Label : Sleazy Rider Records
Review by Tony Cannella
It’s always a risky proposition when a band replaces their lead singer. Well, imagine replacing two. That is just the situation that the Brazilian symphonic metal band Thy Symphony finds themselves in. Gone are the two lead vocalists (Camila and Alan) from their debut album “Harmonizing the World”. Now, with the release of their sophomore album “A New Beginning” (very aptly titled) the band is joined by the new vocal duo of Karina Bonizi and Leandro Baracho.
The ultra cinematic intro “Hope and Fear” segues into the inter mingling of heavy guitar driven music with Tarja-era style symphony dominated music on the track “Galaxy’s Great Eye”. Continue reading »
Review by Luisa Mercier
Greek combo Korrigan released in 2010 their first full-length, after a demo and a promo EP. The kind of music that they deliver us is a very melodic death metal with a lot of atmosphere. All of the nine songs are very well written, maybe there is not one that really stands out, but the quality is really high.
Main influences come from the past: their Greek companions Septic Flesh, but also Amorphis, Tiamat and gothic masters Tristania. Listen for example to “Suicidal Urges”, the heavy riffs are graced by keyboards and beautiful female vocals provided by Zoe. Another important element in Korrigan‘s music is the violin, which makes everything more elegant as you can see in “As Sanity Fades”, while in “Hopeless Times” there are some black-metal blast beats! “Endowed by the Ruins” is the longest track on the album and has a quite progressive feeling: from calm moments to faster and heavier ones. Continue reading »
Interview by Erwin Van Dijk
I reviewed the debut album of Ex Libris some time ago and I thought this was a good album and it gave me a better impression of this band than the Ex Libris gig I attended more than a year ago at the A New Dawn album presentation. But the Baroeg is a very difficult place for a band to perform. This interview is with Dianne van Giersbergen, the singer of Ex Libris.
Before we start this question: are you related to Anneke van Giersbergen? (in case you did not know, Giersbergen is a small hamlet in the south of the Netherlands)
Many people ask me this question but no I am not related to her. We share the same surname but are very different in voice type and vocal techniques. I like her style though.
Did you always want to become a singer and did you follow any singing lessons?
Yes! As a child I listened to the popular female singers all the time (for example Whitney Houston) and I became fascinated by the versatility of the human voice. I often found myself dreaming of being on stage in a big concert hall performing all kinds of music. My parents noticed my interest in music at a very early age and arranged my first singing lesson as a present for my fourth birthday. At the age of 7 I sang my first solo with a brass band in a Christmas concert. Over time I was taught by several teachers and joined various choirs. When I was 17 I sang at a prom concert with a wind orchestra. It was here that I met conductor and vocal coach Sef Pijpers (sr.) who was very enthusiastic about my voice and offered to give me singing lessons, eartraining and theory lessons. With his help I entered the auditions for classical singing at the ArtEZ Institute of the Arts, School of Music in Arnhem where I was accepted in 2005. Last summer I graduated from the bachelor program and currently I am in my first year of the master programme.
What do you do to keep your voice in top condition?
You may think of my vocal chords as my instrument but without a healthy body to support good breathing techniques I cannot sing anything. For a singer is it very important to live healthily and to keep your body in good condition. The four things I always keep in mind are: eat healthy food (I make sure I am eating enough fruit, vegetables, nuts and seeds, proteins, vitamins and minerals). Sports (I take dance lessons and often go indoor climbing). Have enough sleep (I wake up at seven o’clock and go to sleep at ten thirty when I do not have a concert or gig). Listen to your body! Furthermore I always make sure to keep away from places where people smoke. To keep my voice flexible I practice a lot. Five to six days a week I start my day at eight thirty: I vocalize for a half hour, after that I study for two hours and take a short break. After this break I study for another hour and take a lunch break. In the afternoon I mostly have rehearsals with classical ensembles, lessons, concert meetings or I do my research. In the evening I sing concerts, teach, work out or study some more. On evenings off or Sundays I rehearse with Ex Libris or make time for friends and family.
To what kind of music do you listen? And who are your favourite bands and musicians?
When I have the time to really sit down and listen to music I prefer to listen to classical music, mostly choir pieces, songs and opera. My favorite composers are Wagner, Rachmaninov, Zemlinsky, Berg and Verdi. When I am travelling I often listen to Anathema, Muse, Skunk Anansie, Dream Theater and Unexpect. Unexpect in particular is one of my new-found favorite bands! It is really like modern classical music.
Did you have any other bands before Ex Libris and/or are you active in any other bands now besides Ex Libris?
No, Ex Libris is the only metal band I have ever been a member of. I did some projects with other bands but this was not in the metal genre. Though I would like to do some metal projects outside of Ex Libris I do not think that I could find the time and energy for another steady band next to Ex Libris, my classical study and career.
And how did you became a member of Ex Libris?
When I was 16 years old I had singing lessons at the local school of music. It was here that I met Joost van de Pas who was studying drums and classical percussion. He and I connected almost immediately and we decided to form a band together. We shared a great interest for both classical and metal music and we set out to find other musicians with the same interest. Over the years several musicians joined and left our band that was then called Erinyen. When Paul van de Broek and later Koen Stam joined the band we knew this was a formation that could really work and we decided to change the name of the band to Ex Libris.
Why did you guys choose the name Ex Libris as name for the band?
Joost came up with the name. He was looking through the portfolio of his brother in law, who is a graphic designer. In this portfolio he found a project called Ex Libris and he was immediately convinced that this was a name that really suited the band and its music. An Ex Libris is used to indicate ownership of products of a craft-guild and can come in different forms like a seal, stamp or a brand. You could say that by naming the band Ex Libris we would like to brand our products as our own.
How would you describe your music?
When people from the metal scene ask me what kind of music we make I always say that it is progressive metal with classical influences. When people from the classical scene ask me what kind of music we make I tell them that It is music inspired by late romantic music as well as modern classical music played on metal instruments. What it comes down to is that the music really sounds like progressive metal, surely everyone will recognize hints of Dream Theater in our music, but has the features of a classical work. Especially the new album, which will be about the epic tale of “Medea” from the Greek mythology, will be filled with classical techniques like for example Wagner’s leitmotiv.
What makes Ex Libris unique compared to all the other female fronted metal bands in the world?
I think there are two important things about Ex Libris which makes us different from the other bands. First of all there is my voice. The female voice can be divided into three categories: alto, mezzo-soprano and soprano. Within these categories there are different types of voices named according to the colour of the voice: the Coloratura soprano is a very light voice which is very good at singing fast movements, the lyric soprano has a very bright voice and the dramatic soprano has a powerful and rich voice. Nowadays you see many metal bands with a (classical trained) soprano as their lead singer, almost all of them are lyric sopranos. I myself am a dramatic soprano. The way my voice harmonizes with metal music is totally different from the way for instance a lyric soprano’s voice would do. The range of the dramatic soprano enables met to sing both low and high notes powerfully. This results in a fuller sound. Secondly I think that it is very important to note that within the music of Ex Libris my voice is one of the instruments and not the lead instrument which the music should be built around. I do not want to be a singer who is accompanied by her band and do not believe that that is the recipe for good music.
Can you introduce us to the other members of Ex Libris?
Sure! We have Paul van de Broek on lead guitar, Koen Stam on keys, Peter den Bakker on bass guitar and Joost van de Pas on drums. Each one of them brings a different aspect to the sound that is Ex Libris and all are very talented and driven musicians. Next to musicianship there is also friendship. Though Joost has been my best friend since I met him we are all very close to each other. We often go to concerts and festivals together and plan a band getaway (last year we went to Paris for the weekend) every year.
You are looking for a new guitarist. For what kind of person are you looking for?
We were looking for a new guitarist but we are not anymore. We listened to one of the recordings of a show we did with the five of us and to our surprise it still sounded very good. We then decided to merge the lines of the second guitar into the existing lines of the lead guitar and synthesiser.
Is song writing teamwork in Ex Libris?
Mostly it is. The guys get together and write the music to which Koen and I later put vocal lines. The lyrics are mostly mine.
Where do you get the inspiration for the lyrics and the music? And can you tell us something about the songs on the album?
For me the inspiration for the “Amygdala” album came from personal experience. The lyrics on the album are about problems I have been dealing with, thoughts I had and statements I wanted to make. In the first song on the album: “Dawn of Sugars”, I talk about my frustrations with people who do not dare to be individuals. People who agree with everything their government or religion tells them and do not take a moment to think for themselves. The second song “Love Is Thy Sin” is about a relationship gone bad. In the song I try to explain to my former girlfriend that I wish she did not love me for then I did not have to hurt her by breaking up. “Breathe With Me”, the third song on the album, is about the power and emotions you feel when someone is craving for your body and you are craving for theirs. The songs “Sail…”, “…Out To Farewell” and “Death Becomes Us All” are combined into one epic. These songs tell the tale of a fisherman who sets out to sea and drowns. For me it resembles the end of my relationship with Joost van de Pas. We were together for 3/5 years and could not live with nor without each other. While I wrote my feelings into the lyrics of the epos, Joost wrote the lyrics to the song “Destined” about our breakup. The last song on the album “The Day Our Paths End” is about me becoming an atheist.
Which one is your favourite song on the album?
I cannot say that I prefer one song. They are all very different in style, lyrics and vocal techniques and I enjoy singing and listening to all of them.
Speaking of the songs, my copy of “Amygdala” had a rather confusing track list. Was this intended or went something wrong with the lay out?
Haha! No, nothing went wrong with the layout. The track list is the order in which we wrote the songs. So for example the first song on the album is the fourth song we wrote and the first song we wrote is the third song on the album. The number ½ stands for the twelfth song. The songs two, three, five and ten are not on the album because they did not suit our style anymore or because they will appear on our next album.
Why did you choose “Destined” vas song for the “Beauty and Brutality” album?
Peter chose the song “Destined” to be on the “Beauty and Brutality” album. The song has a very compact sound and a strong pulse and matched the time maximum of 7 minutes.
The album was released some time ago. How did the media reviewed the new album?
We were very happy to receive many good reviews for our “Amygdala” album from both fans and critics. The compositions of our songs, technical skills of our members and promise of new sound within progressive metal impressed many people.
And the last question, is there anything the reader should know that I have not asked?
Haha, good question! I think there is a lot to know about me and Ex Libris but it is up to you to dare and ask me.
Interview by Robin Stryker
Good things come to those who wait. In this case, a thirteen-year wait has brought the metal scene a lovely slab of eclectic tunes from Italian speed/progressive metal band, Darksky. Femme Metal chatted with Alis Bos to learn what happens when musicians with interests in classical, power, progressive, thrash, rock and pop come together.
Hello Alis, and congratulations on Darksky’s full-length debut album “Where Angels Hide”! Is the album everything you hoped it would be?
Hello Robin, first of all I want to thank you for the opportunity of giving this interview. Concerning “Where Angels Hide” I can say I’m really satisfied … Even if it’s already time for us to think about our next release!
Why did Darksky choose “Where Angels Hide” for the album’s title?
We have chosen this title because it well reflects the concepts we talk about in our lyrics. These ideas are also emphasized by the cover of the album. The lyrics deal with important themes like sin, salvation, decadence and love. We liked the idea that even the purest being (an angel) could be attracted to human weaknesses, escaping from Heaven in order to hide in an unknown place. The listener should find this secret place!
The album includes a lot of different musical styles — progressive metal, speed metal, symphonic metal, gothic rock, and even a bit of electronica. What three words do you think best describe Darksky’s sound?
Innovative, dynamic and… romantic!
What were the challenges of self-releasing an album like, “Where Angels Hide”?
Well, working on an album is not so easy and we made a lot of efforts (for executive production too!). Before the release, you can’t even know if the people would appreciate it!
I can listen to “The Last Rose” again and again without ever getting tired of it. Which song means the most to you, and why? Do you have a favourite song to perform live?
The song which is nearest to my personality is “The Colour of Dreams” because at the beginning it is sweet like a ballad then there is a “strange” break and finally it explodes with a Metal ending. And I am like that!! My favourite song to perform on stage is “Lightstorm”!
The band was formed in 1997 by brothers, Francesco (guitar) and Max Diblasio (keyboards), as a male-fronted band. How did you become the vocalist for Darksky?
I have been part of Darksky since 2001, after the ending of my collaboration with Thy Sirma. I felt like doing something new, but always related with the Metal sphere. I liked Darksky’s new compositions (“Crimson Butterfly”) very much because they combined the power of Metal with melodic parts. We made some rehearsals and… here I am!
Did you always know you wanted to be a singer, or did you consider other paths for your life?
I would like to be a professional singer but… no strings pulled! (laugh) I think that my voice is my best quality; I was born with music in my own blood and I have always been quite in tune. But I started studying music late, at age sixteen.
Would you please tell us a bit about your musical background and the backgrounds of the other band members?
My greatest luck was to meet a very special singing teacher: Carola Caruso. She built my voice, my own personality, and I want to thank her for this. I am still studying with Carola! The Diblasio brothers (Guitars and Keyboards) have a Classical/Power/Progressive Metal background. Davide Martinelli (Drums) comes from Thrash and Progressive Metal and our bass player Paolo Sciaresa loves Pop, Rock, and Metal in general.
Comparing the versions of “Lux Aeterna” on the mini-CD “Crimson Butterfly” (2005) and on “Where Angels Hide”, the two versions sound quite different, particularly with the growling male vocals on the earlier version. Why did Darksky pick this song to re-record for the new album?
“Lux Aeterna” was the “Crimson Butterfly” song that obtained the best success. In the meantime, our line-up changed and musical evolution brought us to release it again in a lighter and more particular version.
In what ways did Darksky’s music evolve between “Crimson Butterfly” and “Where Angels Hide”?
I think there is a big difference between the two works. “Where Angels Hide” is surely the result of a work done with higher maturity and consciousness. “Crimson Butterfly” is a “sharper” work in which we all were in the quest of our personality. In the new album we added some electronics and more catchy melodies. Moreover, the instrumental parts have been designed expressly for my voice.
When Alessandro Bertagna left the band, did Darksky consider getting another male growler?
In the beginning, we thought about it, but then, we understood that my voice was enough!
Having been in a couple of bands (S.K.A. and Thy Sirma) and provided vocals on Monumentum’s “Ad Nauseam” album, how has your experience with Darksky compared?
They are all different experiences, but Darksky is the most gratifying one! In my past bands, I have always felt myself like a performer of somebody else’s ideas … With Darksky, I can sing what my soul wants to express; so I can show how I really am and, in my opinion, this is the best union!
Andrea Stefanelli is a guest vocalist on the song “A Way Out for the Sinner”. Did you know him from when you both recorded vocals for “Ad Nauseam” or some other way?
Andrea and me, we are old friends. We have known each other before the duet on Monumentum’s “Ad Nauseam” album. I think our voices are on a pretty wavelength, so I like to sing with him very much. I hope we will have other common projects in the future!
You have been part of Italy’s music scene for more than 15 years now. What are the biggest changes you have noticed during that time, whether good or bad?
There were not big changes in Italian scene… here in our country, you always have to fight. Abroad, the “Metal woman” role has had a big success in these years, so I hope we will get positive feedback and success in another country, sooner or later. In other countries, like England or the U.S.A., people are more into going to live shows, even if a band is not that famous. Sometimes, here in Italy you have to pay if you want to play live, and nobody cares about new and promising bands, overall if they come from Italy. There is a sort of xenophilia.
What are your goals for the future of Darksky?
We are already composing new tracks for the next album that will be a concept about man’s multiple personality. The new thing is that, for the first time, I will write all the lyrics. And I am really excited!
Thank you for talking with us today, Alis! Do you have any parting words for your fans at Femme Metal?
I want to thank everyone who supports Darksky and listens to our music. I want them to know this is really important for me and the band. And thanks to Femme Metal for this opportunity and for the nice interview!
Review by Tony Cannella
Brazil’s dark Symphonic/Gothic Metal band Iluminato came to fruition in 2010. The band is comprised of two full-time members. Female vocalist Liz Demier is joined by the bands founder Pablo Ferreira – who also adds Grunts and Guitars to the mix – on their debut release “Reflections of Humanity”. With a playing time of only 37-minutes long “Reflections of Humanity” is a pretty relentless slab of metal that brings forth plenty of aggression combined with healthy doses of melody. The opening track “Helm of Blindness” starts us off with a mournful violin intro before the track kicks into high gear. Female vocalist Liz Demier offers an operatic style which is offset by the guttural screams of Pablo Ferreira. The second track “Hypocrisy” brings the intensity up a notch with its brutal thrash metal style and is a track that I wanted to hear over and over again, this – in my opinion – was the best song on an album filled with such strong material. “Betrayed Soul” slows the tempo down a bit and evolves into a cool, melodic number. “Howard Beale” is next and uses an excerpt from the mid-seventies American film Network. This leads us into the pounding “Imperial Heart”. “Aurea” quickly became another favorite and it shows the diversity that Iluminato are capable of with a part ballad/part mid-tempo heavy style, the vocals between Liz and Pablo are really the highlight of the song for me. “Diana Christensen” is another intro track that uses another bit from Network and segues into the next track “Hell”. If you think with a title like “Hell” this would be one of the heavier tracks, you would be correct. “Reflections of Humanity” is brought to a beautiful conclusion with the final two songs “The Last Road” and “My Astral Home” which is a striking ballad highlighting the voice of Liz and only lasts for about 2-minutes. Despite its rather short playing time “Reflections of Humanity” definitely goes in for the kill and gets the job done. Iluminato has delivered a fine debut that should please fans of (old) Tristania, The Sins of Thy Beloved and Draconian.
Rating – 86/100
- Helm of Blindness
- Betrayed Soul
- Howard Beale
- Imperial Heart
- Diana Christensen
- The Last Road
- My Astral Home
- Liz Demier – Female Vocals
- Pablo Ferreira – Grunts, Guitars
Style switcher only on this demo version. Theme styles can be changed from Options page.
- Kari Rueslåtten – “Time to Tell” (2014)
- Nervosa – “Victim of Yourself” (2014)
- Noora Federley – Seremonia
- Delain – “The Human Contradiction” (2014)
- Anette Olzon – “Shine” (2014)
- Destrose – “Destrose” (2013)
- Destrose – “Destrose” (2013) JAP version
- Rainover – “Transcending the Blue and Drifting Into Rebirth” (2014)
- Leaves – “This is the Time” EP (2013)
- Tuomas Holopainen
- Jody Quine
- Grace Solero – “Hundred Years Apart” (2013)
- Agharti – “Change” (2013)
- Mental Defect – “Longplayer” (2011)
- MandragorA Scream – “Luciferland” (2012)
- La Strange – “Queen of Disguise” (2012)
- La Luz – “It’s Alive” (2013)
- Meg Myers – “Make a Shadow” EP (2014)
- Madness of the Night – “The Asgarda” (2013)
- Morena Rozzi – Macbeth (ITA)
- Morena Rozzi – Macbeth (ENG)
- Macbeth – “Neo Gothic Propaganda” (2014)
- Mariangela Demurtas – Tristania
- Anna Beliva – “Fire” (2013)
- Valkyre – “Our Glorious Demise” (2014)
- Inga Scharf – Van Canto
- Van Canto – “Dawn of the Brave” (2014)
- Adna – “Night” (2014)
- Birgit Muggenthaler-Schmack – Schandmaul