Interview by Robin Stryker


Two years after releasing their debut album “Reversing Time”, Greek/Turkish progressive symphonic melodic metal band, Dreamtone & Iris Mavraki’s Neverland, returns with its second album “Ophidia” (AFM Records 2010). Femme Metal sat down with Greek female vocalist, Iris Mavraki to get the inside story on the band and its new album.

Welcome, Iris, and thank you for joining us today! Would you start off by telling us why you joined forced with the Turkish band, Dreamtone, to form Neverland? What was it about Dreamtone’s music that caught your attention?

First of all, hello Robin; it’s a pleasure to be with you! Well…. A few years ago, my son Orpheus Spiliotopoulos, who was at that time reviewing for the Greek site MetalTemple.com, suggested I listen to a CD entitled “Unforseen Reflections” by a band called Dreamtone. I was immediately, tremendously impressed by the power of their compositions and the symphonic elements in their music. Then I found out that they are from Turkey; a nice surprise to me as I was then also singing with the Turkish Symphony Orchestra, so I suggested we get in touch. There was something in their music, something really different.

Neverland was born as a project to combine metal with a symphony orchestra for live performances. At what point did Neverland mature from a concert project into a full-fledged band?

That didn’t take long really! As I mentioned above, that’s how it started in my mind for sure, the metal band working with an orchestra and being about the live performance. It was certainly our first idea for it, but we quickly realised that there was so much more interesting material and potential that could be shared, and that it had to be right to start a new band recording our own music! We decided to unite forces and become Dreamtone & Iris Mavraki’s Neverland, and we’ve never looked back!

For someone who has never heard “Ophidia”, how would you describe the album’s sound? And, for fans of “Reversing Time”, what are the biggest differences between the two albums?

I think “Ophidia” has the more powerful sound of the two but it also combines, in some parts, an Anatolian, Mediterranean, spicy touch, Medieval parts, symphonic parts and bombastic melody too. I think it goes further than the first one! “Reversing Time” was maybe more symphonic; we had The Istanbul Philharmonic Orchestra play on it, but both albums ultimately have the identity of Dreamtone & Iris Mavraki’s Neverland because they’re written with all the musical styles present.

Which bands have influenced Neverland’s sound the most?

Hard to say as I think each and every one of us have different influences. But, if asked specifically, I would say: Blind Guardian, Jon Oliva’s Pain and many others!

What does “Ophidia” mean, and does the title play into the album’s overall theme?

Well, “Ophidia” basically tells the story of how the evil inside every one of us slowly corrupts anything and everything. Our title track is basically a semi-electronic, semi symphonic, mid tempo piece with its subtle change of pace as well as some nice guitar tricks. The song covers the theme from the perspective of “evil” as having a tongue and speaking. The song presents evil as a “snake”, slowly crawling inside our minds. “Ophidia” means worshipping the snake or following the path of the snake. Since humans almost always lie, the song suggests that we are all Ophidians… In the album, there are a lot of different meanings in the songs as well though, I don’t think we had a total concept of “Ophidia”, but just tried to represent just a few of them.

Please tell us a bit about your musical training and background. Also, who are your personal musical heroes?

Well, I studied classical piano and had singing lessons at the National Conservatoire And Hellenic Conservatoire of Greece in Rhodes. I was a member of the Municipal Choir of Rhodes for about 10 years, and a member of an amateur theatrical group there. I have been singing alone and with bands for many years and with Symphony Orchestras from Turkey and elsewhere, at numerous concerts for the “environment”, “against racism”, “antiwar concerts”, “for human rights”, etc. I had many different influences, starting with: Joan Baez, Maria Callas, Janis Joplin, Pink Floyd, Metallica, Trans Siberian Orchestra, Leonard Cohen, Blind Guardian, East West Divan Orchestra and Daniel Barenboim, plus Mikis Theodorakis who you might know? I was very lucky back in the 80’s to have had an audition with David Gilmour (Pink Floyd). I think that all these years of experimenting with many kinds of musical styles and in several different languages, have given me a wide range of repertoire and experience.

With your background participating in human rights concerts and given the historic tension between Turkey and Greece, how important are politics to Neverland?

It’s not really about this, but there is some aspect of it to think about I suppose! If you think about it, our countries have had bad relations for many years and are slowly recovering from these wounds of the past, so it is important that we help promote such a conscience, especially in the young. To build a cultural bridge through music is the best way to spread messages of hope and peace, as music is a universal language, no? “Politics” in the narrow sense of the word, is for Politicians. I think, for us, it’s a matter of keeping eyes open helping people to be more aware of things. We, as people from Greece and Turkey, have far more to share than those who try to divide us can take away! We share the same sun, and that means “light”. It’s politicians that create the problems, not us!

The new album has fantastic guest appearances by metal vocalists Jon Oliva (Savatage, Trans Siberian Orchestra, Jon Oliva’s Pain), Edu Falschi (Angra, Almah) and Urban Breed (Pyramaze, ex-Bloodbound, Tad Morose). How did these collaborations come about?

Oganalp and our band members contacted all of them and asked them if they would accept an invitation to be our guests basically, and it’s so wonderful that they all accepted. It’s really wonderful having people like this on our new album. It’s humbling!

Neverland will be touring Europe with Jon Oliva’s Pain in October. Is the tour a direct result of his guest vocals on “Ophidia”?

We were planning to go on tour anyway, but, I think Jon’s appearance on our album definitely played a role. I think the general reaction to the album from the fans is also so great that that plays its role too and is the main reason for us being accepted on the tour.

One of the most touching songs on the new album is “Places Unknown”, a farewell to Mike Baker (Shadow Gallery) who passed away in 2008. During the upcoming tour, will Neverland perform “Places Unknown” or “Reversing Time” (feat. Mike Baker) — the title track from Neverland’s debut album, which was also Mike’s last official release before his death — or are emotions still too raw to sing these songs during a live performance?

Emotions are, of course, still present and raw. It was such a shock for us, and especially for the Dreamtone guys, who were in touch with Mike for a long time. But the fact that he sang “Reversing Time” and that this was his last song recorded; you know the lyrics of the song? Well, it seemed to me, very strange. There are sometimes things you simply just can’t explain in words and that is one of them, sorry! Yes, we will be playing these two songs, definitely! May Mike rest in peace and in our memories.

Speaking of tours, how was ProgPower Europe 2009? What is your best memory from the festival?

It was a terrific experience; bands from different countries, a fantastic audience that came just for the Festival. It was amazing. I was impressed by Evergrey’s acoustic performanc. We had lots of fun and good memories. We hope to be there soon, once again. Promoters, audience and bands were all awesome and very friendly to us!

Congratulations on the video premier of “This Voice Inside” on Headbangers Ball (MTV Greece)! Why did Neverland pick this song as the album’s first music video?

Well, “This Voice Inside” is about the main character of “The Wheel of Time” series, Rand Al’Thor, one of the main characters of the book. It mainly tells of Rand’s unwilling turn into an anti-hero, whilst constantly trying to battle with the voices inside his head. It’s a powerful song. You’re right. It had its premier on Headbangers Ball (MTV Greece)! In fact, they will be presenting it again, as we have a concert in Rhodes at the Colorado Club (Rhodes) on June 10th. We picked the song because it was powerful, of course, but also because it somehow defines the album’s sound. There are more complex and alternative tracks than that one, but it shows generally, what to expect from the album!

Which is your favourite Neverland song of all time, and why do you feel a strong connection to the song?

Mine is actually “Black Water”, off “Reversing Time”. It talks about, black water; oil, or more specifically petrol and reminds us of the eternal fight humans seem to need to have to keep control over it. It is a lovely song also, from the pure musical side!

If you could design the perfect Neverland gig, what would it be like (venue, guest appearances, etc.)?

I would love to do this! First of all, I would design it with a Symphony Orchestra, of course, live with Neverland. I would have all our guests appear also, in memory of Mike Baker. I’d do two big concerts. One in Athens and one in Istanbul. And I would give this the title, “Connecting Bridges”!

How is 2010 shaping up for Neverland?

So far, it looks very exciting. In Rhodes, the concert is organized by the Road Knights, the MCC of Rhodes (The Harley Davidson Club of Rhodes) and my son Orpheus will present “Ophidia” and us. Orpheus presents Headbangers Ball (MTV Greece) now and is also writing for Rock Hard (Greece) and they will be our Media Sponsors. Then we’re preparing for our European tour with Jon Oliva. It will be great. There are many shows booked, and we will visit several countries. I believe we’ve just added two more gigs, one in the Czech Republic and one more leg in Germany? It will be a great experience,w e will have a real chance to connect with our European listeners, and I’m so looking forward to it. 2010 is probably going to be our most active year to date.

Thank you for taking the time to chat with us, Iris. Do you have any parting words for your fans at Femme Metal?

I thank you also, it was a pleasure to speak to you. Thank you for some really good questions. I send our greetings from this part of world and hope to perform somewhere close to you soon, hopefully in the UK? Keep listening and supporting Metal Music; it’s a good way of life and it rocks!

 

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