglobe

Review by Tony Cannella

By now everyone knows what to expect from Trans-Siberian Orchestra. A combination of Rock, Prog, Metal and Classical highlights this musical extravaganza.The band started out as a touring holiday troupe and their annual Christmas shows have become legendary. Now in recent years they have become a year round touring and recording entity. Their latest studio album, now released in Europe after 2 years from its original version, is the epic 2-disc, 28-song, over 2-hours long, “Night Castle”. As always, TSO has a great array of endless musical talent – from all backgrounds – at their disposal. The great Jeff Scott Soto (ex-Yngwie, Journey, solo, etc. etc.) adds his immense talents to “Night Castle” as well as three very talented female singers are on board. They are: Jennifer Cella, Alexa Goddard and Valentina Porter. All of which comes from a non-metal background but man can they ever sing! Not to mention some the great musicians who have participated. Alex Skolnick, Chris Caffrey, Al Pitrelli and Jon Oliva among many, many others are all on hand, even progressive rock legend Greg Lake (ELP) adds bass to the track “Nutrocker”. “Night Castle” is a complex concept album which you can read about on their web-site or CD booklet; suffice it to say there is a lot going on both musically and lyrically. The album kicks off with the choir dominated “Night Enchanted”. The 3rd track “Sparks” has an energetic classic rock feel to it, with a great guitar solo. Fans of Savatage will find the instrumental “The Mountain” to be familiar as it incorporates parts of “Prelude to Madness” from ‘Tage’s “The Hall of the Mountain King” album. The female singers don’t surface until the 2nd disc on the tracks “Father, Son & Holy Ghost” a hugely grandiose part ballad part mid-tempo track featuring some superb vocals from Jennifer Cella. The next track “Remnants of a Lullaby” also features Jennifer taking the lead on the acoustic ballad. “Child of the Night” features the duo of Alexa Goddard and Valentina Porter taking over the lead on this symphony laced track. One of my only complaints about “Night Castle” is the fact that the male singers tend to sound similar to one another so it would have been nice to give the female singers a bit more to do. That is just a mild complaint however, as the material more than stacks up to previous TSO recordings. TSO has delivered another grand, huge, monstrously, unapologetically epic masterpiece with “Night Castle”. TSO has continued to ascend to new heights, which I am sure they will continue to do.

Rating – 85/100

Tracklist

Disc 1

1. Night Enchanted
2. Childhood Dreams
3. Sparks
4. The Mountain
5. Night Castle
6. The Safest Way Into Tomorrow
7. Mozart and Memories
8. Another Way You Can Die
9. Toccata – Carpimus Noctem
10. The Lion’s Roar
11. Dreams We Conceive
12. Mother and Son
13. There Was A Life

Disc 2

1. Moonlight and Madness
2. Time Floats On
3. Epiphany
4. Bach Lullaby
5. Father, Son and Holy Ghost
6. Remnants of a Lullaby
7. The Safest Way Into Tomorrow (Reprise)
8. Embers
9. Child of the Night (Bonus Track)
10. Believe (Bonus Track)
11. Nutrocker (Bonus Track)
12. Carmina Burana (Bonus Track)
13. Tracers (Bonus Track)
14. Requiem (Live 2010) (Bonus Track)
15. Toccata – Carpimus Noctem (Live 2010) (Bonus Track) 

Line Up

• Paul O’Neill – Guitars
• Robert Kinkel – Keyboards
• Jon Oliva – Keyboards
• Al Pitrelli – Lead, rhythm guitars
• Chris Altenhoff – Bass
• Luci Butler – Keyboards
• Chris Caffery – Guitars
• Shih-yi Chiang – Keyboards
• Roddy Chong – Violin
• Angus Clark – Guitars
• Jane Mangini – Keyboards
• Johnny Lee Middleton – Bass
• John O.Reilly – Drums
• Anna Phoebe – Strings
• Jeff Plate – Drums
• Alex Skolnick – Guitars
• Derek Wieland – Keyboards
• Dave Wittman – Drum, guitar and bass

Lead Vocalists :

• Jay Pierce (“Childhood Dreams”, “The Safest Way Into Tomorrow”)
• Tim Hockenberry (“Sparks”, “Believe”)
• Jeff Scott Soto (“Night Castle”, “Another Way You Can Die”, “Dreams We Conceive”, “Time Floats On”, “Safest Way Into Tomorrow (Reprise)”)
• Rob Evan (“There Was a Life”, “Epiphany”)
• Jennifer Cella (“Father, Son & Holy Ghost”, “Remnants of a Lullaby”)
• Alexa Goddard (“Child of the Night”)
• Valentina Porter (“Child of the Night”)   

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Trans-Siberian Orchestra – “Beethoven’s Last Night” (2000)

Label : BMG Rights Management/Audioglobe

Review by Tony Cannella

Trans-Siberian Orchestra has been spreading their Holiday cheer in the U.S. for close to 15-years. In 2000 TSO released their first album of non-Holiday music titled “Beethoven’s Last Night” and in honor of the bands first European jaunt this album has finally been released in Europe. As with all of their albums, “Beethoven’s Last Night” features a virtual who’s who of some of the best talent you will find. “Beethoven’s Last Night” is an involved concept album that features over 70-minutes worth of music. TSO offers the listener a wonderful mix of epic metal combined with Classical music to present the listener with a soaring musical experience. Some truly talented singers such as Savatage alums Jon Oliva and Zak Stevens add their talents to some of the characters. Female vocals do not show up until track 10 when Patti Russo takes the helm as the character Theresa on the track “The Dreams of Candlelight”. She can also be heard on various other tracks including “After the Fall”. Sylvia Tosun as Fate is allowed to shine on the closing number “A Final Dream”. More highlights – of which there are many – include: “What Good This Deafness”, “Mephistopheles”, “The Dark” and “Mephistopheles’ Return”. Enough good can’t be said about this great array of talented musicians that makes up TSO. There is a reason that they have amassed a huge following among metal and non-metal fans alike.“Beethoven’s Last Night” is a perfect example of the genius of TSO.

Rating – 90/100

Tracklist

1. Overture
2. Midnight
3. Fate
4. What Good This Deafness
5. Mephistopheles
6. What Is Eternal
7. This Moment
8. Vienna
9. Mozart/Figaro
10. The Dreams of Candlelight
11. Requiem (The Fifth)
12. I’ll Keep Your Secrets
13. The Dark
14. Fur Elise
15. After The Fall
16. A Last Illusion
17. This Is Who You Are
18. Beethoven
19. Mephistopheles’ Return
20. Misery
21. Who Is This Child
22. A Final Dream

Line Up

• Jody Ashworth – Beethoven
• Patti Russo – Theresa
• Jon Oliva- Mephistopheles
• Guy Lemonnier – Young Beethoven
• Jamie Torcellini – Twist
• Sylvia Tosun – Fate
• Zak Stevens – The Muses
• Dave Diamonds – The Muses
• Doug Thoms – The Muses
• Robert Kinkel – Piano And Keyboards
• Jon Oliva – Piano, Keyboards & Bass
• Al Pitrelli – Lead, Rhythm & Bass Guitars 
• Paul O’Neill- Rhythm & Acoustic Guitars
• Chris Caffery – Guitars
• Jeff Plate – Drums
• Johnny Lee Middlenton – Bass
• Dave Wittman – Drums, Guitars & Bass Inserts

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