MYRKUR – “Folkesange” (2020)

Relapse Records Review by Tatianny Ruiz Rise over the snow-covered plains and cross the sky’s boundaries of ice mountains and pearly polar clouds and welcome to my home of howling…
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METALITE – Biomechanicals (2019)

AFM Records Review by Tatianny Ruiz Formed in 2015 in Stockholm, Sweden, the modern metal band METALITE has undergone some changes over the years, both in the line-up following the…
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Revenience – Daedalum (2016)

Sliptrick Records Review by Tatianny Ruiz Oh the modern metal (sighs), this seems like a definite new wave to the year we live but what about when we go back…
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BLAME ZEUS – “Seethe” (2019)

Rockshots Records Review by Tatianny Ruiz Welcome to the age of modern metal. Today my eyes and ears turn to Portugal for the meteoric band BLAME ZEUS and their third…
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ELEINE – ‘All Shall Burn’ EP (2019)

Black Lodge Records Review by Tatianny Ruiz ELEINE, the beautiful Swedish jewel of Landskrona, is about to deliver another treasure to the reign of symphonic metal. The “All Shall Burn”…
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JINJER – “Macro” (2019)

Napalm Records Review by Tatianny Ruiz Jinjer, the Ukrainian sensation of metalcore is the rising son of the charts on the current stage, in part for explosive hard work on…
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I AM LETHE – Journey (2019)

Ad Noctem Records Review by Tatianny Ruiz Formed in Italy in 2011, I AM LETHE is an intriguing alternative gothic metal band that started as an experimental project that was…
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