Interview : Christina Kalantzi & Thomais Chatzigianni – Dakrya (2010)



Interview by Si Smith 


Although Dakrya is derived from the Greek word for tears, there is nothing weepy and morbid about this group of theatrical musicians! Dubbing themselves “The Charlatans” and branding their new album “an avant garde metal freakshow”, this septet of metal magick brings you the thrills and spills of the stage alongside the sparkle and allure of the circus. I spoke to two of the leading talents, Christina and Thomais….

First of all, thanks so much for this interview and greetings from all at Femme Metal. You call yourselves collectively the Charlatans. I gather that this is a old 16th century reference to “a flamboyant actor; one who attracts customers with tricks or jokes”. How well would you say this describes your little theatrical troupe?

Thomais: Well our little concept is based on this kind of twisted circus world. It’s a different but yet the same aspect of seeing the world we live in. It helped us connect with the character each one of us had inside … and bring it to life… Each one of us has its own unique and important role to play within this world.

Christina: We use our music to attract ”customers”, in our case the audience, and through the cheerful circus themes and musical theater atmosphere we try to introduce them to the ”Crime Scene” which is the world that we live in. Our lyrics speak of dreadful stories where money, ego, and fraud are the driving force of our society. So I guess we are Charlatans, we trick people to attract them to our world!

You burst onto the scene in 2008 with “Monumento” which was an invigorating mix of religious and operatic imagery. In contrast the theme of the new album is described in the opening song as involving “a dazzling haze of criminal minds; riddles, traps and horrible crimes”. How did this concept for the new album arise?

Thomais: It came really natural I would dare to say! Just look at the world around you… the whole album theme is vital and you are a part of it as well… it is the everyday things we have to deal with… people hiding behind masks feeling artificially beautiful, a world based on creating fear and insecurity… it was really easy for us to evolve with this concept.

Before the release of the full-length itself came the single “The Urban Tribe” as a download. In what ways did you feel that this was a representative track to put out as a single?

Thomais: First of all I believe that this track shows our new style and sound in many ways…the one that could hold the listener by the hand and make him enter our new world step by step and become familiar with the new things we wanted to express.

Christina: ”The Urban Tribe” is a song that reflects the change in our musical style in the best way in our opinion. Also we all love it! It’s a powerful track, a combination of jazz and swing elements with metal riffs and strong lyrics that holds the essence of the album.

Many of the lyrics of the new album involve jugglers, clowns or mime artists. Your vocals too are extremely theatrical and effectively express different nuances of emotion. What are your musical and/or theatrical backgrounds?

Thomais: Well I started my studies in the vocal area as a classical/opera singer (exactly what I do in “Monumento” album) but I’ve always had the craving of experimenting with my voice… the sound and color of it. I had a great love for dance and theater as well so musical theatre came across my way and I started searching and expanding my potentials as a singer in this field… I guess that helped me to discover my demanding little dark twisted character in “Crime Scene”!

Christina: Actually I have no theatrical background, never took any acting lessons or participated in a theatrical play. As for my musical background, I started singing since I started talking! I took singing lessons for many years and before Dakrya I was in another metal band. But I believe singing and acting are strongly connected, and many times you are called to play a role when interpreting a song. So I think it would be very useful for me and probably any singer to take some acting lessons.

The “roving” rhythms of tracks such as “The Urban Tribe” and “Camouflage” are highly reminiscent of the recent achievements of bands such as Diablo Swing Orchestra. Where would you say your influences are, as musicians, vocalists and performers?

Thomais: I think that the fact the seven of us has so many and different influences and sounds we like to listen and experimenting with gives this rare and weird sound. Of course we love bands such as DSO and Unexpect, but speaking for myself I really love soundtracks, alternative music, jazz, blues, and artists that love to take their sound one step further and create different and unique worlds like Tool, Porcupine Tree, Shining… there are so many I could name right now… I also have many pop – electro and industrial favorites, folk and world music as well… there are no limits in what I listen to, it depends on my emotional state every time.

Christina: We all like Diablo Swing Orchestra and I guess their sound was a great influence for us. As for me as a vocalist, my influences are quite diverse. From Dusty Springfield and Aretha Franklin to Bruce Dickinson! I love soul music, blues and jazz, while musicals like Chicago give me ideas about my stage performance. I want to find my own identity as an artist and i always have my eyes and ears open during this way. 

The album slows down a little for “Inertia” then bursts into life again for the arrival of “Dramatis Personae”, which swells up like a Final Act before the ending of the play. In what ways does this song encapsulate or summarise some of the main themes of the album?

Christina: ‘Dramatis Personae” is actually the Final Act, as it reflects the main reason for the fear, the consumerism, the corruption and generally the madness that composes today’s life and were mentioned in the previous tracks. We all play roles, we are actors in a play we don’t really know the scenario, but have to improvise every time for our own advantage or the advantage of those above us. As the song says if you want to survive ”play your role right!”

You have recently been signed by Sensory Records, the same label as bands such as DSO, Wuthering Heights and Circus Maximus. In what ways (if any) has this changed the way things are done in Dakrya? In what ways is the label supportive of you as artists?

Thomais: Well we are satisfied that this cooperation came up! We have the right promotional support and many chances to take our sound beyond the borders of our country. We feel very proud sharing the same floor with so talented artists and it has helped us focus more on our targets for the future.

Christina: We are very glad we had the chance to be signed by Sensory Records. They have appreciated our work from the beginning and they support and promote us a lot, especially in the USA. So as far as we are concerned we try harder to do everything with professionalism and become better musicians and performers through a lot of work, so that we can return their trust in us.

By now you will have just completed your first February show in Athens alongside Psycrence and Allen’s Hand. Please tell us how the show went!! What were the highlights for you?

Thomais: We had such a really nice time and enjoyed ourselves a lot!!! It was the first time that we played for the Greek audience after so long and introducing the brand new concept and album to them was pretty challenging… it came up more like a theatrical show in the end! I was very exciting feeling this live contact with the audience again!!!

Christina: Yes, we had our first show in Athens on February after the release of our new album ”Crime Scene” and it went really great! We enjoyed it a lot and I think the audience enjoyed it as well. We had the chance to play in a great venue, the sound was very good and generally we didn’t face any problems or misfortunes. As for the audience I think the whole show, with our performance enriched with theatrical elements came as a surprise to them!

The whole Dakrya experience must be very daunting to recreate in the live environment. How on earth do you all keep track of all the elements involved? This surely must involve a lot of practice….

Thomais: Yeah it takes a hell of a practice!! Haha… well every rehearsal is a small show for us… cause as you very correctly said we have to give this sense of theatrical experience to the people that will give it a try and check us live. We also have this need of creating a vital world to bring those characters we get to play, into life. So we came up with lots of ideas and combined them interactively into our show…

Christina: Yes, the truth is that it’s really difficult to recreate live the whole concept of ”Crime Scene”. When we do our rehearsals we practice on everything. It’s kind of preparing a theatrical play where we have to take care of the costumes, the stage scenery and our whole performance apart from playing music and singing. Every song is a story we want to tell people and we enrich it with theatrical elements. On February’s show the audience took a small taste of what is coming up because we’re still working on it and try to make our stage performance better and make a step forward all the time.

I imagine it must be good for morale to have more than one vocalist up on stage at any one time. How does the dynamic work between you two? How do you manage to encourage each other when things get rough along the way?

Thomais: Well it was a spiritual kind of bonding that we shared from the very beginning… We managed to work perfectly together and had many ideas on how to create styles and melodies within the songs. We came to the point that we can choose the parts that Sophia gives us to work just by instinct. I feel that without each other the whole concept wouldn’t be whole… I would feel incomplete as a voice and theatrical character if Christina wasn’t there; knowing how important we are to each other encourages us and gives us strength for the show to go on!

Christina: We work perfectly together and sharing the stage has become something essential for us. Actually we can’t imagine Dakrya with just one of us! I think we complement each other and we manage to create a balance on stage. We always help and support each other and for example if I forget any lyrics, Thomais is there to cover it up and this can be a great relief!

With all the different ideas that make up a Dakrya album, how do the creative roles divide up between the band members? How does the average track get written?

Thomais: Each one of us created his own character and gave it personal characteristics. The average track and idea is written by SophiaX and then all of us are involving our ideas and colors in it… she gives us the toys and then we play haha… then the roles and their development are take their natural way I believe due to the fact that we are not only band mates but very close friends, we know each other’s way of thinking and there is a bidirectional trust in between us… so we always respect each other’s “sound space”.

Christina: Usually SophiaX is the one that composes the music and writes all the lyrics. So after the main directions from SophiaX, we all have the chance to add our own ideas and improvise on our instruments. Along with Thomais we get the music and the lyrics and then we make the vocal arrangements with SophiaX helping us especially when it comes to matters of expression and interpretation of the lyrics. 

Finally, it would be great to know if you have any hopes of aspirations for the future of Dakrya. Or for yourselves as individuals? Is there anything revealing you would like us to know about yourselves before we close?

Thomais: We are planning to have some shows here in Greece and hopefully abroad, because we will be entering the studios once again soon!!!

Christina: What we really want for the future is to keep playing music that expresses us and making albums like ”Crime Scene” which we feel very proud of. We are planning to have more live shows around Greece and abroad and we want more people to enter our ”freakshow”!

Thank you so much for taking part, really, you guys do a great job, and we at Femme Metal wish the album and the Charlatans all success in the future!!

Christina: Thank you as well for your support and this great interview! We hope to see you all soon on stage! 



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