Label : AFM Records
Review by Tony Cannella
The talent assembled on the debut album from Wolfpakk is a virtual who’s who of metal royalty. Wolfpakk is the brainchild of Michael Voss (ex-Casanova & Mad Max) and Mark Sweeney (ex-Crystal Ball) and for their debut they have lined up a serious array of talent. For 52-minutes you get straight-forward full-on power metal euphoria on Wolfpakk. The majority of the vocals are performed by Michael Voss and Mark Sweeney with contributions from the all star cast of singers and musicians. The opener “Sirens” sets the tempo with its high powered metal assault. The only female singer is Michaela Schober from Tanz der Vampire. She is featured prominently on the 3rd track “Lost” and does an outstanding job, in conjunction with the male singer. Other highlights include, the pounding “Dark Horizons”,”Slam Down the Hammer”, “Let Me Die” and the epic “Wolfony” which closes the album. For the most part, the songs maintain a powerful melodic base and solid songwriting and musicianship. Even though you have so many big names on board, it doesn’t automatically guarantee success, but fortunately, the material is pretty strong and on full display on Wolfpakk.
Rating – 83/100
- Dark Horizons
- Slam Down the Hammer
- The Crow
- Let Me Die
- Reptiles Kiss
- Ride the Bullet
- Michael Voss – Vocals
- Mark Sweeney – Vocals
- Paul Di’Anno – Vocals
- Tony Martin – Vocals
- Jeff Scott Soto – Vocals
- Rob Rock – Vocals
- Mark Boals – Vocals
- Tim Ripper Owens – Vocals
- Paul Shortino – Vocals
- Mark Fox – Vocals
- Michaela Schober – Vocals
- Jean-Marc Viller – Vocals
- Pearl & Molly Duncan – Vocals
- Jgor Gianola – Guitars
- Andy Midgeley – Guitars
- Ira Black – Guitars
- Torsten Koehne – Guitars
- Doc Heyne – Guitars
- Tommy Denander – Guitars
- Nadja Kossinskaja – Guitars
- Freddy Scherer – Guitars
- Olaf Lenk – Guitars
- George Solonos- Guitars
- Alessandro Delvecchio – Keyboards
- Ferdy Doernberg – Keyboards
- Tony Franklin – Bass
- Mat Sinner – Bass
- Matthias Rethmann – Bass
- Nils Middelhauve – Bass
- Neil Murray – Bass
- Barend Courbois – Bass
- Gereon Homann – Drums
Interview by Miriam “NocturnalConcerto”
Talking via Skype with a legend of the heavy metal is not one of your regular day, believe me but we’re able to track down Federica “Sister” De Boni, the legendary singer of the Italian defenders White Skull share with us some infos about the new album “Under This Flag” and a small chit chat about coming back in Italy and personal tastes. Hail on!
First of all Federica, welcome back in Italy!
Thank you dear!
How’s coming back in Italy after so much time and what’s the thing that you missed so much when you were in America?
It is amazing. Me and my family loved it here and were missing the Italian life. I think I missed my friends and metal the most. We lived in a State where country music rules.
A curiosity, what state?
I was saying Tennessee I was close hahah
Yeah …. just southern where the bible belt runs the place.
I totally got it.. I’m just wondering now one of those places with a wood bar all drinking beer and dancing country songs.. how you endure this, I mean your’re a real defender in the midst of some lousy rockers…
Ha ha ha I felt just like you said… just staying in my porch with hubby and kids listening to “House of Hair” (Dee Snider Heavy Metal Radio Show) part.
Well, I must say that it was a great choice for endure all that stuff, something to clutch on hahaha…
Yeah, pretty muche THE ONLY choice and a few occasional concerts of local metal bands but very few oh and also we used to watch “That Metal Show” on TV so well we had some choice.
Luckily you have had that too, in Italy (I mean nowadays) except maybe for Virgin Radio we haven’t nothing like that.. you’re away 10 years but from that point of view nothing changed unfortunatly…
I realized that when I came back but we can still go online and look for those shows, we need to be flexible and get what we can find, right?
Exactly.. the Italian TV and the radio are only good for commercial music sadly. There are so many HM bands here in Italy and deserve to be recognized, we need to go to concerts and support them.
It’s totally a good thing to do, support italian metal underground, in this case the HM genre.You know if the media is not supporting HM in Italy we have to stand up and support our way.
And I’m not to saying pleasentries now, I prefer to support underground instead of the big acts I mean the big big acts has already the right following of fans sometimes we need to look inside our country and give our support to this little bands but way back to us and if you are back in Italy, it’s natural that you’re back in White Skull. How’s was the first meeting with the guys, how’s after so much years (I remember to the readers that you left the band in 2000) being back in the White Skull squad?
I agree. I love big bands myself but just love to listen to what local (italian) bands come up with. It was just like it wasn’t that long… I mean, since the first rehearsal we connected immediatly. We wrote the new album in no time. That really blew my mind how simple and natural the return has been.
You know, for the startest when I have read the news that you were back in WS I was really happy and yes kind of surprised I must admit it, yesterday that I was nailing down some questions I was thinking about it “Damn, after 10 years that she didn’t record anything, would very hard for her” instead you tell me it easy maybe after all those years you still have had the “fire” burning inside you..
It comes natural for me. First I have known metal for 20 years or more, then I do have experience in song writing and most of all I do live Metal as my life style.
Everything helps.. well I’ve listened a little bit to the album congratulations.. it’s very clear and an HQ production, what you can tell me about its genesis? Despite the fact as you have stated before that come out in a natural way…
WS is known for the concept albums. This time we wanted to get away from the past and talk about something modern and close to us. Therefore we had close experience with the wars around us and wrote about it. I’ve been a soldier wife and had a lot to say about the warfare and here comes “Under This Flag”… fight for everything you care for.
And for this is reason that the cover album, if we compare to “Public Glory, Secret Agony” or “Tales from the North”, is more straight-in-your-face and very simply? Probably more direct but very powerful maybe means also “if we reunite us under a flag we can fight this wars (or evil) together”.. when I saw I thought this interpretation, can be right?
Damn right. We want to get the Metal headbanger to join us and fight for Metal. We will say it as loud as we can and for as long as we can. WS flag is really a stand to reunite what is left of metal…
Well, talking about gather around and female solidarity I’m curious to know how was being a woman singing in a heavy metal band in the 90s? It was difficult or haven’t had a model to follow? For what I know closest rode model that you have had at the times were Doro, Girlschool and Sabine Classen.
I was really lucky Tony believed I could do the job, in 1990 a woman singing Metal was sort of a “odd thing” even if Doro and Girlschool, Lita Ford and so on was around.
Maybe if we go deep deep in the italian underground we have Morgana, I don’t know if you know her she was singing in the 80s/first 90s.
I do know Morgana and she did really challanged the Metal scene, I am really proud of having been around since the 90s and back now.
You are a national heritage, I mean also if the media won’t promote the scene you’re one of the Italian precursor female singer..comes really hard to think (at least for me) a closest singer to confront with you.
Thank you. I feel I am just one of many that are here living what they believe.
Many CDs of your discography are sold out since ages, there are any planes to re-released them without spending a lot of money on eBay? I know that the Polish Metal Minds Production has re-released years ago (in 2008 to be precise) in a limited number of copies “Tales From The North” and “Public Glory, Secret Agony” but the stocks are gone, really really gone and for the young fans that are trying to collect and buy the first albums is a problem, are really hard to find and it’s kinda become utopistic have your entire discography.
I heard about it but this is the market and WS is unable to have a say about it. Sad but true YouTube helps this out by publishing the songs for free.
But if you face the truth you cannot earn anything from that…it’s not fair! I mean is disrespectful towards you, the musicians.
I know but as far as WS music is broadcasted we will be all right.
So you count that all that people that listen WS on YouTube will support at live concerts and buying the last releases?
YouTube will spread the word, get us more opportunities and maybe some CDs sold but as we said Metal is not the TREND right now but who cares, we will get our message through.
Maybe I’m talking the wrong person (I’m imagine that you collect a lot of vinyls/CDs) but do you think about the digital music stores like Itunes?
Sure Itunes can sell the music. But this will be our label sale policy to decide it.
But now I put the question in a more personal way, as music lover what do you prefer the CD format or the digital one?
Right now in a digital world it would make more sense to get it out via internet I just do love the CD with pictures and lyrics.
Because you can “feel” them right? I mean when I see my collection I still cannot believe it have it and collect them everytime I listen to them and have the booklet in my hand I feel very proud of myself..
Yes, it does become a personal matter, you have it and can ask the musician to autograph it just like your own treasure, so much worth it m/
Hahahah that’s true!! Well, we’re near the end what are the next planes talking live gigs and promotions? I hope you come again near where I live ’cause some years ago with the old band members WS played a gig!!
We have a lot of gigs on schedule and I do really hope we will have the chance to play in your area as well…I am sure we will meet someday! Keep the Metal on and since then … if it ain’ t Metal, well it’s crap!!!!!!!
That’s for true! As a final question I’ll asking you to greet freely you fans and our readers and thanks for this awesome interview, Sister!
To all the metal heads: have a blast !!! WS is back and ready to kick ass just come out and play!!! Thank you for this opportunity I’ve really enjoyed the interview.
Review by Tony Cannella
Lital (Tula) Imbari is an Israeli born singer/pianist currently living in Belgium. On her debut EP “Psychosomatic” you will hear her brand of emotionally heartfelt hard rock music. Tula, herself is an accomplished pianist and that is quite evident while listening to the 4-tracks provided here. “My Music My Drug” starts off with a slow tempo before slowly building and becoming a huge sounding opener. The first thing that struck me about “Psychosomatic” is the potential commercial viability that the CD possesses, thanks in part to Tula’s passionate vocal delivery. The next track, “Hey You” begins with a piano and a bit of orchestration and transcends into a haunting ballad/mid-tempo rocker. Again, Tula’s voice really shines through and the choir vocals near the end of the track really pushed this one over-the-top for me. Track 3, “Psychosomatic” begins with piano once again and the breathy vocals of Tula join in. The final track, “Trees Can Cry” brings the CD to a great, moody conclusion, and sees Tula sharing vocals with a male to close things out. There is something infinitely like-able about Tula and her freshman offering “Psychosomatic”. Perhaps it is the fact that it is quite different than the usual female fronted stuff that is out there these days. No opera, grunts, power metal anywhere in sight. Of course, the female metal genre has never been in better shape than it is now and Tula is an exciting new voice that is sure to draw attention.
Rating – 85/100
- My Music My Drug
- Hey You
- Trees Can Cry
- Lital (Tula) Imbari (Van Steenbergen) – Vocals, Piano, Keyboards
Rating – 85/100
- We Are Coming
- Feel My Rage
- Attle and Bleda
- Forever Fight
- Boudicca’s Speech
- A Mother’s Revenge
- Heavy Metal Axes
- Beer, Cheers
- Elisa “Over” De Palma – Vocals
- Tony “Mad” Fontò – Rhythm Guitar
- Danilo Bar – Lead Guitar
- Alessio Lucatti – Keyboards
- Jo Raddi – Bass
- Alex Mantiero – Drums
Style switcher only on this demo version. Theme styles can be changed from Options page.
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