BLACKWATER HOLYLIGHT – “Silence/Motion” (2021)
Portland’s hard doom quartet Blackwater Holylight is back with their third LP. BLACKWATER HOLYLIGHT – “Silence/Motion” (2021)
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JULIA MARCELL – “Skull Echo” (2020)
Long Branch Records Review by Warren Mayocchi Julia Marcell was born in the early Eighties and “Skull Echo” is more than a passing hint to the bouncing synth tunes she…
Auri – “Auri” (2018)
Label: Nuclear Blast Records Review by Tony Cannella Since the last Nightwish tour, Tuomas Holopainen and Troy Donockley have used their “off-time” wisely and effectively. The duo has joined voices…
Igorrr – “Savage Sinusoid” (2017)
Label: Metal Blade Records Review by Michelle Henriquez The project that started with Gautier Serre evolved into a multifaceted interception of genres, in which metal, electronics, classical music and Balkan…
Operose – “Footprints in the Hourglass” (2017)
Label: Lion Music Review by Tony Cannella From the United Kingdom, Operose is a progressive metal band. With their debut album, “Footprints in the Hourglass”, the band displays a whole lot…
Liv Sin – “Follow Me” (2017)
Label: Despotz Records Review by Tony Cannella I always felt like the Swedish band Sister Sin never got their due. They put out some great music over the course of…
Glass Delirium – “Honey Blood” EP (2017)
Independent Release Review by Tony Cannella Glass Delirium first came into existence in Denver, Colorado in 2008. A year later they released their debut album “Thanks to a Monster’s Many…
Rebekka Karijord – “Mother Tongue” (2017)
Label: Control Freak Kitten Records Review by Warren Mayocchi “Mother tongue” typically refers to the first language a person learns to speak – the same language as one’s parents. Though,…
Penumbra – “Era 4.0” (2015)
Independent Release Review by Tony Cannella After an absence of 12-years the French Gothic metal band Penumbra has returned. Actually, their latest album “Era 4.0” (which happens to be their…
Afterlife Symphony – “Moment Between Lives” (2016)
Label: Revalve Records Review by Tony Cannella The symphonic metal scene has never been healthier, particularly among female fronted bands. There are so many cool bands to choose from. One…
Leaves’ Eyes – “Fires in the North” EP (2016)
Label: AFM Records Review by Tony Cannella When it was announced that Liv Kristine had left Leaves’ Eyes, the band that she co-founded it came as a huge shock to…
Ataraxia – “Deep Blue Firmament” (2016)
Label: Sleazy Rider Records Review by Warren Mayocchi Tranquillity is the short translation of Ataraxia, they are of course also a band with a massive output – they have created…
Garbage – “Strange Little Birds” (2016)
Label: Stunvolume/BMG/PIAS Review by Tony Cannella The legendary band Garbage returns with their sixth album and first in 4 years, “Strange Little Birds”. Throughout their 20 plus year history, Garbage…
Delain – “Moonbathers” (2016)
Label: Napalm Records Review by Tony Cannella It’s always exciting when one of your favorite bands releases a new album. Rightly or wrongly expectations are always so high, that it…
Celestial Ruin – “Pandora” EP (2016)
Independent Release Review by Tony Cannella Celestial Ruin is a female-fronted symphonic metal band from Vancouver, Canada. The band released their very good debut EP “The Awakening” in 2012 and…
Silent Cry – “Hypnosis” (2016)
Label: Megahard Records Review by Warren Mayocchi The words “Silent Cry” evoke thoughts of hidden agony, or the image of a young child in so much pain they do not…
Lita Ford – “Time Capsule” (2016)
Label: SPV Review by Tony Cannella Lita Ford is a legend: there can be no doubt about that. When she returned with her wildly received (and deservedly so) comeback album…
Delain – “Lunar Prelude” EP (2016)
Label: Napalm Records Review by Tony Cannella The Dutch Symphonic metal band Delain returns with a new EP, “Lunar Prelude”. The band has been a touring machine over the last…
Temma, Yoko, Shin & Kei – URBANGARDE
Interview by Miriam C. Japan, musically speaking, is a wonderland. Out of the blue, I’m not getting crazy : I’m simply stating the obvious. If in the 90’s the Japanese…
Girlschool – “Guilty As Sin” (2015)
Label: UDR Review by Tony Cannella Girlschool is a legendary band. They may not have had the success that a few of their New Wave of British Heavy Metal contemporaries…