Risha – “Лето” (“Leto” – “Summer”) (2011)
Label : Nikitin
Review by Vard Aman

Risha are one of the most unique and unconventional bands around. They have created a sound that is theirs alone and a style that has not been done before – or more accurately, a style which is a mixture of different styles that has not been tried before, most likely because those who might have thought about it before probably decided that such a mix wouldn’t work. If that is what they thought, they were wrong: it does work, and Risha proves it. Or maybe it was something only Risha could do. Risha got together recently and are made up of former members of a Russian Industrial/Gothic/Alternative band called Deform. The vocalist and bassist, Irina Lvova (aka Rishafox), is also a seasoned session musician having worked with the likes of Tracktor Bowling, Arkona and others, as well as playing cello for Vespercellos. Their sound is… well… take some powerful Rammstein like guitar riffing; incorporate many of the electronic elements and effects that are often found in Industrial music of that kind; add some solid drumming; throw in a some Rock, Metal, and a few other influences here and there into the mix; and then get the vocalist to sing a beautiful melodic traditional Slavic folk style over it and you’ll be beginning to get some kind of idea as to what Risha sounds like – Industrial Folk. Now, Folk and Metal have been crossed many times very successfully, but most Folk Metal is exactly that – a fusion of two styles into one. Risha is not like that; Risha keeps their very contrasting styles mostly separate from each other at the same time, in the same songs, and the overall sound they create not just still works, but works amazingly well. Let me try to describe it another way: strip most of the folk elements out of the music leaving only the heavy Industrial/Industrial Metal style and then strip most of the Industrial/Metal elements out of the vocals leaving only the folk style and you have Risha. And that’s about the best I can do to describe their sound – you’re just going to have to get this album and listen to it yourself. Risha’s unique blend of styles operates simultaneously, as I’ve already mentioned, but from song to song the formula they have invented doesn’t vary any more than most other bands vary theirs from song to song. With Risha, this is not a bad thing at all; they give the listener a good dose (and certainly a varied enough dose by normal standards) of what they are all about. The album starts off with the title track, “Лето” and builds up to the really strong tracks on the album: “Голубка”; “Птаха”; and the two main highlights for me, “Водица” and “Улетай на крыльях ветра” (Risha’s rendition of the piece from the famous “Polovtsian Dances” in Act II of the opera “Prince Igor” by Alexander Borodin). Then Risha begin to change things up a bit with “Манечка” being the most experimental song on the album, and “Дождик / Lullaby” featuring Lou Gevorkyan from Tracktor Bowling which is a quieter, more ballad-like song. The album ends with, “Калёда”, which serves as a good reminder and summary of what Risha is all about. At the end they’ve added two remixes as bonus material. “Leto” is an album anyone and everyone can enjoy, because of Risha’s unique blend and the way they have put it to use. It’s heavy and quiet at the same time (yep, that is possible – listen and you’ll hear for yourself); rhythmic and melodic; you can turn it up loud and go wild to its energy; or you can concentrate closely on its intricacy; or you can put it on in the background and relax. It is a unique debut album from a unique band. I’ll be looking forward to their next release with great interest…
Rating – 90/100
Tracklist
- Лето [Leto – Summer]
- Ой, Ладу [Oi, Ladu – Oh, Beloved]
- Голубка [Golubka – Dove]
- Птаха[Ptaha – Bird]
- Водица [Voditsa – Water]
- Улетай на крыльях ветра [Uletai na kriyl’yah vetra – Fly Away on the Wings of the Wind]
- Манечка [Manechka]
- Масленица [Maslenitsa – Shroventide]
- Дождик / Lullaby [Dozhdik – Rain]
- Калёда [Kalyoda]
- Голубка (Danoizze rmx)
- Ой, Ладу(Ushaft Muzak rmx)
- For Love
Line Up
- Irina “Rishafox” Lvova – Vocals, Bass & Cello
- Andrey Ostrav – Guitars & Programming
- Alexander Suprun – Drums & Percussion
Links
MySpace * ReverbNation * BandCamp * Facebook * Twitter * Site
VV. AA. – “Ferocity & Femminity” (Femme Metal Compilation) (2008)
Label: Anthem Records
Review by Tony Cannella

Metal is truly a worldwide phenomenon. Okay, maybe that is the understatement of all time but it is great to see how metal is represented all over the world. Different styles, different genres, it all has something to offer. In the realm of female fronted bands, it is no different. There is a lot of good music out there, sometimes you just have to look for it. Here now is a compilation CD brought to you by the good folks at the Femme Metal Webzine titled “Ferocity and Femininity”. Represented are 15 bands and over 70-minutes worth of some of the best up-and-coming bands in the Female Fronted metal scene. The CD begins with “The Reach” by the UK’s Adastreia. This is a good track to choose as an opener, since it sets the standard very high right away. The song is dramatic with great operatic vocals. From there are another two bands representing the UK are on board. The first of which Hanging Doll are on board with the fantastic “Sweet Retribution”. This is an excellent track with an infectious melody and more great vocal work. That is followed by another equally good song by Submerged titled “This Thing of Darkness”. A cool mid-tempo number that has plenty of killer riffs. Canada’s AraPacis check in with “So Many Leapers”. This song ups the heaviness a bit with it’s Maiden-like galloping rhythms. It’s just relentless. Their style is more in a traditional metal vein, but equally effective as the previous bands. Next is Fateless Tears from the U.S. Their style generally reminds of good progressive music as can be heard on their track “Mesmerized”. Dueling female and male grunt vocals are used here. The UK’s hAND are represented with “I Find Myself” and this is musically phenomenal track and the vocals are very strong. Dremora from the US check in with “Alone” and Maida Vale from the Netherlands with “Remote Control”. A couple of perfectly crafted songs that highlight the strengths and differences of both bands. Dendura from the US are represented with Symphony – a symphonic metal masterpiece and that is followed Celticia (from the UK) with “Misshaped Scenes”. Next is Afterdawn with “Top of Occasions“. The great Australian band Temujin is heard with “Let You Go”. This is one of the most promising new bands I’ve heard in quite some time and this is one of my favorite tracks from their brilliant “1000 Tears” CD. Dyonisis – another great band – is up next with “Xact”. The final two songs “Ghost in the Shell” by Liquid Sky and “Disclosed” by Norway’s Ancestral Legacy bring this collection of female fronted metal to a rousing conclusion. With 15-songs and over 70-minutes worth of powerful music, this CD should provide a great resource for fans who are always on the lookout for new bands to support. Caz and the Femme Metal crew have put a lot of dedication and heart in compiling this CD and that is to be commended. The spotlight is shone brightly on these 15 bands, who each bring something unique and interesting to the table. This is truly a great collection of songs and bands that should please not only fans of the femme metal genre, but fans of music in general. The packaging layout and artwork also deserve a special mention. Plus, it’s all for a good cause. All proceeds will go to aid Cancer research.
Rating – 90/100
Tracklist
- Adastreia – “The Reach”
- Afterdawn “Top of Occasion”
- Ancestral Legacy – “Disclosed”
- AraPacis – “So many Leapers”
- Celticia – “Misshaped Scenes”
- Dendura – “Symphony”
- Dremora – “Alone”
- Dyonisis – “Xact”
- Fateless Tears – “Mesmerized”
- hAND – “I Find Myself”
- Hanging Doll – “Sweet Retribution”
- Liquid Sky – “Ghost in the Shell”
- Maida Vale – “Remote Control” (New 2008 Version)
- Submerged – “This Thing of Darkenss”
- Temujin – “Let You Go”
Links
Dyonisis – “Blue Shift” EP (2008)
Independent Release
Review by Tony Cannella

I was a big fan of the self-titled debut from the U.K.’s Dyonisis, so I was very excited when I recieved a copy of the their new EP “Blue Shift” (especially because I had no idea about its release). As mentioned, this is an EP and it is designed as a bridge to their next full-length but at 38 minutes long it is obviously longer than your average EP. Before getting into the music, I’ll re-introduce the band members to you. Lou Welsby (Vocals), Nel Cave (Bocals), Marcus Cave (Bass) and Tom Chaffer (Guitars & Programming). So, with that out of the way, on to the music. Is this release any good? Is it worthwhile? Absolutely, I can say “Yes, it is” on both counts. The CD begins with the first new track called “Abyss” and immediately I am reminded why I loved the first CD so much. It starts of with some cool keyboard effects and then goes into a beautifully melancholic, ethereal number. Next is another new one – at least for Dyonisis. “Son of a Preacher Man” is a cover song (I believe it was originally recorded by British pop singer Dusty Springfield). I had never heard the original version so I can only say that Dyonisis‘ version fits right in there with the rest of their catalog. The new song “Let Go” is next and it is a somber track that has an acoustic base to it and it really takes you on a sublime journey. Of the new songs, this is probably my favorite – even though it’s a slower number, it is still plenty powerful and emotional. Next up is the first of two re-mixes. “Pretty at a Distance” was perhaps my favorite song on the debut and the “Blue Shift” remix does nothing to sway my overall enjoyment of the song. It’s a bit different than the original, but it is still very good. The next new song is “Shamania” a mostly instrumental track that adds to the overall atmosphere and ambiance of the CD. The final track is another remix. This time of the 10 minute long “Rainy Day”. The new version now clocks in at, oh only a mere 16 minutes and it is a perfect way to conclude things. As with the other remix, this one (dubbed the Psychedelic Kitchen Sink Mix) is a strong alternate take on another fantastic song. Even though this lasts 6 minutes longer than the original version, it never gets dull and really holds your attention. The “Blue Shift” EP is a very satisfying release that should hold us over until Dyonisis releases their next CD. It has indeed raised my level of excitement for their next full-length. Hopefully, we won’t have too long to wait. This is only limited to 200 copies so I would suggest that fans of the band scoop theirs up before they are all gone. In conclusion, Dyonisis are a band that are consistent, dynamic, interesting and just flat out good. They are everything I could want in a band.
Rating – 85/100
Tracklist
- Abyss
- Son of a Preacher Man
- Let Go
- Pretty at a Distance (Blue Shift Remix)
- Shamania
- Rainy Day (Psychedelic Kitchen Sink Mix)
Line Up
- Nel Cave – Vocals & Lyrics
- Lou Welsby – Composer & Keyboards
- Tom Chaffer – Guitars & Programming
- Marcus Cave – Bass
Links
MySpace * ReverbNation * BandCamp * Facebook * Site
Dyonisis – “Dyonisis” (2007)
Independent Release
Review by Tony Cannella
Dyonisis hail from Sheffield, England. They feature not one, but two highly talented female singers in their ranks. The singers Lou Welsby and Nel Cave each add their own style and emotions to the proceedings. The band is completed by Tom Chaffer (guitars & programming) and Marcus Cave (bass). Dyonisis have just released their self-titled debut and it is an exercise in lush, ethereal soundscapes and a bit of the melancholy that really set it apart from many of the current crops of female fronted bands. “Hunter” starts things off and it is a great opener. The interplay between the two vocalists is nothing short of breathtaking. The harmonies between the two are very emotional and they keep the listener interested throughout. In fact, that is a real strength of the band. Next we have, “Reaching”, another melodic gem that keeps a nice pace going forward. “Xact” starts of with a cool riff from Tom Chaffer and then really takes flight. Perhaps, the highlight here is the 3-minute track “Pretty at a Distance”.This song features no music, just Lou and Nel‘s vocals acapella. The song has a very big feeling and the vocals have a choir-like feel to them. This is like nothing I have heard in quite some time and you have to give the high marks for trying something different – and it works! This song is nothing short of brilliant. “Remember Me” is another favorite. It has a vibe that is very emotional and from the heart. Other highlights include: “Winter”, “Step Away” and “Distance”.The 10-minute track “Rainy Day” brings things to a close on an epic note. Despite it’s length “Rainy Day” never gets boring and it is a perfect way to end things. I would be remiss if I didn’t mention the guitar work of Tom Chaffer. His playing is solid and he is the perfect fit for this band. To pigeonhole this band as just another metal band would be wrong. There are various influences and styles on display here and that is the strength of Dyonisis. There music may not be easily digestible for some, but after a few listens, I was headed for the ‘play’ button once again. I can’t say enough good things about them, I admire their originality and dedication. The bottom line is this, Dyonisis has a delivered an album of 9-songs and 46-minutes worth of avant-garde and ethereal music that was pleasing to these ears. I for one, can’t wait to see what they do next.
Rating – 90/100
Tracklist
- Hunter
- Reaching
- Xact
- Winter
- Pretty at a Distance
- Step Away
- Remember Me
- Distance
- Rainy Day
Line Up
- Nel Cave – Vocals
- Lou Welsby – Vocals
- Tom Chaffer – Guitars and Programming
- Marcus Cave – Bass
Links
MySpace * Reverbnation * BandCamp * Facebook * Site
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