MOTHS – The truth about the Seven Deadly Sins

Hailing from San Juan, Puerto Rico, MATHS is a Progressive Metal band known for their effortless ability to blend complex elements of Progressive Metal with the heaviness of Stoner and Doom, the intricacy of Math Rock, and the improvisational flair of Jazz. Their upcoming release marks the debut of powerful new vocalist Mariel Viruet, and is heavily inspired by the concept of the Seven Deadly Sins. Set for an independent release on August 1, 2025, this album promises to be a bold and dynamic statement from one of Puerto Rico’s most boundary-pushing metal acts. We spoke together with guitarist Weslie Negrón and singer Mariel Viruet.
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HEAVY TEMPLE & HOWLING GIANT: EU tour

US-bands HEAVY TEMPLE from Philadelphia, PA and Nashville, Tennessee’s HOWLING GIANT will both make their first journey overseas for a co-headlining European tour in advance of their upcoming new albums.
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HIGH FIGHTER – “Champain” (2019)

Argonauta Records Review by Warren Mayocchi In 2016 High Fighter released their first full length album, “Scars and Crosses”. It had an interesting cover and good songs. They are back…
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Harriet Bevan – Black Moth

Interview by Miriam C. Leeds’s stoner rock/metal quintet Black Moth, in this recent period, has positively impressed with their third sophomore full-length “Anatomical Venus” released via Candlelight Records this past March.…
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Mona Miluski – High Fighter

Interview by Miriam C. For the German singer Mona Miluski isn’t her first rodeo because back in 2013 she debuted on the only (sigh!) full-lenght released by A Million Miles…
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Miriam Granatello – Nebulae

Interview by Arianna G. The universe and its wonders. This is a topic that we’ve started to get in touch with since the dawn of time by Niccolò Copernico and…
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ZUN – “Burial Sunrise” (2016)

Label: Small Stone Recordings Review by Warren Mayocchi There is a laid back atmosphere on “Burial Sunrise”, so it came as no surprise to discover ZUN are considered a desert…
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Black Mountain – “IV” (2016)

Label: Jagjaguwar Review by Warren Mayocchi Fuzzy guitars, spacey keyboards, drawling vocals are all ingredients on Black Mountain‘s “IV” album. They seem to have displayed their influences prominently on their…
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