Interview by Luisa Mercier


It was on 2006 that we heard news, for the last time, about Bill Leeb‘s electronic pop project Delerium. After that nothing. But with 2012, after 6 years of silence, Delirium reappears in the music business with the fourteenth album called “Music Box Opera” and since I have always been a great Delerium fan, so it was a great pleasure to have this exclusive interview from Bill.

It’s been a long time since “Nuages du Monde”. How does “Music Box Opera” connect with the past and how does it differ from it?

The concept is still the same, we are trying to create ethereal electronic pop music. Having said that, a lot has changed in the world and with all of us so there’s definitely a growing scenario going on with all the people involved… More specifically would be that we’ve come along way in writing, producing and programming and our tastes have changed… We’ve all matured and we’ve evolved and we tend to think that it comes out in the music.

There are some new entries among the singers, together with already known voices like Kristy Thirsk. How and why did you choose the new ones?

With every record we try to evolve and bring new flavours into the mix, we usually make a list of potential singers we want to work with. We then reach out to them and through attrition and luck we end up with people we respect and want to contribute to the album. It’s definitely a lengthy task cause a lot of people have busy careers and lives so sometimes these things take much longer than anticipated. That’s why its also been 6 years been albums, good things take time.

Am I wrong or the sound is more electronic? What audience do you expect to reach in the music business overcrowded by mainstream acts?

No, we’ve definitely put away all the organic instruments and have gone for a really electronic feel this time. More programming, no acoustic guitars or anything. We thought it was really time to change it up and go down the electronic road, which is kind of where Delerium started from anyways, we like things to be really tweeky now and since technology has so much to offer now we try to expand our horizons.

Have you ever felt so hopeless towards music scene as to want ro give up everything and just go back to a normal kind of life?

No, being an artist is something that picks you, you don’y really pick it. I think all artists are tortured souls, whether they are successful or not because how does one measure success. Is it done through the amount of status you have versus how much wealth you obtain? Or is it just trying to be a pure creative genius who’s simply putting forth something you think the world needs to see or hear. It’s a never ending journey, you could ask any artist of any genre and they will all tell you pretty much the same thing. No piece of art is ever perfect or complete, you go on forever striving for that perfect song even though in the back of your mind you know it’s unreachable, which keeps you going. As far as normal goes, I don’t think anybody lives a normal state, the world is a pretty complicated place.
 

On an happier note, is there still something you have not tried and you would like to do -music related – in the future?

I would definitely like to score a major motion picture with a real budget that is very artistic and off the beat and track. This is something that has always eluded me and kept my curiosity, I keep hoping that this will be the one thing will still come to fruition down the road. We just finished our second video game soundtrack for a game called AirMech with Front Line Assembly so we are interested to see how that will pan out and where it will lead.

Future project? Touring?

Touring has become a very insidious proposition because it seems like it’s hard to put the show together that you want, and putting something out there that is less than 100 % of your idea and vision feels like you are not reaching your full potential for your audience to see. Everybody tells you now day to go out, lofi, low cost, literally get in a van and tour but is there really a point to that? Will that actually help sell records these days? This is a question the band always talks and thinks about, so at this point we are pretty undecided what the future of live shows will be at this moment in time. Having said that, if the feedback merits it and there is a real demand we will obvious give it a rethink and possibly hit the road and do some shows.

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