Jan 5, 2013



Nightwish singer Floor Jansen returned to her opera roots recently when she sang a Puccini piece on Dutch TV, broadcast earlier this week. View her performance below.

The vocalist, who joined Nightwish as a touring member following the departure of Anette Olzon last year, admits her appearance was arranged at short notice.

Jansen explains: “They invite pop singers to sing a classical piece, and even though I studied classical singing, I am not a opera singer full time. “It was great to do again. However I had no time to prepare a new aria. I wore a dress you would normally not see me wear!”

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Jan 1, 2013

INTERVIEW: Mathieu Fiset & Hind Fazazi – Manahil

Interview by Lindz Riot

When people hear of Quebec, Canada they immediately think of Montreal, but to the east lays Quebec City where many good things are happening for Metal and Ambient experimental music alike. There you will find a gem, a diamond in the rough by the name of Manahil. Arabic for “The Sources” they are a duo that describes themselves as “Ambient music for Metal Heads” and from listening to them you can hear the concept. It is very refreshing! Fronted by the soulful and exotic voice of Hind Fazazi alongside piano wiz and musical visionist Mathieu Fiset, they are definitely adding something new to the music world. During their Ontario, Canada tour I have had the privilege to house them and sit down with them to get into their minds about what Manahil is and what they are doing that is so different.

Welcome to Femme Metal guys! Thank you so much for doing this interview with us. It’s a real pleasure. So how are you two liking your Ontario tour so far?

Mathieu: Great ! So far only one show down, but we played here last October with Stream of Passion and Unexpect and that was great. I can’t wait to play Toronto tonight and Oshawa next week with Mary and the Black Lamb and Modified.

Hind: I cannot judge for the moment! But at least, people here are friendly …let’s see if the Toronto gig tonight will be as nice!

How did you two meet?

Mathieu : Through a friend of ours. I asked Hind to come up to record a Steven Wilson cover song just for fun, but we ended creating music with an ambient instrumental track I had. This first song is the opening track of our first album.

Hind: I was fifteen years old at that time, and I already knew Mathieu was a great piano and keyboard player. We tried some covers together, in English first, but then we rapidly decided to experiment something new in Arabic, because we both were curious, open-minded and tired of traditional music!

How did you decide on your sound? Was it a vision or something that just came out through jamming together?

Mathieu: We never planned anything really, but of course with the knowledge that she could sing in Arabic and the fact that I love exotic music, we just ended up doing lots of oriental stuff in the beginning. But later we added the pop, rock, electronic and progressive stuff.

Hind: We just ….let ourselves do whatever we wanted to. We knew that our two energies were going to give something unique. We jammed a lot in the beginning to see what we could create together, and then just continued that way until now!

What are your musical backgrounds?

Mathieu: As a kid I was in love with the soundtracks of my favourite movies and then the music of Alegria from Cirque du Soleil really had an impact on me when I was 5 or 6. I took some piano lessons then stopped because the lessons were not what I imagined it would be. Later on, when I was 14, I started listening to metal so my interest in music came back. At 15 I joined my first metal band and slowly became a professional musician.

Hind: When I was a young little girl living in Morocco, I loved…Celine Dion! Then, when I moved to Quebec, I switched radically to thrash metal, Nu Metal and female fronted metal bands! Slayer, Sepultura, Korn, Within Temptation, Evanescence…afterward, I began to listen to Opeth and opened my mind to non-purely metal music, such as Nine Inch Nail, The Cure and Indian music.

What artists have really influenced Manahil?

Mathieu: That would be a long list! But I can say that my favourite bands are Tool, Nine Inch Nails, Porcupine Tree, Opeth but also some other artists have had a major impact like Peter Gabriel, Rachid Taha and Hans Zimmer.

Hind: For me, singers like Amy Lee, Tori Amos, Norah Jones and Susheela Raman, a folk-indian artist, influenced my interpretation.

You say you are ambient music for metal heads, what do you mean by this statement? Are you both heavily into metal?

Mathieu: Yeah, as you might guess by now, we both listen to a lot of rock and metal music, but we need something to balance it all, so we create kind of an ambient or electronic version of the metal music we want to hear.

Hind: As I have already said, we LOVE metal and listen to metal bands, but we hate to categorize ourselves as metal heads. Also, we don’t want to get bored by doing the same old style all the time and we absolutely adore oriental music and mixing styles that every open-minded metal head should appreciate.

Would you ever consider making Manahil a full band project?

Mathieu: No, because from the beginning we decided Manahil was the two of us, the creative force we are, and not a musical style.So even if we often have collaborators and live musicians, we prefer to keep the basic of Manahil as the two us.

Hind: Manahil, in Arabic, means The Sources, it’s only us two and we are the sources of the music we create!

What has the respond to your music been like in the Province of Quebec?

Mathieu: I don’t really know, to be honest. It’s a positive response for sure, but since it’s a really personal music, everyone feels different to it.

Hind: It’s particular! Manahil is a very introspective music and in a show context, where people are used to scream, it’s weird. It’s as if the crowd finds it special to just listen and let the music enter in their hearts.

Do you think you will be well received in Europe?

Mathieu: I guess!

Hind: I really think so. The North American audience is definitely different. The expectations are different, and I think, honestly, that the cultural aspect will be positive for us. We are a non-typical band, and maybe, I say maybe, it will be fully understood in Europe.

Why do you feel the metal scene in Quebec has been progressing so rapidly as of late compared to the rest of North America? Do you agree with this statement?

Mathieu: I guess it’s mainly because there’s a lot more metal heads in Quebec so with a bigger crowd, you can have more bands, more shows…but I mostly feel there’s too much of the same thing. We certainly have some of the best extreme metal bands in the world.

Hind: I agree with Mathieu on that, particularly in Quebec City…Quebec, metal city! But yeah, there is too much of the same: too much black metal bands, classic Hardcore bands… it’s not very diversified!

Tell me a bit about your new album, where did you record it? Who produced it? What can we expect to hear?

Mathieu: I produced, recorded and mixed it myself, mostly in my home studio but you’ll like to know that we recorded the vocals in Cardinal, Ontario. Musically, it’s a new experiment, more than a new direction. As much as we love the new album, we won’t do the same for the next album, just like every recording we’ve done and will do. It’s even more “Ambient music for Metal heads” than the first album. It’s a deeper, more sophisticated production which I’m really proud of and we went in musical areas that we never dared to explore yet, opening the door for more experiments in the future. We’re growing up I’d say!

Hind: Yeah, the composition of this album was a nice and refreshing experience. First, Mathieu sent me what he had done…the musical tracks sounded less melodic and more electronic to me… I didn’t know, at first, what I could sing on that! Then I experimented to write my melodies in a totally different way, and the result is amazing: a mix of very melodic vocals mixed with dark-electro-industrial-oriental music!

I noticed a hint of a Jazz influence on your most recent EP, can we expect to hear something like that on your next album?

Hind: No, or maybe inconsistently in a few back vocals. We both love jazz, but we already explored what we could do with that on “From Roots to Clouds”, “Alouanou Sama” is totally something else!

Last question: Outside of music, what are your lives like from day to day living?

Mathieu: Music is my day job, but I’d say I don’t play as much as I’d like to. Doing lots of planning, booking, promotion, paper work, I don’t take much time off, but I like to change my mind from time to time playing games and watching stuff on YouTube. I’m a complete nerd, so I don’t have of a much social life.

Hind: I’m going to University, studying philosophy and politics. Those subjects are my main passions with music. I am involved in my community, and I try to be active to promote a provincial political party by the name of Quebec Solidaire. I’m a part time musician, but a full time good citizen, I think. I read a lot and love to party with friends!


Photo Credit

All the photos by Fred Laroche



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Jan 1, 2013

NEWS : A MILLION MILES sign deal with Abandon Records

The heavy, do-it-yourself, Hamburg based metal band A Million Miles are proud to announce their recent signing with German label Abandon Records for their long awaited debut album “What’s Left Behind” scheduled to hit stores on April 5th, 2013 via New Music Distribution!

After 4 years of heavily touring the metal underground of Europe, A Million Miles signed a publishing deal with Enorm Music, the publishing company of Wacken/ICS in early 2012 and entered the Hammer Studios Hamburg (Gammy Ray) with Eike Freese of Dark Age to record their first full-length album.

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Jan 1, 2013

INTERVIEW: Chiara Tricarico – Lust for Oblivion

Interview by Erwin van Dijk

An in-depth chat with Chiara, the soprano singer of the well-promising Italian Gothic Metal band Lust for Oblivion about their debut demo “Black Moon” and their musical future.
Did you always want to become a singer?

I’ve always loved music and my first experience with it was at the age of nine, when I started playing the piano, but I’ve always loved singing, too, since when I was a child, so, some years ago, I started taking opera singing lessons.

And to what kind of music do you listen yourself?

I listen to classical music, especially opera and piano compositions and also to metal music.

And who are your favorite bands and musicians?

Bands like Dark Tranquillity, Moonspell, Within Temptation, Lacuna Coil, Tristania are my favorite, but I’ve surely forgotten some…obviously I adore Tarja Turunen!!!! My favorite classical musicians are W.A.Mozart, F.Chopin and K.Orff.

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Jan 1, 2013

INTERVIEW: Maike Holzmann – Voices of Destiny

Interview by Ed MacLaren

Barely into their 20s, Germany’s Voices of Destiny has a musical maturity that belies their young years. With their shining debut, “From the Ashes”, Voices of Destiny is packed with massive chops and soaring vocals that match many of the premier symphonic metal bands you’re listening to right now. Vocalist Maike Holzmann joined Femme Metal to talk about the creation of “From the Ashes”.
Congratulations on the new album! With Massacre Records no less. How are you and the band enjoying the ride so far? The feedback must be excellent.

Working with Massacre and all the great people we met during the recording process is awesome. Of course, we got some positive reviews and comments on our homepage, but we can’t tell how often the album is sold by now. We will know better in a few weeks.

“From the Ashes” is a very multi-textured album that draws you in deeper each time you listen to it. There’s a lot of detail happening musically. What’s the key to maximizing the “From the Ashes” listening experience?

Maybe just sitting down and listening to the album carefully and consciously. If you read the lyrics while listening this might also maximize the experience. You can interpret them and find out how they fit into your life.

What’s really impressive about “From the Ashes” is the number of potential singles: “Ray of Hope”, “Return from the Ashes”, “Apathy” and “All Eyes on Me” are all standout tracks. Each song on the album can stand on its own as well as a cohesive part of the whole album. Was that the band’s approach during the songwriting process?

Yes, indeed. We didn’t write the album as a concept album. Some songs already existed for 2 years or longer. But we thought they’d fit the album as well. Every single song is good on its own but concerning the whole album they reach another level somehow.

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