Review by Luisa Mercier
Anti-M is a California electronica band formed by keyboardists John Wardlaw, Ruston, and Mark Rumer (who’s no longer with the band). This album is their third full-length release, all self-recorded, produced and released by the band. This album has a nice range of styles within its seventeen tracks spanning from hard edged goth metal tracks to dreamy ethereal interpretations.
The album is opened by the pulsating ethereal “Dreamin in Metaphor” who prepares us for the alternative gothic rock pieces “Let U In”. This features Barbara Mosely‘s melodic vocals over the guitars and sets the stage for other catchy tracks along this style like the title track (more-guitar-oriented), the sweet electronic ballad “Deep” and following the down-tempo, gloomy and sexy but edgy piece “Rage”. Later, “Little Things” also deliver itself as a nice example of female-fronted alternative rock style. Continue reading »
Label : Metal Blade Records
Review by Luisa Mercier
After four years from the first release, Blood Ceremony, Canadian doom band is reissuing their self-titled album. Sometimes happens that some young, new bands decide to pay a tribute to old school masters. Therefore they compose albums that are very reminiscent of the past, adding their own elements and creating something which is old and new at the same time: an original music album.
This is what Blood Ceremony has decided to do, so we can listen to their omage to the old masters Jethro Tull, Black Sabbath, Saint Vitus, Pentagram and also the reknown Italian prog rock school of the seventies. We can also find a certain influence of the horror movies of the same period, both in the lyrics and the visual imaginary that the band has been able to create.While the band we have listed as the main inspiration sources for Blood Ceremony lean more on the doom or the prog side, the two aspects are well balanced in their compositions. “I Am Coming With You” is a good example. Continue reading »
Label : Rock Candy Records
Review by Tony Cannella
Back in the late 80s, it was impossible to pick up a copy of the (then) legendary U.K. magazine Kerrang!, without there being something in there about the British AOR rock outfit Romeo’s Daughter, particularly their gorgeous singer Leigh Matty who seemed to be in every issue (or just about). Before ever hearing them, if you were a reader of this magazine you already knew who they were. Their song “Heaven in the Backseat” was included on the soundtrack to the movie “A Nightmare on Elm Street, Part 5″ and later covered by Eddie Money. The band released two albums in the late 80s/early 90s and have just recently re-formed. To commemorate their reformation, their two albums have received the re-issue, re-master treatment and both feature previously unreleased bonus material.
Much of the album is produced by Mutt Lange (along with John Parr) and that much is obvious on the opening track “Heaven in the Backseat”. It has that slick “Hysteria” style sound and background vocals that sound like they could have been performed by Def Leppard. Beyond that, Romeo’s Daughter’s debut is chock full of pop flavored AOR tunes like “Don’t Break My Heart”, “I Cry Myself to Sleep At Night”, “Wild Child” (which was covered by Heart on their “Brigade” album) and “Hymn (Look Through Golden Eyes)”. The re-issue includes three bonus live recordings of “Heaven in the Backseat”, “Velvet Tongue” and “I Cry Myself to Sleep at Night”. Mutt Lange produced so many of the 80s biggest albums that we forget that some bands just didn’t go on to global success, and Romeo’s Daughter is one of those bands that fell through the cracks, which is a shame, because I think based on the material on their two albums they should have been bigger than they were, but that’s only my opinion. Their slick pop AOR sound will not be for everyone, especially die-hard metal heads.
I have always liked Romeo’s Daughter and I am psyched that the band has decided to get back together. More importantly it is a great thing that their (small) catalogue has been made available once again. Sure their music may be on the pop side of things, but the songs are just so damn infectious and besides, you can’t bang your head all of the time, can you? Supposedly, Romeo’s Daughter is working on new material, which is good news for fans of melodic AOR rock. Continue reading »
Label : Gnostic Dirt
Review by Luisa Mercier
I did not know much about Comus before listening to this live album. I have came to know that it is a sort of reunion album after a long period of time (since 1972 they say in the live recording). As soon as I started listening, I understood that they are a worthy band anyway. They play a kind of progressive rock highly influenced by folk music with the addition of various instruments, flute above all. They have a ’70s flavor that is missing in contemporary music which sounds completely fresh to me since I had not the chance to live the period in which this kind of music was more popular. Musically they’re still perfect, and vocally Roger Wootton is obviously aged, but he still sounds good and the live recording is good. Someone complained about the fact that the crowd was barely audible, but for me it is better this way since I want to focus on the music not the audience. For lovers of prog rock, old flavors and moods this is a release they will enjoy for sure.
Rating – 75/100
- Song to Comus
- The Herald
- Drip, Drip
- The Prisoner
- Venus in Furs
- Song to Comus
- Roger Wootton – Guitar & Vocals
- Bobbie Watson – Vocals & Percussion
- Glenn Goring – 6 String, 12 String Guitar & Bongos
- Andy Hellaby – Bass
- Jon Seagroatt – Flute & Percussion
- Colin Pearson -Violin & Viola
Interview by Danny Robertson
Check out Sister Sin – the Swedish rock’n’ roll quartet hailing from Gothenburg, who recently supported their heroes Motorhead whilst on tour in the US. Here, singer Liv gives us an update.
How did the shows with Motorhead go? It must have been quite an experience to be supporting an act who’ve influenced you all for so long!
We had a blast!! It was a dream come true for all of us to support Motorhead. Both shows went very well and it was truly amazing to play in front of a full sold out show!
Did you win many new fans from the Motorhead crowd?
Absolutely! I think we got a good amount of new fans. People were standing in line waiting for photos and autographs after the show and we sold a lot of CD’s, I think we did a really good job and people seemed to really enjoy our show.
Got any tour stories you’d like to share? Any strange or unusual experiences?
Hmm no not really, everything went very smooth during the shows with Motorhead. But on the tour we did before with Faster Pussycat, we had a lot of trouble! Our van broke down like 3 times during the tour and we nearly missed a show waiting at a truckstop for 7 hours for a new ride to the show that evening. When we finally got to the gig, we were 45 minutes too late and only got to play 3 songs.
Let’s go back to the beginning – how did the band first get together?
Well, at the beginning we had another bass player and guitarist, and they and drummer Dave formed the band in 2002. I had put out an ad in a magazine looking for a rock band and one of them called me and told me they really wanted a male singer, but maybe I could try anyway. So I did and they didn’t audition any other after that, so I guess I did make a good impression, haha! Since then, me and Dave have been looking for the right members and now it feels like we found them! Both Jimmy and Benton suit the band perfectly.
You hail from Gothenburg, a place normally associated with melodic death metal, thanks to bands like At the Gates, In Flames, etc. Given that yours is a very different sound, was it difficult for you to get shows and build a local fanbase in the early days?
Yes a little actually and still in Gothenburg that sound is dominant but the more hard rock/old school sound is beginning to come back.
You’re described on your MySpace profile as being the new ambassadors of ‘Street Metal’ – who first came up with that term?
That is a good question, and I don’t remember who first came up with that, haha. But I think it suits us very well. We are just true hardworking rock, very down to earth – very street, nothing fancy. We don’t expect things to happen, we make them happen!
What would you say has been your biggest non-musical influence?
Just everyday life! From both close in our own lives and that very big, big unpredictable world.
The Motorhead shows aside, what do you feel have been the high points of your career thus far?
Well playing at Masters of Rock in the Czech Republic for 5000 people and with bands like Doro and Cradle of Filth was pretty amazing. And then playing at the Sweden Rock Festival last year was a dream come true too!
Who are your favourite current acts?
My personal favourites are Airbourne and Deathstars. We met the singer of Soilwork while in the US and they are working on a new album, and I am looking forward to that very much.
Are there any new bands back in Gothenburg that you’d recommend to people?
Maybe not Gothenburg, but I think people should check out Hysterica and Babylon Bombs, good Swedish bands!
What’s next for the band? Any tours or future releases in the pipeline?
Yes hopefully both hahha! It’s depending on if we are gonna do more tours this Autumn or not. We really want to tour as much as possible and we are right now working on finding new tours. But if we don’t, the plan is to record a new album early next year. We are working on new songs right now and we are looking forward to giving the world some more kickass heavy metal!
Style switcher only on this demo version. Theme styles can be changed from Options page.
- Arkona – “Decade of Glory” LIVE (2013)
- Оксидерика – “Step to Darkness” (2013)
- Chaostar – “Anomima” (2013)
- Helalyn Flowers – “White Me In Black Me Out” (2013)
- My Ruin – “The Sacred Mood” (2013)
- Belladonna – “Shooting Dice With God” (2013)
- Visions of Atlantis – “Ethera” (2013)
- Upon Wings – “Afterlife” EP (2013)
- Maxine Petrucci – “Back to the Garden” (2013)
- Masterforce – “Until the End of Time” DEMO (2011)
- COURAGE MY LOVE return with “Becoming” EP
- Maledia – “Your Angels Cry” EP (2012)
- Lumus – “Bacchus’ Curse” (2012)
- Lightless Moor – “The Poem – Crying My Grief to A Feeble Dawn” (2013)
- Hurtful Witch – “Spectra” (2013) [DEMO] [REISSUE]
- Ivalys – “Lumen” (2013)
- Hydrogyn – “Private Sessions” (2012)
- Heart Shaped Rock – “Brought it On” SINGLE (2012)
- Igorrr – “Hallelujah” (2012)
- North Diamond – “По Ту Сторону Бытия” ["On the Other Side of Being" - "Po Tu Storonu Biytiya"] (2012)
- Kvitrafn (Einar Selvik) – Wardruna
- THE EDGE OF PARADISE @ The Mix, Seattle, WASHINGTON, USA – 27/04/2013
- Jessie Ware – “Devotion” [The Gold Edition] (2013)
- Hugo Flores & Jessica Lehto – Factory of Dreams
- Carter Tutti Void – “Transverse” (2012)
- Jennifer Borg – Divine Ascension
- Black Sun Aeon – “Blacklight Deliverance” (2011)
- Black Heaven – “Dystopia” (2011)
- Fourever – “Solitarium” (2012)
- Embassy of Silence – “Antler Velvet” (2013)